Traditional Art Forms Research Articles

Research on the Intervention and Integration of Calligraphy Aesthetics in Oil Painting Creation

From the comparative perspective of Eastern and Western art, this paper discusses and analyzes the unique aesthetic characteristics of Oriental calligraphy. We will focus on the use of brush skills in calligraphy, the clever arrangement of cloth and the layout of calligraphy art, all of which are crucial elements in Eastern calligraphy. Through the detailed analysis of these typical aesthetic characteristics, we will further combine with the current situation of Chinese oil painting creation in the new era and explore how to extract the beauty of form in calligraphy and apply it to oil painting creation. This process not only involves the modern transformation of traditional art forms, but also involves how to find new creative inspiration and expression techniques in cross-cultural artistic exchanges.

Review on pattachitra

Kalamkari is a highly esteemed traditional art form that has long drawn admirers due to its intricate hand-painted designs on fabrics. This article explores the complex world of Kalamkari, a classic Indian art form that is well-known for its intricately painted textile pieces. Through a multifaceted investigation, the study seeks to understand Kalamkari's historical development, cultural value, and current relevance. The process includes a comprehensive reading of the material, a field investigation, a visual analysis of the artwork, and a comparison analysis between different locations and eras of history. While the field study entails interacting with artists and documenting their methods and processes, the literature review offers insights into the history, methods, and sociocultural aspects of Kalamkari. Visual analysis examines the narrative components, colours, and motifs in Kalamkari textiles to shed light on their artistic and symbolic meanings.

Maharashtrian Dalit Jalse as an Inspiration to Anti-caste Movements: A Reply from Subaltern to Subalternity

This article focuses on the Maharashtrian Dalit representation in the popular traditional art form of jalsa and aims to know how Marathi Dalit rangbhoomi/theatre has been used as a source to present stereotypical Dalit untouchability and caste-based issues. A long history of Dalit art from the 1930s to the twenty-first century has been transformed into a creative form for social awakening. Various forms of jalse (like ‘ Amberkarite jalse’ and ‘ Amberkarite Shahiri’, Powade, Ovi or Lavani later became mostly part of Ambedkari jalse) and their response to subalternity have a significant role in inspiring anti-case movements. These forms have influenced Dalit artists and activists not only in Maharashtra but also across India. Visiting the history of Dalit rangbhoomi demonstrates subalterns’ response to a Dalit subalternity. In addition, this study is very substantial to touch on the uncovered area of Dalit jalse and Qawwali as an anti-caste movement. Only countable articles have been published in English on Maharashtrian jalse. Thus, this research is essential to know the world about Dalit’s contribution to art creativity. This article concludes that oral traditional forms have their own representation style, and their aim is to express Dalits’ pain, injustice and struggle through traditional and modern forms of untouchability.

Exploring the Dissemination and Development of Culture: The Protection and Inheritance of Glove Puppetry

As a traditional folk art form originating from Fujian Province, China, and included in the Intangible Cultural Heritage List, glove puppetry has a profound historical background and rich and unique cultural connotations. With the promotion of globalization and the information age, its scope of dissemination has spread to Taiwan and even to Southeast Asia, gradually attracting widespread international attention. However, such traditional art is facing many challenges in today’s society, such as cultural shock, talent loss, and adaptability. To better deal with these problems, this study will focus on the historical evolution and development of glove puppetry, its current status, and solutions, aiming to provide theoretical support and case references for its sustainable development in the context of globalization and continuously create a relatively good ecological environment for glove puppetry. The specific methods include reviewing historical documents, reading relevant field survey data, and analyzing the implementation and impact of solution strategies. The research results show that glove puppetry has undergone large and small dissemination transformations in the course of historical evolution, but in today’s information society, it still faces problems such as insufficient traditional protection, talent loss, and poor cultural adaptability. To meet these challenges, the study mentioned solutions that have already been implemented. The research concluded that the continued development of glove puppetry depends on the protection and inheritance of traditional art forms. These findings have created a good cultural ecology for the survival and development of glove puppetry in modern society and provided valuable references and practical direction.

