ПРОТИВОПОСТАВЛЕНИЕ ОБРАЗОВ АВТОРА И АДРЕСАТА КАК КОМПОЗИЦИОННЫЙ ПРИЕМ В ЖИТИЙНОЙ ЛИРИКЕ ГОНСАЛО ДЕ БЕРСЕО

Abstract

The article deals with the peculiarities of the composition of Gonzalo de Berceo’s hagiographic works connected with the opposition of author’s and addressee’s images. The techniques that provide еру mobility and dialogueness of the analysed works, namely, the opposition of author’s and addressee’s views, their change or combination, are ascertained. The analysis of the composition peculiarities of Gonzalo de Berceo’s hagiographic lyrics with due regard to the positions of author and addressee makes it possible to conclude that the antithesis under consideration forms a secondary plot stratum, partially remaining outside the texts, but playing a certain role in creating their emotional colouring.