Abstract The literary seeks make curriculum space legible. This requires denying that knowledge has that cannot be made legible. Worse still, the attempt make knowledge legible undermines that which can reasonably be described, and leaves it, if not unusable, then deficient. The difficulty facing those who are concerned with preserving an emphasis on backgrounds that cannot be made foreground is that the notion of background evades easy discussion. There are several reasons for this. One is the fact that we--in particular, speakers of English-feel the force of a disposition that urges us name things and attribute a kind of ownership them. Prologue In an essay on Christmas during wintertime, Chesterton observed that the boy who enjoys all seasons enjoys no season. Please take a moment think about this statement. Does it have a ring of truth for you? If it does, if you have a feeling for why it is true, then you have a feeling for what this paper is about. One could express the same sort of truth by saying: the school that makes every teacher a principal has no principal; or, the university that appoints every lecturer a professor, has no professors. To apprehend the truth of these statements is be aware of a background that attends each; a background that is at first imperceptible, but that is nonetheless vital. To enjoy involves more than to take a delight in, which is what appears in my dictionary. If one enjoys too many things, one ceases enjoy. There is a necessary component of distinction that accompanies the word enjoy as a kind of atmosphere; but it is difficult put one's finger on quite what this distinction is. The dictionary does not give the full story. There is a connecting background that the dictionary writers either did not notice, or, if they did, felt it beyond their capacity make it legible in the way required. (1) Unless a teacher has been reading Harry Potter a class, it is highly unlikely she would ever consider the possibility that the students might suddenly become large, spherical, inflated beings, rise the ceiling, and hover there like Chinese paper lanterns. Now, does the teacher--whose imagination has not been stimulated in this way--hold a belief, or an expectation, or an assumption, that this will not happen? No. She holds no view whatever on the matter, not even an unconscious belief. However, if such an event were happen, she would be surprised. can this be? These sorts of states of mind--I cannot call them beliefs, or any other name that I know of--are what Searle (1983, p. 142) calls 'fishy' because they are too fundamental qualify as beliefs, even as unconscious beliefs. Does an experienced teacher follow rules which guide her professional practice? Experienced people know they do not; and independent investigation confirms this (Dreyfus & Dreyfus, 1986). does she know what do, then? Does she perhaps follow unconscious rules; that is, formerly conscious rules that have now become unconscious? No. The reason is: experienced teachers are working in a highly complex environment that constantly requires dealing with novel situations. Accordingly, if they used rules, they would also need a new set of rules tell them which of the rules apply in a novel situation. This leads an infinite regress. How do ever interpret a writes the scientist and philosopher Polanyi (1946, p. 44), By another rule? There can be only a finite number of tiers of rules so that such a regression would soon be exhausted. So, how do they perform so competently in so many novel situations? Such teachers use what l call improvisational gestalts. When exercising a skill, Polanyi (1969, p. 160) argues, we literally dwell in the innumerable muscular acts. Furthermore, he argues that something similar occurs in all tacit knowing, which he sees as a part of all knowing: since all understanding is tacit knowing, all understanding is achieved by indwelling (p. …
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