XX-XXI Centuries Research Articles

Проблемы традиционной культуры коренных малочисленных народов юга Дальнего Востока России и роли государства в этих процессах (XX–начало XXI века)

During the XX-XXI centuries, aboriginal ethnic groups turned from independent ethnic formations into constituent parts of a large multinational state, with a fundamentally different spiritual dominant, a different social structure and type of economy. The changes affected both traditional material and spiritual culture. In the process of these changes, the concepts themselves were transformed, the lines between tradition and reality began to blur, since the latter is in constant dynamics. We made an attempt to assess the role of the state in the ongoing processes, as well as to compare the situation with the indigenous minorities in neighboring China, and note general trends. The study identifies the role of the main factors that influenced global transformations in the field of spiritual and material development of the Primorye Territrory, as well as outlines a somewhat new understanding of the problem of preserving ethnic identity.

The concept of spirituality in V. Ptushkin’s compositional, particularly piano creativity: on the 75th anniversary of the Master

The relevance of the article conditioned by the modern immediacy of the problem of maintenance of spiritual values, by the necessity of the research of regional features of composer’s schools and specifics of embodiment of spiritual instructions in V. Ptushkin’s compositional, particularly piano creativity, that hasn’t got an exhaustive coverage in modern national musicology. The purpose of the article is to highlight the specifics of the concept of spirituality as the worldview and axiological center of V. Ptushkin’s compositional, particularly piano creativity. The methodology of the article is based on comparative, historical-typological, interpretative method, methods of generalization, stylistic and genre analysis. The results. The article highlights the concept of spirituality, represented as a concentrated reflection of the humanistic orientation of V. Ptushkin’s compositional, particularly piano creativity and a means of affirming spiritual values in a dialogue with the spiritual experience of mankind, appeals to the signs of cultural eras, genre model of the past — requiem, choral, spiritual cantata, concerto grosso, in the reproduction of eternally relevant images and themes — symbols of spirituality, in particular the image of Virgin Mary as the ideal of humanity’s existence and the positioning of the sublime and the earthly as the poles of worldview and human existence. It is revealed that the specificity of the embodiment of the concept of spirituality in the work for two pianos “The Sublime and the Earthly” is related to: understanding its significance through the prism of comparing personal and universal principles and allusions to the signs of the Renaissance, Classicism, romanticism; resonance with worldview guidelines of the culture of the border of XX–XXI centuries; functional mobility; the variability of performing teams; compositional and structural abnormality. The global significance of the concept of spirituality is imprinted in the work on the following levels: texture — in large-scale vertical chords, chronotope and dynamics — in powerful orchestral sonority, tonal organization — in the affirmation of major constructions, genre — in the movement from lyrical, individualized elegy to anthem as a reflection of the human unity. The scientific novelty of the article is due to the substantiation of the concept of spirituality as a worldview basis of V. Ptushkin’s work and the study of the peculiarities of its embodiment, in particular in the play «The Sublime and the Earthly». The practical significance of the article is determined by the possibility of using the results of the study in performing and pedagogical practice.

Культ гороводу (Кунде) в ритуальных практиках народов Ганы, Того, Бенина

This article is devoted to – the Gorovodu / Kunde cult, which is one of the widespread cults of Vodun in West Africa. It is grounded in the Vodun religious system. However, this order denotes peculiarities, including elements of Islam, Christianity, and Judaism and authentic interpretations. The study relies on the previous scientific realms of research, dated XX–XXI centuries. Comparative analysis is used for detailed description and generalization of anthropological materials, based on field research. Meanwhile, structural analysis, supplemented by the historical-genetic method, deploys the evolution of the cult and its practices. The research draws the following conclusions. Firstly, the emergence of the Gorovodu / Kunde cult was a form of adaptation to socio-cultural challenges. They implied the decline in the standard of living of the population, and the spread of epidemics and famine associated with colonization. Secondly, the negative consequences of colonization were interpreted as the result of the white people’s sorcery. Consequently, the resistance required new spiritual entities, borrowed from the more prosperous regions of the North. Finally, this led to the unique combination of Vodun religious and monotheistic religions elements, which continues developing these days.

Phrasebook in Text Typology: a Type of Textbook or an Independent Type of Text?

