Abstract
The article deals with the peculiarity of the lyric-epic organization of Mayakovsky’s poem “The Man” in the context of New European theosophical views and German classical philosophy. Personal attitude to history, religion and humanity, which coincided miraculously with Hegel’s insights and his phenomenology, allowed Mayakovsky to overcome the barriers caused by futuristic poetics and the exaggerated dehumanism of the era. The synthesis of lyric experience and philosophical reflection on the relationship between the God and the man conditioned the creation, through art reflection, of the genre formation of a new type - the phenomenological lyric epos.
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