Abstract
The article provides the examples of the reflection of the biblical tradition in the works of F. M. Dostoevsky and L. N. Andreeva in the typological and historical-functional aspects. The memoirs of the author of Judas Iscariot confirm that the writer called an atheist by his contemporaries, considered Dostoevsky one of his teachers, given his experience in reproducing the images, plots and motives of the Bible. Their similar interpretations are found in both artists, which is due to the creative attitude to Christian texts. At the same time, the difference in the ideological and artistic understanding of “eternal images” and “eternal themes” is also obvious, which in turn is predetermined by the peculiarities of the religious worldview of Dostoevsky and L. Andreev.
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