This article offers a study of the mythical and symbolic dynamics of tattooing in Melanie Fazi's Serpentine, taking an approach based on the principles of mythocriticism. Far from being limited to an ornamental dimension, the tattoo in this novel becomes a central narrative medium, a vector of psychological and spiritual metamorphosis. By mobilizing the theories of Carl Jung on archetypes and Gilbert Durand on the symbolic imagination, the analysis reveals how magical inks – Mnemosyne, Somnifuge, Onirograph, Nocturne – update archetypal schemas, allowing the characters to transcribe their inner struggles in a cathartic approach. The body, thought of as a palimpsest, becomes the space for projecting unconscious anxieties and desires, thus articulating a dialectic between the visible and the invisible, the individual and the collective. The tattoo is then part of an initiatory logic, where the physical pain of the act represents a symbolic death and an identity rebirth. The article shows how Fazi redefines tattooing through a poetics of the body and myth, orchestrating a dialogue between ancestral motifs and contemporary issues of identity and memory. Serpentine thus presents itself as a complex reflection on transformation, rooted in a literary reinvention of universal archetypes.
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