Introduction. A phrasebook as a type of text is aimed at providing the basics of communication in situations when the knowledge of a foreign language is absent. It can not be classified as a type of a dictionary, textbook or manual for the development of speaking skills. The article examines the problem of determining the status of a phrasebook in the typology of text types. The study is aimed at a diachronic analysis of the texts and structure of phrasebooks to identify features that unite a phrasebook with a textbook, as well as to determine the properties inherent only to a phrasebook, allowing it to be distinguished as an independent type of text. The lack of works that consider the problem of determining the status of a phrasebook determines the relevance of the study.Methodology and sources. The research material – the texts of German-Russian and Russian-German phrasebooks of the XVIII–XXI centuries, covering the time period from 1795 to 2011, which were created both for teaching the German or Russian language, and for practical use during travel. The general (educational and tourist) phrasebooks were chosen because of the fact that they reflect different aspects of interaction between representatives of language communities in predetermined situations.Results and discussion. The comparison has shown that a phrasebook is an independent type of text, at different stages of its historical development having more or less similar features with a textbook, dictionary and a manual for the development of oral speech skills, but differing significantly from them. In the course of its historical development, the cohesive connections between the linguistic units of the phrasebook weaken: from a book containing coherent and logical dialogues on various topics (XVIII–XIX centuries), the phrasebook turns into a manual with a set of thematically organized template phrases and lists of words (late XX–XXI centuries).Conclusion. The phrasebook, thus, is a type of text that is closely related to the era of creation, which is reflected not only in the theme and structure, but also in the strength of the cohesive connections of the linguistic units that make up the phrasebook.

Labor rights of citizens as a subject of prosecutorial supervision in the XX–XXI centuries: features and prospects

Labor rights of citizens as a subject of prosecutorial supervision in the XX–XXI centuries: features and prospects

Authors at the Turn of the XX–XXI Centuries on Photography: Historiographical Overview and Philosophical Aspects

Authors at the Turn of the XX–XXI Centuries on Photography: Historiographical Overview and Philosophical Aspects

Aspects of studying timbre in scientific discourse

Statement of the problem. Timbre is one of the central categories of modern musicology. Studies of timbre are multi-vector and multi-faceted, which is due to the compositional practice of the XX–XXI centuries. In Ukrainian and foreign musicology, questions arise as to what timbre is, what its significance is in a modern composition, as well as how to analyze those timbre organization. After all, the emotional descriptiveness and general impressions of the recipient from the sound cannot be a reliable tool for analyzing timbre (in particular, its semantics) and timbre organization. In scientific works related to acoustic music, the toolkit of analysis has been developed, but it is not a finally formed closed system, but needs further clarification and addition. This article is devoted to the consideration of various aspects of timbre research and the systematization of the tools for the analysis of timbre organization. Recent research and publications. Theoretical basis of the article consists of the Ukrainian and foreign sources devoted to timbre: articles and thesis by O. Zharkov (2002; 2017; 2020), P. Boulez (1987),Yu. Ishchenko(2012a; 2012b), D. Smalley (1994), D. Klebanov (2019), R. Kashyrtsev (2022), S. Korobetska (2003), H. Kosenko (2018), H. Savchenko (2023), C. Saitis, S. Weinzierl (2019), M. Pashkovskaya (2023). Also, the article by S. Larson, L. Van Handel (2005) became the theoretical basis for the formulation the opposing pair of principles of timbre organization “timbre inertia / timbre activity”. Objectives, methods, and novelty of the research. The purposes of the article are: 1) to systematize the research vectors in the study of timbre that have developed today in Ukrainian and foreign musicology; 2) to highlight the principles of timbre organization of instrumental works. The article uses: a systematic and analytical research method to analyze and generalize the various aspects of the study of timbre in modern musicology; comparative one that considers the scientific positions in the understanding of timbre as a complex phenomenon; functional one substantiating the need for analytical tools when determining timbre organization and semantics; and typological – for identifying and classifying the analytical toolkit. The scientific novelty of the study consists in: 1) substantiating the universality of the semantic pair of principles of timbre organization “timbre integration / timbre differentiation (disintegration)”; 2) introduction into scientific circulation of the semantic pair of timbre organization principles “timbre inertia / timbre activity”. Results and conclusion. In the course of the presentation of the material of the article, the main areas of research into the phenomenon of timbres in modern musicology were summarized and structured. A couple of timbre organization principles “timbre integration / differentiation (disintegration)” have been defined, which can be applied in the analysis of timbre semantics in acoustic music. Another binary opposition of “timbre inertia / activity” principles is proposed to be introduced into scientific circulation, and the content of new concepts is defined. Finally, the significance of the examination of timbre organization when studying the timbre semantics is substantiated.