Odissi on Screen: A Meditation on Regional Television

This article aims to interrogate the role of the television screen in creating, re-creating, disseminating, and deconstructing the dancing body. It presents a study of the contemporary landscape of odissi dance, a nationally recognized Indian traditional art form from the eastern Indian state of Odisha, through its on-screen representation. As an odissi soloist, I register, analyze, and interpret screenic data, mainly televised interviews of dancers, live telecasts of dance festivals in Odisha, and performances recorded for the camera in the studios. I focus on content primarily broadcast on the state-owned satellite channel broadcasting in Odia, the official language in Odisha. My position is of a Sahrdaya, an observer tutored in the codes and conventions of the art form and critically responsive to the structure of emotion in the presentation. I locate the dancing body across discursive, disseminative, and choreographic renditions. This subjective positioning, I argue, democratizes the expressive ethos of odissi embodiment. Commenting on the contemporary curation of the dancing body by the state network, this essay brings larger questions around the representation of gender, sexuality, caste, and regionalism on the television screen.

Strengthening Ideological Values through Pasantian Singing: Problematizing the Nexus Between Local Cultural Practices and Globality in Bali

This article aims to explore the traditional cultural practices of pasantian reading clubs in facing globality and subjective perceptions of modernity, transformation and change. Pasantian members sing and interpret conventional Balinese texts, thus playing a crucial role in maintaining the artistic and ideological identity of Bali Hindu people. However, engagement in these practices is significantly challenged by rapid sociological changes, which have led to a notable decline in the number of people involved in pasantian. The study focused on understanding how pasantian interact with notions of globality and how these groups can be strengthened to preserve local cultural and ideological values. A qualitative approach employed ethnographic methods such as participant observation and in-depth interviews to explore the practices of pasantian in terms of continuity and change. Findings highlight the importance of practitioners of traditional art forms in negotiating the local-global nexus and suggest strategies for revitalizing pasantian groups.

Batik Pattern Classification Using Machine Learning Approaches

Batik is one of Malaysia traditional textile art form that is well known. By using Artificial Neural Network (ANN), k-Nearest Neighbors (k-NN) and Decision Tree methods, this study aims to classify Kelantan batik designs according to flora, fauna and geometry motifs. 133 images of the three categories were collected from social media and underwent pre-processing techniques. Image augmentation was done to enhance the diversity and quality of available training data for machine learning models. Digital transformation on the images based on colour features was developed to classify the three types of batik motifs. Image embedding was employed which returned a vector representation of each image in a data table in Orange software. The data divided into training and testing dataset, with a ratio of 8:2. The performance of each machine learning techniques were compared. The findings showed that ANN produced an excellent performance as indicated by classification accuracy (CA) of 87.9% for original images and 82.2% using Luminance Gradient image transformation technique. ANN also returns the highest AUC score indicating it is the best in distinguishing the images motif. Results from confusion matrix showed that ANN have the least misclassification for batik classification. Based on the result, it signifies that ANN performs the best classification among the three approaches.

A Journey Through Islamic Art Exhibition: Purification of Form, Ineradicable in Content

Throughout the years, the manifestations of Islamic art from east and west have been diverse in the formalistic aspects but united in its spiritual essence. The wide range of ornamental motifs, stylisation, placement, material, and context is constantly changing according to the current trend of the period, reflecting the historical, social-cultural and economic background it was produced. This ensues that change is inevitably bound to happen, where traditional approach in Islamic art might not be suitable to implement in the modern society due to the unavailability of precious materials and patronage as before. Despite the challenge, the “Islamic” identity in their artworks is still being discretely preserved in their expression despite implementing and combining new techniques, styles, forms, and materials with traditional approaches. This creates an asymmetrical balance that embraces change while maintaining the Islamic principle, philosophy, and spiritual allure in their artistic production where the artists design their art to be parallel and in context with modernity. However, the Islamic identity in contemporary artworks is difficult to identify and challenging to decipher as the visual expression differs significantly from traditional art forms that people are accustomed to, making it vaguely recognised and understood. This constant and dynamic flux of tolerance and acculturation is something that is being visually exhibited by the Islamic Arts Museum Malaysia (IAMM) in their special curation “A Journey Through Islamic Art” that showcases traditional and contemporary form of Islamic art in the same place. Although the curation is impressive, but the visual tension it creates invokes the mind to think deeply about what makes an Islamic art “Islamic” and what is the suitable approach to appropriately fathom and consider the art piece as a work of “Islamic art” as the physical form of calligraphy alone is not sufficient for it to be considered as “Islamic.”

