Midway through Frances E. W Harper's Iola Leroy, one of the principal characters, Dr. Gresham, comes into the Union army hospital where Robert Johnson, attended by his cousin, Iola Leroy, is recovering from a wound. When Robert inquires into the doctor's recent whereabouts-a good question, since two earlier chapters of the book were devoted to his unsuccessful courtship of Iola-he launches into a rambling explanation: he was running down, was compelled to go on furlough, and is now preparing to go home, since the hospital is about to be closed. am glad this cruel strife is over, he remarks. seemed if I had lived through ages during these last few years. In the early part of the war I lost my arm by a stray shot, and my armless sleeve is one of the mementos of battle I shall carry with me through life. Then, without missing a beat, he turns respectfully toward Iola and asks her if he may ask her, as I would have some one ask my sister under the same circumstances, if you have matured any plans for the future, or if I can be of the least service to you? If so, I would be pleased to render you any service in my power.' The conversation shifts to Iola's postwar plans, and Dr. Gresham's missing arm, which has never been mentioned before, is never mentioned again. If this were an ordinary sentimental novel-or an ordinary novel, period-we would have learned of the armlessness of the heroine's suitor at an earlier moment, and the information would not have been presented in passing by the suitor himself. It would, instead, have been made visible and significant by the narrator very soon after Dr. Gresham's initial appearance in the text. And if, for some strange reason, his armlessness was at first unmentioned and then at last referred to in the course of a conversation, that reference would have led someone-the heroine, the brother, the narrator-to look at the armless sleeve. Not here. The characters in Harper's novel are quite often face-to-face with one another, insofar they spend most of their time engaged in conversation. But they almost never bestow on another character a look that gathers in such things height, weight, shape, clothing, bearing, facial expression, or the existence of limbs.
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