Abstract
This study aims to explore the direction of continuous expansion of modern ceramic decoration creation based on the origin of Linglong porcelain works and the development status of decorative techniques, and pays particular attention to the succession and innovation of traditional and modern decorative techniques of Linglong porcelain in China and Japan. To this end, Linglong porcelain works by Chinese yinglong porcelain brands and Japanese yinglong porcelain artists were selected and case studies were conducted, and Linglong porcelain decorative techniques were divided into three categories: ‘painting technique, colored yinglong porcelain technique, and transfer technique’ and examined. Chinese and Japanese ceramic creations have had differences in aesthetic aspects since the beginning of design, and although they are the same Linglong porcelain development and creation, the effects of expression, techniques, and crafts are all different. Chinese Linglong porcelain works developed within the history of Chinese porcelain, and Chinese Linglong porcelain works in general still maintain the traditional concept and historical awareness of Chinese porcelain, and also have innovative concepts. Japanese Linglong porcelain works developed relatively late, but they have modern characteristics. This study explores the succession and innovation of traditional and modern decorative techniques of Linglong porcelain from China and Japan, and aims to contribute to the future design and creation of Linglong porcelain and the development of Linglong porcelain decorative techniques.
Published Version
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