Abstract
The article emphasizes the importance and relevance of studying the terminological aspects of the Kyrgyz musical culture in a theoretical context. Scientific and theoretical research is one of the conditions for the formation of personality in a positive way. The process of personality formation at the moment is largely spontaneous, and the younger generation, who are not enlightened in the aspect of music, most often finds itself under the influence of musical products of dubious quality. Obviously, the need to create a system of natural, harmonious advanced musical culture, which affects the conceptual and terminological basis of the study of the problem. Some terms, concepts of the Kyrgyz musical culture are considered.
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