ФОЛЬКЛОРНИЙ РЕСУРС НАЦІОНАЛЬНОЇ КУЛЬТУРИ ЯК ІДЕОЛОГІЧНА ПЛАТФОРМА ПРЯМОСТОЯННЯ УКРАЇНЦІВ У ВІЙНІ

Abstract

The article is devoted to the study of the current state of folklore text creation and author's text folklorism in the conditions of the russian-Ukrainian’s war active phase. Considering the previous theoretical works on the issue, the author of the article adds obscure data to the military cultural discourse, which can become a methodological tool for identifying the patterns of folklore meaning generation and the creative reception of the folklore element by the author's subjection in order to establish conventional links between the author and the audience, for the consolidation of national concepts of all the participants of cultural communication. The object of analysis of the article are the materials obtained from social Internet networks and the YouTube platform, the texts of oral histories that have the potential to be folklorized within a definite folklore group, and the author's artistic texts, the source of which were folklore allusions and reminiscences. The researcher focuses on the subjects of the author's and collective subjectivity interaction, notes the levels of stylization of the author's interpretation and the possibilities of genre transitions caused by the change in the function of the variant, and also concludes about the loss of the ritual function in favour of the psychotherapeutic and social program. The author of the article extrapolates the data of the motif-motive index of the folklore repertoire of the 20th century world wars (O. Kuzmenko) to the motif series in its motivic and allomotive textual realization of new works and reveals coincidences, which indicates the prospect of their folklorization at least at the level of family memorabilia. Variability remains a defining marker of folklorization of an author's work: only periodic monitoring of this content through repeated fixation will allow us to draw final conclusions. The studio presents the possibilities of the Internet platform not only as a "laboratory" of folklore text creation, but also as the highest method of mediated transmission of both classical folklore forms and traditional ideas - the "building material" of new formations.