Type Of Folklore Research Articles

KAJIAN SEMIOTIKA PIERCE PADA FOLKLOR BATU KUDA

This study aims to obtain and describe the moral value of the oral tradition of Horse Stone folklore based on Pierce's semiotics in classifying objects based on the classification of symbols, icons, and indices. Pierce's use of semiotics is related to the uses possessed by folklore itself. All types of folklore, whether oral folklore, partly oral folklore or non-oral folklore, have uses or functions that are very important for human life. This makes folklore in life can describe the way a person involves himself in the midst of community life. The method used qualitative method with a semiotic approach, because the results of data that have been generated and collected on the Horse Stone folklore will be described in the form of written data. Finally, the results of data processing are used as a proposal for literature teaching materials in high school based on the Independent Curriculum in the form of modules. Learning folklore or folklore has a very important role in efforts to preserve noble values and local cultural wisdom. In education, folklore can be used as a learning medium and can be used as learning material for students. The use of folklore as an educational medium can be utilized in various disciplines, which of course the selection of folklore used must be right with the subject matter to be delivered. The use of folklore as an educational medium also acts as one step in preserving existing local culture. Therefore, getting used to delivering lessons through teaching materials is an effort to preserve folklore as part of culture, both protection, utilization and development of folklore in the future.

НАРОДНЫЙ ПЕВЕЦ Н. И. СТЕПАНОВ – НООРОЙ: ВЗАИМОДЕЙСТВИЕ ФОЛЬКЛОРНЫХ И ЛИТЕРАТУРНЫХ ТРАДИЦИЙ

This article touches on the problem of studying the interaction of folklore and literary traditions in the works of authors who came from the people, bearers of oral folk art. In Soviet times, in the literature of the peoples of the USSR, especially in newly written literature, folk singers played a significant role in poetic life. Their works successfully intertwined folklore and literary traditions: a certain synthesis of form and content occurred. In our work, we drew attention to the work of one author, Nikolai Stepanov – Nooroy, a member of the Union of Writers of the USSR, folk singer, olonkhosut, participant in the Great Patriotic War. The relevance of the article lies in the fact that until now the period of active creativity of folk singers of Yakutia, as authors, as creators of Soviet folklore, has been little studied. The subject of our research is the works of N. I. Stepanov – Nooroy, his songs and poems on Soviet themes. The work uses comparative, analytical, and analytical methods to reveal the interaction of folklore and literary traditions and the transformation of folk songs into original songs. The novelty of the research lies in the fact that this work studies the fusion of folklore and literary traditions, their interaction in the works of one author, a bearer of the traditional oral culture of the Sakha people. As a result of the study of the author’s poetic works on the Soviet theme, we concluded that in the poems, songs, and toyuks of N. I. Stepanov, the interaction of folklore and literary traditions is clearly observed. From the works of N. I. Stepanov it is clear that the folk singer, firstly, worked to preserve and transmit the traditions of folk art mainly in olonkho and toyuks, and secondly, he became one of the founders of a new type of folklore, a song genre called Soviet folklore. Stepanov’s songs about labor and workers can be considered historical, because they reflect reality and glorify real people. The writer’s poetic works on Soviet themes reflect historical facts and events of the Soviet period. His works have cultural value, and as works reflecting reality, they are a historical and cultural monument.

Henri Louis Frédéric de Saussure's Linguistic-Semiotics and Nganan Firasat's Rhetoric

This paper discusses premonitions with various meanings originating from the Ngaju Dayak Tribe. The text is free from grammatical errors, spelling mistakes, and punctuation errors. No changes in content have been made. Firasat, a type of folklore, is also a signifier based on daily experiences in the rivers and forests iconic to the island of Kalimantan. The language used is clear, objective, and value-neutral, with a formal register and precise word choice. The text adheres to conventional structure and formatting features, with consistent citation and footnote style. The sentences and paragraphs create a logical flow of information with causal connections between statements. Henri Louis Frédéric de Saussure researched the cultural richness as part of the vocal system, including language, tradition (grammaire générale), semiotics, and linguistic rhetoric. The research method analysed the linguistic study of premonitions in the context of Central Kalimantan through literature review (secondary sources) and interviews with three research subjects from Central Kalimantan as valid sources. The results indicate that Nganan Firasat has been a long-standing ritual, faithful and consistent to this day due to its embodiment of rich traditions. Not only is it a local tradition, but it also holds national and global significance, aligning with universal human values.