N. Gogol’s story “The Overcoat” in the receptive consciousness of the turn of the XX–XXI centuries. Article 1

N. Gogol’s story “The Overcoat” in the receptive consciousness of the turn of the XX–XXI centuries. Article 1

Evolution, death, man

The inevitability of humanity’s transition to a new qualitative state is becoming the dominant feature of public consciousness these days. Crisis fears are artificially fueled to a large extent, but there are good reasons for them. One of them is the decrease in the biological stability of the current human species, in particular the depopulation of the population of the most developed regions of the modern globalized world. Similar phenomena in the evolution of wildlife have always pointed, on the one hand, to the lagging of endangered species from the pace of environmental changes, on the other hand, to the formation of new species more adapted to these changes. In modern culture, some prerequisites for such shifts have already developed. The progress of information and digital technologies at the turn of the XX–XXI centuries extremely accelerated the renewal of the artificial environment of human existence, as a result of which, in terms of its rate of change, it surpassed such basic biological parameters of human life as the life span of an individual and the period of generational renewal. Thus, humanity has reached the “point of biological singularity”. Objectively, a speciation situation is being created, that is, the prospect of biological transformation of the human species. Proponents of transhumanism propose to accelerate this process using the achievements of science. An alternative option comes from understanding the phenomenon of life as an evolutionarily progressive combination of creative and destructive changes, where death is a condition for optimizing some stages of the life process. At the stage of biological evolution, death remains a spontaneously acting and fatally uncontrollable factor, but at the stage of cultural evolution it becomes possible to convert its destructive potential into a means of regulated influence on metabolic processes in the human body in order to infinitely expand the temporal boundaries of the existence of the individual and the entire human race.

The phenomenon of film production: Literary and artistic projects of the XX-XXI centuries

Introduction: The phenomena of cinema production has attracted a lot of attention, especially when it comes to creative and literary endeavours that interpret it. It is essential to comprehend the creative processes and the function of the film producer in order to advance cultural practices.Objective: to express the phenomenon of producer’s activity in cinema on the basis of examples to literary and artistic projects of the XX-XXI centuries.Methods: The methods used in the study are the following: chronological, analytical, comparison, deduction, generalization, and abstraction.Results: As a result of this study, several problems were identified that are directly related to the process of contemporary culture creation. Firstly, the phenomenon of film production was revealed, and various examples of experiments by American writers of the 30s-70s of the XX century were given. It was them who managed to carry out a literary interpretation of the profession of film producer, as well as to ensure the development of the creative and search dialogue “film – television series”. The latter was revealed on the example of a television project The Offer, which is dedicated to the history of the creation of The Godfather. As a result, it has been established that this series has led to a fundamental change in the artistic understanding of the problem of film production.Conclusion: The conclusions drawn in this paper show that this project organically “fit” into the context of metamodernism and reflected its fundamental factors, namely: historioplasticity, craft turn, superhomogeneity, postirony, and quirky

HISTORICAL VARIATION OF THE EXPRESSIVE PERFORMATIVE SPEECH ACT OF APOLOGY IN THE GERMAN-LANGUAGE DIALOGIC DISCOURSE OF THE XVXXI CENTURIES

The article is devoted to the study of the historical dynamics of expressive speech acts of performative forms in the German dialogical discourse and defining diachronically permanent and variable characteristics of expressive performative acts. Historical changes in expressive performative speech acts include performative verbs and their pragmatic markers. In the discourse of the XX-XXI centuries, the number of explicit performative verbs and markers with the semantics of apology decreases, while the frequency of implicit expressive performatives and expressive performative speech acts of apology in the metacommunicative function increases.

