malheureusement que succinctement et sporadiquement exploré tout au long de l’ouvrage. Salisbury University (MD) Aurélie Van de Wiele Ménard, Sophie. Émile Zola et les aveux du corps: les savoirs du roman naturaliste. Paris: Garnier, 2014. ISBN 978-2-8124-2106-8. Pp. 518. 39 a. Bodies in Zola’s works are texts that can be read. Ménard’s study centers on one specific form of corporeal signification: the “aveu” or avowal. By this she means both body language and verbal discourse, as she envisions the Zolian body as something that expresses desires and secrets in a very physical way. Zolian avowals do not end in absolution or resolution, but reveal instead the problems and dark depths of the human being. All through this detailed and complex book, Ménard draws on the Foucauldian scientific and cultural “savoirs” of the time and the ways in which Zola repeats and contests them. The first section centers on women. Ménard analyzes how, in Zola’s texts and in his culture, sexual confessions to priests meld into hysterical medical exhibitions, and how both“disciplines,”religion and science, seek knowledge in order to cure, normalize, and discipline. For Zola, physical avowals provide this, whether through religious trance or the bodily symptoms of hysteria. Ménard shows that Zola goes beyond the mere repetition of his cultural context when his texts reveal that hysterical avowals express non-normative female identity and question woman’s limited place in society. The second section investigates corporeal avowals produced by passion and heredity. Ménard explains how the Zolian body is an archive built by individual and general human pasts. Thérèse Raquin’s past lover speaks through her body without her knowledge, and others can read that discourse. Jacques Lantier’s distant ancestor “speaks” and acts through him. Furthermore, the archive-body is constantly being revised and changed: the Voreux rewrites worker’s bodies over time. Once again, Zola provides a political criticism of a judicial system that relies on doxa for the interpretation of bodies: Cabuche is not a murderer even though he fits the scientific definition of one. The real murdering beast of Jacques does not abide by doxic rules. The third section examines the divided self in Zola’s works, composed of both conscious will and the uncontrollable avowals that reveal a secret truth. Zola’s divided self differs from a purely psychological one, because for Zola, as Ménard shows, it is completely physical. Other meaningful avowals include insane discourse, dreams, and hallucinations. All of these involuntary confessions emerge from a past that is difficult to bury and that can return, as in Thérèse Raquin, where it is personified in a ghostly vision. Aiming to bring truth to the surface (like naturalism itself) these avowals are often brutal and seem linked to sacrificial expiation. In the fourth and final section Ménard examines the figure of the writer and Zola’s own confessions. At the time, genius was seen as similar to insanity as a marginal state of human intelli270 FRENCH REVIEW 90.2 Reviews 271 gence, and Zola was considered to be kind of degenerate because of his shocking narratives. He was, of course, Édouard Toulouse’s“case study,”Zola’s own“aveu”about himself. In his literary analyses, Zola looks for the imprint of the author, as if writers were embedded physically in the text, as Zola seeks “confessions” from them. Boston University Dorothy Kelly Munro, Martin. Writing on the Fault Line: Haitian Literature and the Earthquake of 2010. Liverpool: Liverpool UP, 2015. ISBN 978-1-78138-146-5. Pp. 288. £75. Because the epicenter of the 12 Jan. 2010 earthquake in Haiti was located only miles from the nation’s populous capital, the devastating scale of structural damage and loss of life—conservative estimates place the death toll at 230,000—means that most Haitians living in the country or abroad were personally affected by the disaster. Writers inevitably account for part of this demographic, and it is to the postearthquake production of this proportionally small yet significant group that Munro directs his attention. Focusing on Haitian literary works published since the disaster, Munro...
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