‘No community’, observed New York lawyer and diarist George Templeton Strong on the eve of the American Civil War, ‘worships hereditary rank and station like a democracy’. As was usual with Strong, this comment was neither fully complimentary nor wholly condemnatory, but reflected his own mixed reaction to the visit of Albert Edward, Prince of Wales, to the United States in 1860, an analysis of which constitutes the opening chapter of this study of America's relationship with British culture in the construction of its own national identity in the antebellum era. This is no straightforward study of American reverence for the British monarchy, however, but rather a sophisticated analysis of the cultural semiotics of English élitism as revealed through art, literature and intellectualism in the antebellum republic. It is, in the author's words, ‘about absences and about the value of the symbolic forms and rituals that Americans excluded as they shaped their democratic culture in the years after independence from England … about paying respects to the symbolic value of England’ (p. xxiii). Informed by the work of, among others, Edward Shils, Tom Nairn, Michel de Certeau and Clifford Geertz, Elisa Tamarkin invites us not merely to rediscover a facet of nineteenth-century American culture which, as she notes, has not received the scholarly attention it merits, but proposes that it is within the lineaments of ‘Anglophilia’, broadly conceived, that Americans defined their ‘Americanness’. It is, in short, a study of American nationalism; how this was constructed and expressed across American culture—through its art, its rituals, its literature, and its universities—and an attempt to broaden, and deepen, our appreciation of ‘how nationalism, as a form of feeling, an ideology, and a set of practices, works every bit as seriously at bringing some aspects of the outside in, as it does at keeping others out’ (p. xxvi).
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