Folklore of Megibung and Its Digitalization as an Effort to Sustain the Balinese Tradition in the Globalization Era

This research is qualitative descriptive research that aims to (1) describe the elements of humans, nature, and God in the megibung tradition, (2) the relationship between humans, nature, and God in the megibung tradition, (3) describe the transfer of the vehicle for digitising gibing folklore as a type of folklore that is always maintained in the globalisation era. Data collection methods used in this research are documentation, observation (observations in the field), and interviews. The research results show that in the megibung tradition, the elements of humans, God, and nature are interrelated and influence each other. Humans are associated with the presence of God through gratitude and offerings, while the human relationship with nature is reflected in the use of natural resources and awareness of natural balance. This tradition teaches spiritual values, gratitude, and concern for nature as integral to the megibung experience. One of the efforts that can be made so that the gibing tradition remains stable in the digitalisation era is to transfer the vehicle for the gibing tradition from documentation in the form of oral discourse to digitalisation. Through this digital vehicle, people worldwide can get to know and appreciate the richness of Balinese culture and the gibing tradition virtually. It can also be an exciting way to promote tourism and preserve Balinese cultural traditions in the digital age.

Folklore Study: The Folk Language of Karo

Folklore is a part of culture that is passed down through generations among specific groups. Folklore is generally spread orally and has identifying characteristics such as traditional dissemination, variations in different versions, and anonymous authorship. Folklore takes various forms, including oral folklore, partly oral folklore, and non-oral folklore. The Karo language's oral folklore has specific dialects and distinctive features such as slang, jargon, colloquialism, and unique naming conventions. Keywords: folklore, types of folklore, characteristics of folklore, Karo language

Specific Character of the Folklore Translation: After the Material of Hungarian and Slavic Languages

The translation of fiction and folklore works has its own specific character. It covers poetry and prose, lyrics and drama. Modern translators use the advice and creative heritage of their predecessors, in particular Maksym Rylskyi, who has combined scientific and folkloristic activities with translation from Slavic and non-Slavic languages, made a number of valuable comments on the issues of translation, its adequacy, transmission of the national identity of works, etc. Attention of the other translators and researchers has been also drawn to the issue of the translation of folklore works into Hungarian and Ukrainian. É. Grigássy, Zs. Rab, I. Petrovtsii and others are among them. They testify that besides the language competence, this work requires certain extralinguistic knowledge of ethnology, history, local studies, etc. They talk about two main dangers in such translations: on the one hand, it is the leveling of the national flavor of the work, its transformation into one’s own work; on the other hand, the text should not sound foreign, but should be natural and easy to read. The translation of various genres and types of folklore has its own specificity. Thus, significant difficulties arise when translating the Slavic heroic epos into Hungarian, the volumetric form of dumy and byliny, their epicness, dynamism, etc. Reproduction of the flavor of folk songs is demonstrated in the article exemplified by the translations of Hungarian calendar and love songs into Ukrainian. Then the authoress presents a number of samples of her own translations from the bilingual collection Hungarian Folk Fairy Tales of Uncommon Beauty, commenting the transmission of realia, proper names, phraseological units, language formulas – initial, medial and final. Despite certain doubts about the ability to translate folklore works into very different (not close) languages successfully, it can be said with certainty that it is possible, but this process requires, in addition to deep linguistic and discourse knowledge, extralinguistic, as well as poetic skill and talent of the translator.

