Abstract
The text of Pushkin, published under the conditional name “I will be in Paris next week” (PW) was considered as unfinished draft for a long time. Recently, arguments were put forward in favor of the fact that this is a completely finished work. Our work continues the study of the artistic structure of PW. It is shown that in the text there are a number of narrative anomalies, the resolution of which leads to the identification of the intermediate links of the plot, not given in the text explicitly. The presence of such hidden plot means the existence of additional systemic connections. This serves as another argument in favor of the fact that PW is a completely finished work, and its plan is implemented in its artistic structure.
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