ALMOST FORTY YEARS AGO Kroeber, and, in greater detail, Spier, on the basis largely of surface sherd collections, determined the essential outline of pottery development in the Zufii country of western New Mexico. The sequence they found ran as follows: black-on-white and black-on-red, then glazepainted ware (black glaze and white paint on red; glaze-on-white, and glazeand red-on-white), buffware, and modern painted. Shortly thereafter, Hodge established this sequence, with more detailed breakdown, on a stratigraphic basis, through his extensive excavations at the great historic Zufii site of Hawikuh. Very little field work has been done in late sites of the Zufii country since then, except for occasional collecting of surface sherds at various ruins already surveyed by Spier. Zufii pottery has been referred to in a few studies and compilations, relating to neighboring districts. In the Handbook of Northern Arizona Pottery, Colton and Hargrave assigned type names to a number of varieties of painted pottery in the Zufii country, up through the earlier glaze-paint types. Two years later, in 1939, a major study of historic Pueblo pottery by the late Dr H. P. Mera included a brief description and discussion, with type names, of the glaze-paint revival in the seventeenth century. For several years general review of the entire subject has been needed. The present discussion, a preliminary version of which was written originally in 1940-41 and held back in anticipation of other studies which have not yet appeared, is finally offered after suffering a couple of revisions. Of the several prehistoric elements which went into the makeup of the Zufii people, as seen darkly through the glass of ceramics, the most important appears to have been that represented primarily by Mountain Redware of the Mogollon Rim or upper Salt-upper Little Colorado region.' Another element of major importance is that represented by the black-on-white ware, and associated culture of San Juan Anasazi type, centering in the area to the north of the Zufii country. This pottery and Tularosa Black-on-White and its variants, from the south and west, are classified together in taxonomy-chiefly because of the use of iron paint-under the designation Cibola Whiteware.2 Tularosa Black-onWhite is, however, associated historically with the redware of the White Mountains region, though disappearing toward 1300 AD.