An ethnomusical analysis: Albanian highland songs

Albanian folklore is very rich in genres and different types of folklore. Among them a special place is occupied by the creations of the Albanian oral epic. In this paper we will treat the songs of songs of mountaineers or, as they are popularly known as highland songs. They are folk creations with a spread not in all Albanian territories. They are mostly practiced in the northern folklore areas and have their own independence, conditioned or determined by the specifics of the way of practice. During our work we can summarize the main features and characteristics of mountainers or highland songs. In addition to the treatments and arguments of the theoretical plan, a number of concrete analyzes will be realized and argumented on our conclusion. We believe that in this way, not as an aim in itself, the spaces of this special type of Albanian folklore will become clearer, more complete and in a more general plan. To reach such a definition, we start from the fact that the poetics of these songs is quite distinct and special, in relation to all other types of Albanian historical songs in general. Among other things, for this type of song we would distinguish the way of singing, which is completely different and unrepeatable in general in all other types of historical songs, poetic structure, shortness of poetry or with so many reduced verses, but also with the lack of pronunciation, and therefore of understanding in many cases of the poetic text.

Dimensi Kearifan Lokal Berbasis Cerita Rakyat sebagai Bahan Ajar Sastra Nusantara dalam Membentuk Karakter Mahasiswa

This study aims to determine the value of local wisdom contained in various folklores that developed in West Sulawesi. In addition, based on the value of local wisdom obtained from folklore, it is hoped that it can strengthen the student's personality. The type of research used is qualitative research with a descriptive approach using data analysis techniques adapted from the flow analysis model. Overall, the total data obtained were 30 (thirty) data containing the content of the Malaqbiq trilogy, including Malaqbiq Pau (malaqbiq in speech) (Honest (jujur)), Malaqbiq Kedo (malaqbiqin attitude) (Toughness (randasa), Perseverance (mattonga-tongan), Lying for the good (alosongan macoa), Courageous (barani), Not prejudiced (pikkiran macoa), Firm (tegas), Compassion (si asayangngi), and Responsibility (peduli)), and Malaqbiq Gauq (malaqbiq in social behavior) (Generous (andang makikkir), Friendly (marawa), Reciprocating (maqbalas jasa), Wise (bijassana), Caring (attention), Right on promise (right on promise), and Helper (pattolong). Based on the classification of moral values in the Malaqbiq Trilogy, overall the moral values contained in the three folklores are selected so that the types of folklore and the values contained can be used as teaching materials for Nusantara Literature in shaping and strengthening the character of students.

Mythopoetic Image In Uzbek Folklore And Cinematography

It is known that the use of traditions of folklore in stylistic and transformational methods in various forms and manifestations of dramatic art has given rise to new types of folklore. Consequently, in recent years, mythological archetypes and images have been widely used not only in various genres of written literature, but also in cinematography. The question of the relationship between folklore and the art of cinema has long attracted the attention of researchers. In this article, I will discuss mythopoetic image in Uzbek folklore and cinematography.

THE IMPORTANCE OF THE USE OF ORAL FOLK ART IN THE FORMATION OF THE MORAL QUALITIES OF OLDER PRESCHOOLERS

Kazakh folklore occupies a special place in pre-school educational institutions in the development of thinking, consciousness, love and pride for their children, their imagination, national spirit, the formation of their native language, homeland, history and culture. In this article, the moral education of the younger generation is considered as an urgent problem. The value of folklore in the development of moral education of the child. The legacy inherited from our ancestors is regarded as an educational tool. The ways of formation of human qualities in a child are expressed through types of folklore.

Принципы моделирования словарной статьи В «словаре языка русского фольклора: Лексика былины» (М. А. Бобунова, А. Т. Хроленко) Principles of modeling a dictionary article in the «Dictionary of the Russian Folklore: lexicon epics» (M.A. Bobunova, A.T. Khro

