Abstract
This study focuses on ‘Yugongtogi’(Jar with a hole) from Mahan from the Mahan cultural area located in the Yeongsan River throughout 3RD to 5TH century, and analyzes its significance, morphological and conceptual characteristics simultaneously. Based on the results of the analysis, this will examine the works of Kazuo Yagi who organized a Japanese radical pottery group named, ‘Sodeisha’and established a new field of modern ceramics by his non-functional pottery works; It is to verify whether the formative features of ancient earthenware can be applied to the modern ceramics by observing through comparative analysis with the morphological and conceptual features of Kazuo Yagi's representative work ‘Mr. Zamsa's Walk’. This study would expectantly provide as an opportunity for contemporary ceramic artists to earn a greater interest in excellency of ancient culture and inspiration from the features of ancient potteries.
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