Abstract
Author presents comparative analysis of urban sculpture in Kiev and Astana as important factors for construction of ethnical and civil identity in post-Soviet reality. Particular attention is paid to disbalance and continuity of present life with Soviet past, specifi cs and contradiction of ethno-social and cultural politics of Ukraine and
 Kazakhstan, sculpture plastics as the element of modern urban area for basic components of public conscience formation and value reference points of complex system of self-identifi cation in post-Soviet societies.
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