В статье названы основные принципы моделирования словарной статьи в «Словаре языка русского фольклора: Лексика былины» (М. А. Бобунова, А. Т. Хроленко), среди которых: принцип лингвоцентризма (репрезентация общечеловеческих когниций в строгом соблюдением традиций лексикографической науки); принцип антропоцентризма (изучение языка как средства человеческого сознания / подсознания); принцип экспансионизма (привлечение материала с различных баз знаний); принцип экспланаторности («объяснительный момент»); фрактальный принцип (синергетичечский потенциал представленного материала: нелинейность и самоподобие; иерархическая организация; нерегулярность; нечеткость границ, перекрестные связи, или нечеткость контуров, размытость; способность к развитию, динамичность и т.д.). Статья также направлена на анализ словарных микроструктур в словаре языка русского фольклора. В результате анализ словарных микроструктур в словаре языка русского фольклора помог проследить соблюдение когнитивно-ориентированных установок, и строгом соблюдением традиций лексикографической науки. Кроме того, поиски новых принципов моделирования словарных микроструктур для словаря языка русского фольклора нового типа. The article describes the basic principles of modeling a dictionary article in the “Dictionary of the Language of Russian Folklore Lexicon epics” (M. A. Bobunova, A. T. Khrolenko). Among such principles are the principle of linguocentrism (representation of universal cognitions in strict observance of the traditions of lexicographic science), the principle of anthropocentrism (language learning as a means of human consciousness / subconsciousness), the principle of expansionism (attracting material from various knowledge bases), the principle of explanatory (explanatory moment), and fractal principle (synergistic potential of the presented material: nonlinearity and self-similarity; hierarchical organization; irregularity; blurred boundaries, cross-links, or blurred contours, blur; ability to develop, dynamism, etc.). The article also aims to analyze the fine lexicographic structures in the Russian-language dictionary of folklore. As a result, the analysis of the fine lexical structures in the Russian folklore dictionary helped to follow the observance of knowledge-oriented systems and strict adherence to the traditions of lexical science. In addition, the search for new principles for the formulation of the lexicon structures of the Russian language dictionary of the new type of folklore.

Level of Satisfaction of Children with Chronic Disease That Follows the Method <i>Bemo Keliling</i> "Si Boling" During Hospitalization at Sanglah Hospital

Chronic disease in childhood and adolescence can have psychological and mental disorders because they have to come to visit repeatedly, lay down in hospital, fear, and boredom while undergoing treatment. Play intervention therapy is expected to reduce the negative impact of hospitalization. The purpose of this study is to determine the level of satisfaction of children with chronic diseases to the therapeutic method of playing Bemo Keliling (Si Boling). Crossectional study design using a questionnaire that assesses the level of satisfaction of children with chronic diseases that hospitalization at Sanglah Hospital Denpasar to the Boling intervention therapy in October 2018. Sample of 25 children with chronic diseases such as hematological cancer and solid tumors, auto-immune and hematological disorders. From the results of the patient response questionnaire after Boling found 64% expressed very satisfied, 64% expressed no sadness when seeking hospitalization at the Sanglah Hospital, 56% stated the information/insight increased, and 76% were willing to continue treatment. In the 5-7 years age group, 75% prefer coloring activities and educational games, and the 8-18 year age group prefer to reading. Related to the type of reading, the 5-7 years age group prefers the flora/fauna type (83%), while the 8-18 year age group types of folklore, encyclopedias and novels. There was no significant differences in the level of satisfaction of patients who prefer coloring activities and educational games than reading activities (P=0.640). Boling is expected to have a positive impact on children with chronic diseases undergoing hospitalization at Sanglah Hospital.

Power and Ridicule – Elena CeauȘescu in Communist Humour

Abstract Although one of the most influential figures of Romanian Communism, Elena Ceaușescu has been the subject of a rather limited literature exploring her historical figure. I intend to revisit the political humour of Romanian communism in order to reveal the manners and strategies employed by this type of folklore in affirming the hyperbolized clichés that defined the dictator’s wife in the public mind of that age. I also intend to bring into discussion the common traditional prejudice that blamed Elena Ceaușescu for her husband’s catastrophic politics that impoverished and isolated Romania in the Eastern Bloc.