Discourse Markers in Works of Russian Linguists: Functional-Pragmatic and Functional-Semantic Approaches

This article addresses the issue of discourse markers as illuminated by the works of Russian scholars. The relevance of the study is justified by the necessity of theoretical understanding of existing scientific approaches to the examination of these linguistic units. A review of scholarly works from the XX—XXI centuries is conducted. Key positions in the interpretation of discourse markers within linguistic approaches such as functional-pragmatic and functional-semantic are characterized. Attention is given to aspects of studying this linguistic phenomenon, such as terminological nomination and belonging to a language class or category. The functions of discourse markers in each of the identified approaches are discussed in the article. The polyfunctionality of individual discourse markers is noted. The results of a comparative analysis of current typologies and classifications are presented. As a result, the authors conclude on the necessity of classifying discourse markers based on several indicators of these linguistic units. The predominance of the functional-pragmatic approach in discourse marker research is acknowledged. The unresolved issue of terminological nomination is recognized. The potential for further research in the field of discourse markers from the perspective of other approaches is highlighted.

Научные школы на рубеже XX–XXI вв.: разработка истории предпринимательства дореволюционной Сибири

The exploration of scientific schools focusing on the history of entrepreneurship in pre-revolutionary Siberia stands as a crucial endeavor at the intersection of historical research and economic studies. This article delves into the conceptual frameworks and methodological approaches employed by researchers to illuminate the multifaceted dynamics of entrepreneurial activities in Siberia during the late XX and early XXI centuries. Drawing on principles of holism, integrity, historicism, and a value-based approach, scientists have embarked on a comprehensive examination of the historical trajectory of entrepreneurship in Siberia. By integrating insights from various disciplines, including history, economics, and sociology, researchers aim to provide a nuanced understanding of the socio-economic landscape of the region. Utilizing a diverse array of methodological tools, such as comparative-historical analysis, concrete examination, retrospective study, and historical-typological analysis, scientists have endeavored to unravel the complexities of entrepreneurial endeavors in Siberia. Through meticulous archival research and interdisciplinary engagement, researchers have shed light on the activities of merchants across different industries and their impact on the socio-cultural fabric of the region. This article underscores the significance of studying scientific communities dedicated to the history of entrepreneurship in Siberia. By acknowledging the contributions of researchers and elucidating their role in shaping historical narratives, this research aims to highlight the richness and diversity of scientific endeavors in Russian historiography. In conclusion, the study of scientific schools focusing on the history of entrepreneurship in pre-revolutionary Siberia represents a vital aspect of historical scholarship. By embracing interdisciplinary perspectives and methodological pluralism, researchers continue to uncover new insights into the economic, social, and cultural dimensions of entrepreneurial activities in Siberia, thereby enriching our understanding of this pivotal period in Russian history.

Выставочное пространство российских музеев как объект культуры

The article examines the exhibition space of Russian museums of the Soviet and post-Soviet periods as an object of culture. Emphasis is placed on its importance in shaping and reflecting social values, and the evolution of exhibition spaces, design elements, and the role they play in presenting, interpreting, and preserving cultural heritage are examined. The discussion covers the layout, interconnection and functionality of the various zones inside the museum. The tasks in designing architectural and artistic solutions for museum complexes are perhaps one of the most difficult in environmental design. Here it is necessary to take into account functionality, ergonomics, aesthetics, subordinating them to the general concept of the museum complex, considering the regularity of the location of objects, the movement of visitor flows, the zoning of space, taking into account the safety and preservation of cultural objects. The article highlights the design features of the museum space of the XX–XXI centuries, taking into account historical changes, political realities, stylistic trends and trends in art.

HUMANITARIAN INTERACTION IN THE SPHERE OF CULTURE BETWEEN AMUR REGION AND HEILONGJIANG PROVINCE IN THE LATE XX - EARLY XXI CENTURIES

