Abstract

During the period of rapid development of science and technology among the main representatives of Russian classical literature, only Alexander Herzen and Ivan Goncharov experienced a deep and substantive interest in the philosophy of science. For the author of “The Precipice,” this interest was associated with the main issue around which the dominant problematics of his work is concentrated: this is the question of the compatibility of scientific thinking and traditional faith. This work examines mainly one aspect of the topic: the writer's interest in natural science and, above all, in astronomy. Darwinism, with its thesis on the origin of man from ape, and astronomical discoveries that activated thoughts about life on other planets, gave rise to doubts in the mass consciousness about the established religious picture of the world. Goncharov defined his attitude to these changes long before the outbreak of the crisis of religious consciousness in the 1860s. As a conservative and deeply religious person, he took scientific progress seriously, not opposing it to religion and considering it an instrument of God's Providence for humanity. The crisis of religious consciousness in Russian society of the 19th century is regarded as the main subject of Goncharov's artistic research, which binds “A Common Story,” “Oblomov” and “The Precipice” into a trilogy.

Highlights

  • В последние десятилетия изучение творчества Гончарова переживает бурный рост: в нем перестали видеть лишь талантливого бытописателя, критика крепостного права и т. п

  • For the author of “The Precipice,” this interest was associated with the main issue around which the dominant problematics of his work is concentrated: this is the question of the compatibility of scientific thinking and traditional faith

  • With its thesis on the origin of man from ape, and astronomical discoveries that activated thoughts about life on other planets, gave rise to doubts in the mass consciousness about the established religious picture of the world. Goncharov defined his attitude to these changes long before the outbreak of the crisis of religious consciousness in the 1860s

Read more

Summary

Introduction

В последние десятилетия изучение творчества Гончарова переживает бурный рост: в нем перестали видеть лишь талантливого бытописателя, критика крепостного права и т. п. Когда мы рассуждаем о природе вообще, о мироздании, взятом в его целости, то для этого вопроса нельзя выбрать формы яснее и резче, как вопрос о жителях планет2, вопрос, известный во всемирной литературе под именем вопроса о множестве естественных материалов, из которых я мог бы построить что-нибудь...» [Гончаров 1952–1955.

Results
Conclusion
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call