Константы мировоззренческого поведения в народной языковой культуре

The purpose of this article is to identify and to analyze semantics of the specific terminological system of people’s Orthodoxy from the standpoint of Russian dialectology and ethnic linguistics. The study substantiates and proves the hypothesis of G.P. Fedotov that Russian spiritual poems reaction at the categories of Christian theology is not outdated; they can be fixed not only in different types of folklore and everyday text, but also developed on the lexical material of Rus-sian folk dialects. The novelty of the approach to the allocation of ideological constants in the na-tional language is due to the following material of the study: dialect lexical units associated with the belief of the traditional peasant population of Russia. At the same time, not only the data of dictionaries are presented, but also unique data of the regional dictionary of national Orthodoxy collected by the author in the territory of the modern Tambov region. We trace the peculiar folk philosophy of word-making: reveal the semantic categories of mental spirituality that determined the individuality and sections of the vocabulary of the religious sphere; prove their influence on the formation of dialect data and their generalization into a single system of folk Church vocabu-lary. As a result, we reveal the possibilities of using ethno-linguistic semiotics to describe the vo-cabulary of faith and Church. The proposed categorical approach can become a universal scenario of description, covering the dialect lexical corpus of the terminological system of Orthodoxy.

PROPAGANDA IN THE DON FOLKLORE IN 1920-1930s

The article is devoted to the formation of modern public consciousness in the Don region in 1920-1930s. It would be appropriate to mention that political propaganda, reflected in folklore, reacted to the introduction of new values. The subject of the article is acute due to the fact that the study of the research developed by Soviet agitators often becomes a determining factor in the planning and practical implementation of agitation in modern society. The main purpose of the article is to fill in the gaps in the study of agitation and propaganda activities in the south of the country in the 1920-1930s. The main themes reflected in the Don folklore are presented in the article: the life of workers and women, “white guard crimes”, praise of the leninists. The author draws attention is paid to the exalted image of the leader of the revolution - V.I. Lenin. In the conclusion of the research the author asserts that folklore must undergo through strict censorship: artificially created Soviet folklore comes to the place of the child prison and thieves' folklore, rumors and anecdotes. The author sums it all up by saying that folklore, which includes songs, proverbs, sayings, ditties, as well as other types of folklore that emerges on the basis of the everyday life of the Don nationalities, is an important tool in agitation and propaganda activities on the Don in the period of the formation of the USSR.

Arab folklore: a handbook

The Arab world is constantly in the news. This book gives students and general readers an introduction to Arab culture by surveying the folklore of the region. The volume defines and classifies different types of folklore and provides a wide range of examples and texts. It looks at the critical and scholarly response to Arab folklore and the place of Arab folklore in contemporary culture. Included are references to numerous print and electronic works for further reading. The Arab world is constantly in the news, and students and general readers need to become familiar with Arab culture. Central to any society are the beliefs and customs held dear by the people. In examining Arab folklore, this book provides a fundamental understanding of the ways of the Arab world. In doing so, it helps readers appreciate Arab culture and gain insight into one of the world's most politically and economically important regions. Arab folklore is exotic to most students, and this volume begins by defining and classifying different folklore types. It then provides a wide range of examples and texts related to Arab folklore. It surveys the critical and scholarly response to Arab folklore and discusses the importance of Arab folklore to popular culture. The volume closes with a bibliography of print and electronic sources for further reading.

Slavic folklore: a handbook

Slavic folklore has great cultural significance and international influence. Written for students and general readers, this book offers a brief but thorough introduction to Slavic folklore. Included are explanations of the different types of Slavic folklore, the role of Slavic folklore in literature and popular culture, and the state of criticism and scholarship on this field of interest. The volume provides numerous examples and cites print and electronic sources for further reading. The people of Eastern Europe have a long and rich cultural history. Central to that history are the folktales, traditions, and customs of the region. Some elements of Slavic folklore, such as vampire legends and Easter eggs, are well known, while others are more obscure. And when the Slavs came to America, they brought much of their folklore to the new world, where it continues to flourish today. This book is a short but thorough introduction to Slavic folklore. Written expressly for students and general readers, it systematically overviews Slavic folklore. It discusses the many different types of folklore and summarizes scholarship and research on the subject. It provides a wide range of texts and examples from the Slavic folk tradition and explores the role of Slavic folklore in literature and popular culture. The volume cites numerous print and electronic sources and closes with a glossary and selected, general bibliography. Literature students will enjoy learning about Slavic tales and customs, while students in social studies classes will learn more about the culture of Eastern Europe.

