De Vere--his talk of Catholicism, eloquently vague, sliding into Newmanism and Jesuitry. The T.'s mildly dissentient, I getting angry. T., De V., and I went out under stars; I flared up at last and asked De V., Do you yourself entirely believe account given by Roman Catholic Church of God and man? De V.--I believe it all as surely as I tread this ground and see those stars. W. A.--And I don't believe one atom of it. Tennyson.--You have no point of contact then. (1) One argument of this paper is Tennyson found in Catholicism, and in Catholicism of his friends, a powerful support for his desire to believe in authenticity of his early mystical experiences. Tennyson's interest in Catholicism was remarkable in it went against grain of English Protestant establishment of which he was a prominent member. He was poet laureate after all, favorite of Queen, writer of patriotic poems, some of which lambasted Whore of Babylon, church-harpies, that half-pagan harlot kept by France. (2) Arthur swept dust of ruined Rome / From off threshold of realm, and crushed / The Idolaters, and made people (Gareth and Lynette [1872], ll. 133-135), with pagan and papal Rome conflated. Tennyson's Queen Mary, Hallam Tennyson claimed, showed the final downfall of Roman Catholicism in England, and dawning of a new age: for after era of priestly domination comes era of freedom of individual. (3) In whole of critical bibliography on Tennyson, stretching over 150 years, there is only one item links Tennyson and Catholicism, a tiny note by Bernard Aspinwall in Notes and Queries, entitled Did Tennyson Consider Joining Catholic Church in 1849? (4) So anomalous is this title, its interest is ignored. In fact, it is tip of iceberg. The frequency of Tennyson's mystical allusions is well known, though more discussed is famous Tennysonian doubt comes hard upon mystical visions. The authenticity of those visions, their connection with something real, their objectivity as reflections of some supernatural reality, were topics with which Tennyson wrestled throughout life, in one poetic form after another. He is deservedly famous for rendering conflict of faith and doubt, for his humanizing of eternal themes. Indeed, so empathetic was he to unresolved complexities of human condition he is sometimes accused of mediocrity or worse as a thinker. plasticity was in fact his strength and his weakness alike; and it laid him open, for good or iii, to influence of Catholicism. susceptibility to evolutionists and skeptics is well known, as exemplified in Aubrey de Vere's remark: His nature is a religious one, and he is remarkably free from vanity and sciolism.... He has been surrounded, however, from his youth up, by young men, many of them with high aspirations, who believe no more in Christianity than in Feudal System. (5) De Vere had his own Catholic agenda, of course, and it is not my argument Tennyson was a closet Catholic; but rather Catholicism was a major term in his lifelong wrestling with issues of faith and doubt. One of many things this theme reveals is host of Catholic friends who interacted with Tennyson in important ways. Some were overt Catholics, or soon to be Catholic converts: de Vere, Sir John Simeon, Baron de Schroeter, William Ward, Wilfrid Ward, William Palgrave (brother of Francis), Robert Monteith, John Dalgairns (Newman's first companion at Littlemore), Peter Haythornethwaite (William Ward's chaplain); and on fringes of these, Patmore, Manning, Stephen Hawker, Bishop Vaughan, Lacordaire, Dollinger, Lord Acton. Some of these were Liberal Catholic Christian (a phrase Tennyson used to describe Simeon) (Memoir, 2:60), some conservative (like William Ward), some simple in their faith (like Soeur Louise Marie, an old friend of Tennysons; Memoir, 2:68). …