Abstract

Диалог в сюрреализме и конструирование групповой идентичности («Процесс над Барресом», 1921)

Highlights

  • The article is devoted to the study of dialogue in the surrealist work “The Process of Barres” and its role in the construction of the collective identity

  • The surrealists turn the dialogue into a meta-technique: on the one hand, it is often used as a creative tool, with its help collective works are created and surreal practices are transformed; on the other hand, the focus on dialogue within the group characterizes the special forms of social interaction among the surrealists

  • We will talk about group communication and how collective dialogue, imposing moral and ethical restrictions on participants, forms collective identity and prepares the final break of Breton’s group with DADA

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Summary

Introduction

The article is devoted to the study of dialogue in the surrealist work “The Process of Barres” and its role in the construction of the collective identity. Диалог в сюрреализме и конструирование групповой идентичности («Процесс над Барресом», 1921)

Results
Conclusion

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