Abstract
The article deals with the role of spatial images in the writer’s consciousness of modern authors, about the peculiar subjective topography of their creative worlds. In the space of consciousness, there is a series of transformations of the realities of the outside world into the multidimensional experience of the writer’s own soul. The books included in the reader’s repertoire of our contemporary are considered – “The Conspiracy” by D. Granin, “The Key. The Last Moscow” by N. Gromova, “Chagin” by E. Vodolazkin, “The Stained Biography” by O. Trifonova, “The Inhabitants of the Funny Cemetery” by A. Ivanov, “The Argentine. Prodigal Son of Russia” by E. Baryakina, “Text as text” by A. Bitov. Each of these authors tries to bring into the system a set of disparate impressions and observations – historiosophical, socio-cultural, aesthetic, everyday. All that it gives grounds to conclude that today the main character of the art of words is not just a person as a third-party object of literary display, but a person, first of all, as a subject of consciousness in all the complexity of emotions experienced, unexpected meanings arising and changing assessments.
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