Abstract
The creativity of V.V. Rozanov is a special kind of theory (speculation), allowing one to see things as potencies. The thinker perceives the phenomena and processes of the material and spiritual plane in the context of this speculation. Istria defines the internal and external relationship of these processes as a set of external and internal changes. External changes are defined by the concept of uncertainty, and internal definitions of a certain potency. Rozanov considers the interaction of these potencies simultaneously statically and dynamically. Statically, it presupposes the existence of regularities and the victory of order over chaos. Dynamically manifested as the primacy of randomness in life, since all potencies can not be realized. The interaction of these two forms of change creates life in all its complexity, Rozanov's theory helps us comprehend, therefore, at different periods of the thinker's creativity, both static and dynamic aspects of potentiality that create the history of the world as a sounding word and as a silence. This avoids subjective and one-sided interpretations of the thinker's philosophical heritage. The author uses the method of reconstruction in the work, which makes it possible to show that the philosophical heritage of Rozanov is a semantic field formed around the concept of "potentiality." The scientific novelty of the study lies in the possibility of isolating broad contexts of Rozanov's work and considering its various aspects as a complete metaphysical and dialectical theory, that helps to integrate different aspects and sides of Rozanov’s creativity and makes it more understandable.
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