Abstract

The author of the article considers the interaction of traditional musical cultures in Russia from a historical perspective and a philosophical point of view. The cultural approach allows us to consider traditional musical culture as a multi­level system, the musical and cultural tradition as part of the system and as a multi­component model. The pedagogical approach allows to justify the feasibility of introducing this issue into the content of the university training of future musicians and teachers in order to understand by them the mechanism of functioning of traditional musical cultures and to use their knowledge in their subsequent professional musical activity. The author pays special attention to the analysis of the possibilities of the musical and cultural tradition as a social and cultural phenomenon and the nature of its interaction with foreign cultures. It is shown that the musical and cultural tradition as a means of consolidating different nationalities is an effective way to unite all peoples not only of Russia, but also beyond its borders.

Highlights

  • It is shown that the musical and cultural tradition as a means of consolidating different nationalities is an effective way to unite all peoples of Russia, and beyond its borders

  • Acknowledgements: This article is written in the context of the scientific program of the Department of National Instruments of the Peoples of Russia, Federal State Budgetary Educational Institution of Higher Education “The Gnesins Russian Academy of Music”

  • Б. Взаимодействие музыкальных культур народов России // Обсерватория культуры, 2008

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Summary

Introduction

It is shown that the musical and cultural tradition as a means of consolidating different nationalities is an effective way to unite all peoples of Russia, and beyond its borders. Acknowledgements: This article is written in the context of the scientific program of the Department of National Instruments of the Peoples of Russia, Federal State Budgetary Educational Institution of Higher Education “The Gnesins Russian Academy of Music”. Ф. Одоевским задачи становится очевидной необходимость изучения характера взаимодействия традиционных музыкальных культур, их взаимосвязи и взаимозависимости в масштабах всей России.

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