The article is devoted to the research of humanitarian interaction between the regions of two states - Amur Region (RF) and Heilongjiang Province (PRC) at the turn of XX-XXI centuries. With the normalization of Russian-Chinese relations and the opening of borders, humanitarian cooperation has become an integral factor in Russian-Chinese ties between the border territories, which are in exceptional geographical proximity to each other. Humanitarian contacts between the border territories of Russia and China - Amur Region and Heilongjiang Province - are developing in various spheres. An important place is occupied by the sphere of culture. In the article the authors examine the importance of humanitarian contacts in the sphere of culture for the normalization of Russian-Chinese relations, analyze the peculiarities of the development of humanitarian cooperation in the last decade of the XX century and in the beginning of the XXI century, highlight a number of significant international cultural projects ("Russian-Chinese Fair of Culture and Art", Russian-Chinese Festival of Arts "Amur - the River of Friendship", etc.). The authors conclude that despite the sporadic and chaotic humanitarian contacts in the 1990s, in the 2000s a number of large-scale events between Amur Region and Heilongjiang Province have developed and become traditional, attracting an increasing number of participants from both countries and becoming a kind of brands of border territories. Humanitarian interaction in the sphere of culture, realized in the Russian-Chinese borderland, has a direct impact on the development of Russian-Chinese relations at all levels. The work uses the problem-chronological method of research. The authors present documents from the funds of the State Archive of the Amur region and the archive of the Foreign Ministry's representative office in Blagoveshchensk, revealing the features and the course of joint cultural events in the Russian-Chinese borderland. Materials of collections of documents of the archival bureau of Heihe and materials of the Chinese mass media in the author's translation are used in the research.

The history of migration in Northeast China in the XX-XXI centuries.

The subject of this article is the analysis of internal migration processes in Northeast China from the 20th century to the beginning of the 21st century. Special attention is paid to the dynamics of migration flows and their significant impact on the demographic situation of the region. The author examines the specific features of internal migration in different provinces: Liaoning with its subprovincial cities demonstrates a net influx of population, while Jilin and Heilongjiang provinces are characterized by a significant net outflow of population. The author explores the causes of these migration processes and their direct impact on the demographic development of the Northeast region of China. This allows us to better understand the significant changes taking place in underdeveloped regions of China and identify the main factors affecting internal migration. The study used statistical analysis of data on migration flows, demographic studies, as well as comparative analysis of data from various provinces of Northeast China to identify key factors affecting internal migration. The scientific novelty of this study lies in a detailed analysis of internal migration processes and their impact on the demographic situation in Northeast China, which has not been studied in depth before. The study revealed that the region is facing serious problems such as resource depletion and insufficient economic growth, which leads to negative population growth. Negative growth is characterized by significant regional imbalance: most prefectural-level cities, with the exception of Shenyang, Dalian and Changchun, show negative population growth. Especially high rates are observed in Suihua and Daxinganlin in Heilongjiang Province. The population of the border areas has decreased by almost a fifth. The findings of the study confirm that the population in Northeast China continues to decline, accompanied by a marked decrease in the birth rate. This steady decline requires effective measures to slow it down. The outflow of population from the northeast is increasing, while the departing population is usually younger and more educated, which leads to an acceleration of the aging process and loss of human capital. The main features of the region's demographic trends are net population outflow and migration, which makes it an excellent example for studying demographic changes in underdeveloped regions.

Transformation of the artistic form and ideological content of the memorial complex in memory of the Sino-Japanese War in Beijing

The article is devoted to the problem of transformation of the imagery of the monumental sculpture ensemble created in memory of the Sino-Japanese War in Beijing. The construction of the memorial took place in two stages: the Memorial of the Chinese People's War of Resistance to Japanese Aggression was erected in the late 1980s, and a decade later the Sculpture Garden of the Memorial of the Chinese People against the Japanese War was laid. These elements of a single ensemble represent different options for using figurative-meaningful, compositional-spatial, artistic-stylistic and plastic features of monumental sculpture and interpreting its semantic role in such structures. Using the example of these memorials, it is possible to identify and trace the development strategy of memorials and their sculptural design, especially the dynamics of changes in the creation of an artistic image of sculptural groups. The author uses the method of art criticism to describe the visual and expressive features and the ideological content of the monumental sculpture of the memorial plan on the example of an analysis of the aesthetic qualities of two different elements of the ensemble in Beijing. This requires an analysis of the artistic structure and forms through which the authors express their ideological messages, as well as a comprehensive study of visual and expressive means. The object of attention in the article is the role and place of monumental sculpture in the development of historical memory and culture of China, and the subject is the options for the development of figurative and stylistic features of the art of sculpture in the context of the expansion and transformation of memorial complexes. Sculpture is considered as a reflection of the ideological and creative pursuits of Chinese sculptors of the late XX and early XXI centuries. The research material is a monumental sculpture as the most important artistic element of the memorial ensemble in memory of the Sino–Japanese War in Beijing, which allows for artistic comparisons, including with similar monuments on the territory of modern Russia. The article provides an opportunity to reveal the nuances of artistic, spatial and semantic interaction between the memorial and the sculpture garden.

