КУЛЬТУРНИЙ ДІАЛОГ У СУЧАСНОМУ МИСТЕЦТВІ ЯК ШЛЯХ ДО РОЗУМІННЯ НОВОЇ ХУДОЖНЬОЇ РЕАЛЬНОСТІ

Abstract

The article is devoted to the actual problem of identifying ways of cultural dialogue in modern art. The relevance of the topic is explained primarily by the complexity of the perception of the works of modern artists by an unprepared viewer. The author considers how this process took place at different stages of updating the artistic language of art. Four main chronological periods are proposed for consideration; in each of them the ways of cultural dialogue with archaic and classical pictorial traditions are considered. The author emphasizes that despite the manifest refusal of avant-garde artists from all forms previous art, at the same time they are all one way or another oriented towards certain images and symbols that already existed in art. Thus, forms of cultural dialogue with the art of the past were carried out. The renewal of the artistic language of modern art was not only due to the forms of dialogue with predecessors in art. Avant-garde artists, like those who followed them, turned to discoveries in various fields of science. Science contributed to the emergence of entire trends in art, including the birth of abstract painting. This is how the abstract systems of K. Malevich and V. Kandinsky appeared. In the middle of the twentieth century, under the influence of the discoveries of physics, the so-called "nuclear painting" appeared. Some types of abstraction of this period are born under the influence of human space exploration. The artists also showed particular interest in music, which should have led to a synthesis of all forms of creativity. The methods of cultural dialogue in the latest art are also influenced by social processes, which were reflected in different ways in the creative searches of the creators of a new artistic reality. The impact of the Second World War was especially tangible. Of interest are the forms of cultural dialogue between representatives of the avant-garde and modern artists with classical art. Each appeal to the classics gives rise to new meanings. Cultural dialogue is important in introducing the viewer to the ways of creating a new artistic reality. The artist's involvement of the viewer in the process of the birth of new meanings makes it possible to realize the changes; that take place in the creative mind. Modern art provides the viewer with the opportunity to participate in the creation of a new artistic reality. However, this process requires the viewer to be ready and make an effort to perceive a new artistic language, including through cultural dialogue.