Rhythms of Kinabalu 2022 “Coming Back Stronger”: A Review

This article reviews the Rhythms of Kinabalu 2022 from the dual perspective of management and performance. Ever since its commencement in 2011, Rhythms of Kinabalu has been a yearly large-scale event organised by the National Department for Culture and Arts under the Ministry of Tourism, Arts and Culture Malaysia along with other collaborative bodies. The aim of this festival is to showcase the diversity and uniqueness of the dances, arts, and music in Sabah for the purpose of their continued popularity, relevance, and sustainability. As such, the review examines the current nature of festival, paying attention to the various categories of performances and performers in Rhythms of Kinabalu 2022 as well as the favoured and less favoured performances and/or artists as indicated by viewer turnouts of the live shows. At the same time, the article seeks to understand the local audiences’ reception and/or reaction towards the event and its many shows to signal the current festivalgoers’ taste and preference of the performing arts. A main observation reveals the striking presence of the art of busking and an imbalance in the representation of modern and traditional art forms. Essentially, the representation of traditional arts was limited and those artists struggled to keep up with their more modern counterpart. Technology, namely, social media, has been identified to have played a major role in influencing this outcome and contributing to this scenario. Management wise, the lack of cooperation from business entities (i.e., premise operators and owners) in support of the local artists, performers, small and medium enterprises, and the event itself is a cause for concern as this has caused several setbacks which were detrimental to the festival’s operations. Hence, the art-based and managerial issues identified in this review may benefit the relevant stakeholders in its decision-making of the festival’s future cycles.

Evaluating Mixed Reality Technology for Enhancing Art Pedagogy

The lack of interest among students in studying art, particularly the traditional Indonesian art form of batik, poses a significant challenge for educational institutions. Despite its cultural significance, the education sector lacks effective strategies to introduce and enhance students' interest in batik within the art curriculum. Several consequences can arise if the education sector fails to implement strategic measures to address this issue promptly. This could lead to a gradual erosion of cultural heritage and a loss of artistic traditions passed down through generations, and students may miss out on valuable opportunities for self-expression and cultural exploration. This study addresses this issue by leveraging mixed reality and gamification in a batik creation application. This innovative approach not only enhances the pedagogy of art education but also aims to revive cultural interest. The study employs Software Testing and PIECES to evaluate user experiences, emphasizing user comfort and smooth interactions. By assessing the application with tools like Unity Profiler and Hololens 2 performance testing, the study ensures an optimal user experience, contributing to the broader goal of preserving Indonesia's cultural heritage through innovative and accessible educational solutions. The results fall within the range of 4.04 to 4.24, categorizing user satisfaction as "satisfied" and the application running at an optimal 60 frames per second (FPS). This implies that users responded positively to the application, indicating that implementing mixed reality technology in batik learning provides a satisfying experience.

VTUBER PERSONAS IN DIGITAL WAYANG: A REVIEW OF INNOVATIVE CULTURAL PROMOTION FOR INDONESIAN HERITAGE

This study investigates the integration of VTuber into Wayang Digital as a strategic initiative to promote Indonesian cultural heritage. By leveraging advanced technologies such as real-time motion capture and artificial intelligence (AI), the project aims to enhance the animation quality and interaction of VTuber, creating a more immersive and engaging experience for audiences. The research focuses on three key aspects: VTuber integration's effectiveness in attracting international audiences, optimizing real-time motion capture for high-quality animation, and applying AI algorithms to create adaptive, responsive interactions between VTubers and their viewers. Through these innovations, the study aims to enrich the narrative and visual appeal of Wayang Digital, making it more accessible and appealing to a diverse global audience. The findings show that integrating advanced technologies enhances Wayang Digital's storytelling, aesthetics, and effectiveness as a powerful tool for cultural promotion. AI-enabled adaptive interactions create a personalized viewer experience, deepening audience connections with the traditional art form. High-quality animation preserves and effectively communicates Wayang's cultural nuances to audiences, enhancing its impact and cultural promotion. This study underscores the importance of continuous technological innovation and strategic implementation in the preservation and globalization of Indonesian heritage through digital media, suggesting that the future of cultural preservation lies in the seamless integration of tradition with cutting-edge technology.

