ABSTRACT: Elizabeth Gaskell’s historical novella “Lois the Witch” (1859) employs Gothicism to depict foreign religion as abhorrent, upholding English superiority by portraying American Puritans as religious fanatics. But the story’s condemnation of the Salem witch trials shifts to readers who may also struggle to practice a rational, caring religion. Lois’ recollections of witchcraft in England enable the tale to function as a juridical parable by asking readers to evaluate and internalize tolerance toward the Puritan characters and to themselves. This study complicates the functions of both religion and the Gothic in “Lois the Witch,” which has been read through the lenses of Gaskell’s Unitarianism but not in terms of its function as a juridical parable or its use of the ambiguous supernatural. Gothicism underlines the call for tolerance, with supernaturalism neither “explained” nor “real.” Instead, the question of supernatural activities (prophecies, spells) remains ambiguous, suggesting the Puritans’ cruelty in the name of religion supersedes the issue of witchcraft.
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