Abstract
The article analyzes the history and poetics of the fi rst work created by the writer after the death of his wife, S. P. Remizova-Dovgello. In his experimental vanguard text, Remizov merges the poetics of the ancient Russian literature and Russian Romanticism of the early 19th century. The article reveals the sources of the titles In Pink Glow and Through the Fire of Sorrows.
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