Exploration of Sustainable Development Strategies for Budai Opera in the Eastern Fujian Region

This study explores sustainable development strategies for Budai Opera in the Eastern Fujian region, aiming to preserve and promote this traditional art form amidst modern challenges. Through a mixed-method approach, including qualitative interviews, quantitative surveys, and observational data, diverse dimensions of Budai Opera sustainability are examined. Results reveal a diverse demographic profile of stakeholders, varying levels of awareness and interest in Budai Opera, and preferences for cultural events. Economic viability, environmental impact, community engagement, policy support, audience preferences, and technological innovations are also explored. Key findings emphasize the importance of holistic approaches that balance economic, cultural, environmental, and social considerations in promoting Budai Opera sustainability. Addressing challenges such as declining audiences, economic pressures, environmental impacts, and policy constraints, while capitalizing on opportunities for diversification, innovation, community engagement, and advocacy, are essential for sustaining Budai Opera as a cherished cultural heritage in the Eastern Fujian region.

Crypto-aesthetics: towards a New Materialist theory of NFT art

ABSTRACT The advent of non-fungible tokens (NFTs) in the art world has led to the emergence of a unique aesthetic sensibility, ‘crypto-aesthetics.’ This nascent phenomenon is marked by the amalgamation of digital and traditional art forms, the exploration of decentralisation and blockchain themes, and an emphasis on scarcity and digital ownership. This article proposes to examine the crypto-aesthetic phenomenon of NFT art through the lens of New Materialism, in particular the key concepts of two major New Materialist thinkers, namely Karen Barad and Jane Benett. Our application of New Materialism elucidates crypto-aesthetics as a distinct occurrence stemming from the interplay of object-reality, agency and networks, sociomateriality, and cultural and historical contexts. Utilising the New Materialism perspective to investigate crypto-aesthetics sheds light on the intricate relationships, processes, and consequences shaping the art market vis-à-vis NFTs and digital art. By acknowledging the agency of matter and the entwined nature of human and non-human entities, a more holistic comprehension of crypto-aesthetics’ transformative potential for artistic expression, value generation, and cultural dynamics can be attained. Our theoretical framework offers a novel lens through which to explore and understand the burgeoning world of NFT art and its crypto-aesthetic tendencies.

Mechanical Properties Inside Origami-Inspired Structures: An Overview

Abstract In recent decades, origami has transitioned from a traditional art form into a systematic field of scientific inquiry, characterized by attributes such as high foldability, lightweight frameworks, diverse deformation modes, and limited degrees of freedom. Despite the abundant literature on smart materials, actuation methods, design principles, and manufacturing techniques, comprehensive reviews focusing on the mechanical properties of origami-inspired structures remain rare. This review aims to fill this void by analyzing and summarizing the significant studies conducted on the mechanical properties of origami-inspired structures from 2013 to 2023. We begin with an overview that includes essential definitions of origami, classical origami patterns, and their associated tessellated or stacked structures. Following this, we delve into the principal dynamic modeling method for origami and conduct an in-depth analysis of the key mechanical properties of origami-inspired structures. These properties include tunable stiffness, bistability and multistability, meta-mechanical properties demonstrated by origami-based metamaterials, and bio-inspired mechanical characteristics. Finally, we conclude with a comprehensive summary that discusses the current challenges and future directions in the field of origami-inspired structures. Our review provides a thorough synthesis of both the mechanical properties and practical applications of origami-inspired structures, aiming to serve as a reference and stimulate further research.

Symbolic Interpretations of Mah Meri Visual Art: A Conceptual Approach Using Peirce’s Semiotic Theory

This study examines the visual art heritage of the Mah Meri tribe through a semiotic analysis. Utilizing Charles Sanders Peirce's Semiotic Theory as the foundational framework, the research decodes the symbolism embedded in Mah Meri's artistic expressions. The aim is to understand and document the deep meanings behind these symbols and their impact on the cultural identity and historical narratives of the Mah Meri tribe. An ethnographic approach is employed for data collection, including field observations, photographic and videographic documentation, and qualitative interviews with community members. The findings reveal that Mah Meri's art is rich in symbolic meanings that reflect the tribe's cultural identity and history. The study also highlights the negative effects of modernization on traditional art forms, necessitating urgent preservation efforts. This research makes significant contributions to the field of visual anthropology by emphasizing the importance of semiotic analysis in understanding and preserving indigenous art. It calls for increased efforts in documenting and protecting the visual heritage of the Mah Meri tribe to ensure its transmission to future generations.

