Abstract
Objectives of the paper: 1) To analyse Emil Staiger’s theoretical position and to reveal the reason I consider it anti-modern; 2) To compare his position to the one maintained by some ideologists of socialist realism in the same decade, and to outline similarities and differences. I pay more attention to the antimodernist and concept of Michail Al. Lifshitz; 3) To ground my opinion that the ideology of socialist realism in the 1960-ies is also anti-modern; 4) To expand the analysis with a brief introduction of Hans Sedlmayr’s attitude, and to explain why it is anti-modern as well; 5) To give an answer to the question what the social function of the anti-modern attitude is. I use a critical comparative approach to the original sources, asking for the social functions of the analysed concepts. The paper is a part of a monograph in progress on the works of Emil Staiger and on some anti-modern concepts in the reflexion on literature and on visual art in West and in the East of Europe in the 20th century.
Highlights
Цілі статті: 1) проаналізувати позицію Еміля Штайґера в 1960-ті рр
The paper is a part of a monograph in progress on the works of Emil Staiger and on some antimodern concepts in the reflexion on literature and on visual art in West and in the East of Europe in the 20th century
Summary
Цілі статті: 1) проаналізувати позицію Еміля Штайґера в 1960-ті рр. І обгрунтувати, чому я вважаю її антимодерною; 2) зіставити його позицію з позицією ідеологів соціалістичного реалізму того ж десятиліття, вказуючи на подібності та відмінності; 3) обґрунтувати, чому я вважаю, що ідеологія соціалістичного реалізму в 1960-ті рр.
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