London, Royal Albert Hall Proms 2003

At its best, Judith Weirs's music makes use of very simple and clear musical ideas with great wit to great effect. This quality is most apparent in pieces which have some dramatic, or at least extra-musical aspect, often connected with some type of folklore or folk music. When the music becomes more abstract, it can also be less lively and less appealing. The Composer Portrait concert which was presented as a preface to the UK première at the Proms on 7 August of her orchestral piece The Welcome Arrival of Rain contained examples of both of these sides of the composer's work. Distance and Enchantment, for piano quartet, is based on Northern Irish and Scottish folk songs, worked into a beautiful and compelling instrumental texture. Sketches from a Bagpiper's Album evokes the sound of the bagpipes and the instrumental and compositional techniques associated with its repertory. Next to these works, Music for 247 Strings, for violin and piano, has much less profile and less personality. Even though it strikingly employs a texture which is a favorite of Weir's, distinctly different contrapuntal lines presented in rhythmic unison, it just doesn't seem to be about much of anything.

DAMNED, PLEASURE‐LOVING AND DEVOUT: WOMEN AND RELIGION

When speaking about question of religious coexistence in five hundred years of Americas, perhaps it is best to start from my own religious identity: I am a Protestant from Methodist Church. But, if intention is to study Americas, then it is better to start from my own cultural identity and to propose a reflection starting from Latin America, Latin American protestantism. Another possibility would be to articulate an analysis that grows out of work and of an ecumenical spirituality that is deeply rooted in popular struggles in Latin American continent. However, what I need and want to do is to construct my remarks starting from my identity as a woman. Latin American. Protestant. A feminist position that cuts through and puts into perspective religious and cultural identity and fidelity, creating a theoretical and practical link with many women's movements in Americas, reinforcing their popular and ecumenical vocation. Perhaps it is not easiest or most objective perspective to take - there does not yet exist sufficient clarity to illuminate roots and trajectories of what we are, women in Americas. Damned, pleasure-loving and devout, it is only in recent times that we have been able to put together our historical and theological memories. I beg to borrow a little of that, which historians, theologians, poets and sorceresses, witches and militants have been weaving together in these five hundred years, to think about religious coexistence. Ecumenism in Latin America? Where? Ecumenism was impossible in Americas in these five hundred years of invasion, conquest and exploitation. It is not possible to be ecumenical when structuring movement in society is one of exclusion. Exclusion of cultures, silencing of sacredness of the others, massacre of peoples, gestures, rights, prayers, voices. In whole continent, African religions and religions of indigenous peoples survived massacre through strong resistance, so that, within limits set by parameters of Christianity, they continue to worship their gods and goddesses. Syncretism or ecumenism? An evaluation of five hundred years of conquest of Americas cannot reject or underrate weight that religious question has, in a unique way, in formation of Latin American identity. Iberian catholicism has molded continent ideologically and culturally. Without restricting its civilizing influence to faithful alone, in all truth catholicism provides regulating matrix of behaviour and attitudes, it is a creator of norms and parameters. If it is true that catholicism, which was identified with state, made arrival of Protestant missions in South American continent more difficult, it is also true that protestantism on its arrival here did not offer alternatives that made viable another model for society, coexistence of Christians and other religions. Distinguished by its origin or out of interest in expansion of North American missionary models, Latin American protestantism participated in establishment of a climate of proselytizing and intolerance that characterizes inter-confessional relationships on continent. Other religions established on continent were forced to act Within a space defined by influence of official Catholic hegemony. Also in these cases a class-conscious proselytizing or an ethnic link defined limits that each group could aim for, so that they became a type of folklore or a tolerable curiosity because they did not question structures imposed by society. A single winner, violent liturgy, Christianity in Americas is confused with civilizing model of white, western man. Father, boss, lord, husband. Intransigent and intolerant, Christianity fought and devoured even its own variations and alternatives making dialogue between Christians almost impossible. …