Abstract
The article analyzes the original model of comical of B. Werber embodied in the novel «The Laughter of Cyclops» that led the writer to address theoretical works of H. Bergson — «Laughter» and S. Freud — «Jokes and Their Relation to the Unconscious» positions of which were transformed into imaginative structure of this work, and also considers the specifi city of «implicit interpretation» of the «comic concept» of G. Bataille by French writer
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
More From: Науковий вісник Київського національного університету театру, кіно і телебачення імені І.К.Карпенка-Карого
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.