THE RELATIONSHIP between song texts and music in primitive cultures is one of the less known fields within comparative musicology. Few musical styles have been studied with regard to the linguistic aspects of the songs. It is the purpose of this paper to survey this problem in the music of the Arapaho.' We first list briefly the main characteristics of the Arapaho musical style. It is, as far as is known, entirely monophonic and primarily vocal, the songs being accompanied by drums and rattles. Rather large intervals and large melodic range predominate. Melodic movement is almost exclusively downward, and the singing is characterized by a great deal of vocal tension and rhythmic pulsation on the longer notes. The form of the songs may be called strophic; one long, descending melodic line which flattens out at the end is repeated several times; it, in turn, consists of several phrases each of which also descends, but each of which begins somewhat lower than the previous one, making a somewhat terrace-shaped contour. According to their texts, the Arapaho songs can be divided into (a) those which have only meaningless syllables, and (b) those which have meaningful texts. The latter group is in the minority, if the approximately one hundred twenty songs which are known can be considered representative. To be sure, it is known that some songs may be sung both with a meaningful text and entirely with meaningless syllables. We discuss first the larger category, that of songs with only meaningless syllables. This category is again divided, according to the types of syllables used, into two groups. The first includes most of the song types; it is definitely the older and includes the songs of all functions except Peyote. The songs presently under consideration are characterized by meaningless syllables which begin with h, w, or y, and which end in a vowel or with w or y. Typical syllables are hey, hay, ya, how, wu, and similar ones. An attempt was made to determine if any set patterns are used in determining the position of the syllables, or their order, within a song. Little positive information could be gained, however. Generally speaking, the syllables appear to be placed in a song in rather unrestricted order. On the other hand, however, it was found that singers used almost
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