Островки милосердия. Российские медики во время военных действий на Северном Кавказе в 1990 — начале 2000-х гг

At the turn of the XX–XXI centuries, Russia had to conduct active military operations twice to suppress the hotbed of separatism, crime and terrorism in the North Caucasus. Serious military medicine forces had to be involved. Meanwhile, the participation of medical professionals in two Chechen operations is still on the periphery of attention of domestic researchers. In the 1990s and early 2000s, the Russian mass media wrote that military doctors were helping wounded and sick servicemen of the federal troops directly on the front line and in rear hospitals, often informed the general public about maintaining the mental health of recent front-line soldiers, and also never ignored the assistance to the civilian population (women, the elderly, children) of the Chechen Republic. Some press publications described the most successful and complex operations performed by Russian military surgeons. In many publications of those years, you can also find reports about the doctors who distinguished themselves the most during the active hostilities and were awarded high state awards, including the Gold Star of the Hero of the Russian Federation. The practical activities of Russian doctors in the North Caucasus in the 1990s and early 2000s resulted not only in the saving of the lives of the vast majority of wounded soldiers, but also in restoration of the Chechen health system, prevention of epidemics and successful fight against numerous infectious diseases.

Cultural codes in epic works of Belarusian literature at the turn of the XX-XXI centuries

The article is devoted to the consideration of cultural codes in Belarusian prose at the turn of the 20th-21st centuries. Research objectives: to justify the use of the term cultural code as a literary concept; using the example of different types of codes to show the features of interpretation of a literary work. The subject of the research is spatial, character, action, animalistic, floristic, color codes in the epic works of Vladimar Gnilomedov, Kastus Tsvirka, Vikror Kazko, Ales Navarich, Andreji Fedorenko. It is noted that the cultural code as a semiotic unit, which is the bearer of deep historical and cultural meanings through which social, economic, geopolitical, cultural features, the specifics of the national worldview, behavior patterns of representatives of a certain nation or the population of the country as a whole are manifested, is considered in literary studies within the framework of semiotic approach. Methods (historical-literary, structural, semantic) and methodological basis of the study are the works of M. Epstein, Y. Kristeva, V. Khalipov, I. Shved and others. The scientific novelty of the work lies in the fact that for the first time the features of the use of cultural codes in the epic works of modern writers are analyzed. Conclusions are drawn that among the cultural codes found in Belarusian prose, emphasizing national markings, are “partisan forest”, “kuzhal”, “cornflower”, “Belarusian partisan”, “volkolak”, “tolokak”, etc. Practical area application of the results of the work is seen in the possibility of using this material for a deep understanding and study of such academic disciplines as “History of Literature of the CIS Countries”, “History of Belarusian Literature”, university historical and literary courses, during independent research work of students, when writing coursework and theses.

The term «neo-mythology» in the foreign humanities discourse of the XX-XXI centuries: the specifics of its existence

The article is devoted to the specifics of existence of the term «neo-mythology» in the foreign humanities discourse of the XX-XXI centuries. The foreign texts, which contain the term «neo-mythology» as a key word, have become the focus of research for this article. The genesis and semantics of the idea of «neo-mythology» in foreign research papers are the subject matter of the research. The origin matters of the term «neo-mythology» in the Italian cinema of the 1950s-1960s are overviewed in detail. Special attention is paid to the analysis of the main tendencies of the development of the notion «neo-mythology». Russian and foreign researches touching upon contemporary mythology differ both in the content and in the usage of the term «neo-mythology» crucially. The following research was inspired by the necessity to find the terminological equivalents in Russian and foreign scientific works on modern mythogenesis. The research is based on structural-semantic and semantic-cognitive methods. Traditional methods of analysis, synthesis, comparison and generalization are used. The results of the research enabled us to make conclusions on the peripheral role of the term «neo-mythology» in foreign scientists’ works and conclude that their preferences lie within the terms «contemporary/modern mythology». The term «neo-mythology» in the foreign discourse is mostly used in works, which are either devoted to the research of some aspects of mass culture or closely connected with Russian humanities. The usage of the term «neo-mythology» in foreign research of mass/pop culture reflects the background of theoretical analysis of modern mass consciousness turning to myths. The conclusions made in the research are supposed to help Russian scientists work with foreign studies of contemporary mythology more productively.