Abstract
The paper aims to reveal specificity of rhythm formation in the chapter “To Irkutsk” of I. A. Goncharov’s book of essays “Frigate «Pallada»”. The article identifies features of rhythmical and ornamental prose, reveals rhythm-formative principles typical of Goncharov’s works. Scientific originality of the study lies in the fact that relying on an analysis of the writer’s creative work, the researcher for the first time identifies rhythm-formative principles in the book “Frigate «Pallada»” by the material of the chapter “To Irkutsk”. As a result, it is proved that using a wide range of literary techniques, the writer creates a multi-rhythmic piece; new rhythm-formative means appear, not observed in his previous works. It promotes complication of the rhythm function.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
