Abstract

The aim of the study is to characterize F. I. Panferov’s works about the village as an artistic world overcoming alienation of everything new by the village in the course of collectivization. The research is carried out basing on the book of his essays “In the Early Morning” (1927). The scientific novelty lies in the fact that F. I. Panferov’s works are considered as a representation of the leading trends in the “collective farm prose” of the 1920-30s; the paper fills a gap in the study of the writer’s little-known essays. As a result, based on the reference to F. I. Panferov’s essays “Markel” and “In the Early Morning”, the authors characterize the image of the peasant Cosmos of the collectivization era that developed in the Soviet literature in the second half of the 1920s, as well as the artistic world expressing “singing and sobbing doxology” of the Soviet village life.

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