Abstract

Objectives of the paper: 1) To analyse Emil Staiger’s theoretical position and to reveal the reason I consider it anti-modern; 2) To compare his position to the one maintained by some ideologists of socialist realism in the same decade, and to outline similarities and differences. I pay more attention to the antimodernist and concept of Michail Al. Lifshitz; 3) To ground my opinion that the ideology of socialist realism in the 1960-ies is also anti-modern; 4) To expand the analysis with a brief introduction of Hans Sedlmayr’s attitude, and to explain why it is anti-modern as well; 5) To give an answer to the question what the social function of the anti-modern attitude is. I use a critical comparative approach to the original sources, asking for the social functions of the analysed concepts. The paper is a part of a monograph in progress on the works of Emil Staiger and on some anti-modern concepts in the reflexion on literature and on visual art in West and in the East of Europe in the 20th century.

Highlights

  • The paper is a part of a monograph in progress on the works of Emil Staiger and on some antimodern concepts in the reflexion on literature and on visual art in West and in the East of Europe in the 20th century

  • AGAINST MODERNITY: THE CONCEPTS OF EMIL STAIGER, MICHAIL LIFSHITZ AND HANS SEDLMAYR

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Summary

Introduction

Усилие Штайгера состоит в том, чтобы способ мышления Шиллера, Гете или Гердера стал и его способом, чтобы он мыслил их понятиями. В нескольких местах Штайгер заявляет с подходящей для случая приподнятостью свое кредо по поводу отношения между историком и прошлым: историк стремится представить прошлое так чисто и непосредственно, что сам же исчезает; в этом его счастье. И какие именно из произведений первой половины ХХ века равноценны для Штайгера тем, что создавались между 1770 и 1830 гг.?

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