Abstract
Modern society has taken a step closer to the kingdom of extremes than the kingdom of mediocrity. In an extreme kingdom which is vulnerable to the Black Swan, changes in the design industry are difficult to predict and lack creative confidence among designers which makes them more prone to problems and confusion. Design has changed from styling, which is responsible for aesthetics, to a process that implies creative problem-solving. In this study, fear was selected as the biggest psychological obstacle for individual designers in creative problem solving, and fundamental confidence in creativity was asserted as a solution to it. In addition, fundamental confidence in creativity was defined as an emotional state in which you can immerse yourself in the work you are doing with the conviction that it will help you solve creative problems. In the main body, the theories necessary to increase creative confidence were considered. Skeptic empiricism, antifragility, and Barbell strategies were analyzed and interpreted so that they could be applied to designers. As a way to cope with uncertainty, three theories are based on the fact that creative confidence is effective. Through Nassim Nicholas Taleb's methodology, designers will be able to provide a theoretical basis for valuing their beliefs and improving their confidence in creativity.
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