Abstract
The article contains a decoding and systematization of unique research materials from the archive of the famous Soviet art critic V. S. Kemenov, stored in the funds of the Museum-Estate of V. I. Surikov (Krasnoyarsk). The materials are devoted to the study of the work of Vasily Ivanovich Surikov "The Annunciation", created by the artist in 1914. The late period of Surikov's work, to which the painting belongs, has not been fully explored to date. The publication of previously unpublished archival materials containing a detailed study of the process of creating a painting in the context of time and the artist's creative credo is intended to expand the tools of the modern researcher of the great Russian painter's work.
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