Концепт (не)возвращения в поэзии Г. Иванова и Г. Адамовича (к 100-летию эмиграции)

Abstract

The article deals with the reconstruction of the concept of (non)return in the lyrical poetry of G. Adamovich and G. Ivanov. The concept is considered in two ways: as an image in the space of culture and as a methodological formula for the analysis of images of the artistic consciousness. The main lexical means of representing the concept are cognate verb forms, the most frequent of which is the verb “return”. It is assumed that the core of the concept of (non)return is the topological scheme of movement, including the subject of movement, the route, the environment, the means of movement, and the assessment of the result of movement. It is shown how the basic scheme varies in the texts of the two poets. The adaptations of the basic scheme of movement differ in the conceptualization of the method and environment of movement in the texts of G. Adamovich, in manifold figurative interpretation of the starting and ending points of the path in the poetry of G. Ivanov. In the poetry of G. Ivanov, the valency of the locative with the verb to return is filled with three lexemes: to Russia, to St. Petersburg, home. The images of Russia and the home are internally antinomic. Russia unites three mental spaces of the artistic world: Russia-empire, Soviet Russia and an imaginary homeland. Figurative representations of home range from ideas of an abandoned homeland to the last refuge in eternity. For the St. Petersburg poets G. Ivanov and G. Adamovich, the idea of returning to Russia was invariably associated with the image of St. Petersburg, causing the appearance of elements of the St. Petersburg text. The space of return is the space of their shared memory. The antinomic nature of the concept is confirmed both by its lexical representations and by the ambivalence of the assessment of the idea itself and of the possibility of returning home.