The Historical and Musical Characteristics of the Henan Qu Chinese Opera Troupe in the Social Context

Background and Aims: Chinese Opera, specifically the Henan Qu Chinese Opera Troupe, embodies a rich tapestry of cultural heritage and artistic expression that has evolved through centuries. The study aims to investigate the historical and musical characteristics of the Henan Qu Chinese opera troupe in the social context. Materials and Methods: Employing a qualitative research design, the study utilizes ethnographic fieldwork, semi-structured interviews, and archival research. Participant observations during performances, rehearsals, and cultural events, along with interviews with troupe performers, directors, and cultural experts, provide a multifaceted perspective on the opera’s evolution and current practices. Archival documents and recordings complement these insights by tracing the troupe's historical development. Results: The research highlights how the Henan Qu Chinese Opera Troupe has navigated significant historical upheavals and adapted to contemporary challenges while maintaining its distinctive musical and theatrical identity. Innovations in performance and outreach have helped sustain interest and relevance among newer audiences, demonstrating a dynamic interplay between preserving traditional art forms and embracing modernity. Conclusion: The Henan Qu Chinese Opera Troupe exemplifies the successful adaptation of traditional cultural expressions to modern contexts, underscoring the importance of innovative strategies in audience engagement and artistic collaboration. The study underscores the potential of traditional arts to remain culturally and socially relevant, offering insights into broader strategies for cultural preservation.

The Application of 3D Printing Technology in Yuan Blue-and-White Porcelain Art

Yuan blue-and-white porcelain, as a representative of Chinese ceramic art, is highly appreciated for its unique artistic value and cultural connotations. With the advancement of technology, the application of 3D printing technology in artistic creation has become increasingly widespread. This paper explores the specific applications of 3D printing technology in Yuan blue-and-white porcelain art, including improving the production process and promoting the complexity and innovation of designs. Through 3D printing technology, artists can accurately reproduce complex design patterns, enhancing production efficiency and quality while reducing errors associated with manual crafting. Additionally, 3D printing technology provides artists with greater design freedom, breaking the limitations of traditional manual techniques and making Yuan blue-and-white porcelain art more diverse. By analyzing specific cases, this paper demonstrates the practical effects of 3D printing technology in improving creation efficiency and quality. For instance, using 3D printing technology, artists can quickly produce multiple Yuan blue-and-white models for experimentation and adjustment, saving time and costs. For complex patterns and shapes, 3D printing technology can complete them in a short time, allowing artists to focus more on creative design. Furthermore, 3D printing technology enables high-precision repetitive production, ensuring consistency in quality and appearance of each piece. In the future, as 3D printing technology continues to develop, its application in Yuan blue-and-white porcelain art will become more extensive and in-depth, bringing more innovation and development opportunities to this traditional art form.

Indoor thermal environment simulation of jade carving design process based on light sensing texture image processing

As a traditional art form, jade carving has gradually combined with modern technology in recent years, introducing new technologies in the design and production process. Indoor thermal environment has an important influence on the creation process of jade carving, especially the influence of temperature and humidity on the physical characteristics of jade carving materials and its processing. In this study, the influence of indoor thermal environment on jade carving design process was simulated by light sensing texture image processing technology, so as to optimize the design scheme and ensure the quality and artistic expression of jade carving works. The temperature, humidity and illumination data of indoor environment are obtained by light sensing technology, and the thermal environment required in jade carving design is simulated by texture image processing method. The thermal environment model was constructed to analyze the performance of jade carving materials under different conditions and evaluate the possible changes in the processing process. The simulation results show that the temperature and humidity of indoor thermal environment have significant effects on the toughness, hardness and detail performance of jade carving materials. At temperatures above 25° C and relatively low humidity, jade carving materials show better cutting results and surface finish. Texture image processing technology can effectively capture and analyze the subtle changes of materials, which provides a reliable basis for design decisions.

Indang dance: An innovation of baindang traditional art in Padang Pariaman

Indang Dance is one of the innovative dances in Padang Pariaman, originating from the traditional art of Baindang. Despite its cultural significance, little research has been conducted on this dance. This article aimed to determine (i) the form of Indang Dance in Padang Pariaman, and (ii) the audience’s responses to the performance of Indang Dance in Padang Pariaman. The study was conducted using a qualitative method, incorporating both primary and secondary data. The primary data were collected through observations and interviews, while the secondary data were gathered from literature reviews on Minangkabau performing arts. The data were analyzed using aesthetic theory, symbol theory, and reception theory. The results of the research reveal two main findings: (i) the form of Indang Dance is unique compared to other traditional dances in Padang Pariaman, characterized by its distinctive movements, costumes, and music; and (ii) the Indang Dance has received a positive response from audiences in various settings, including ritual activities and traditional ceremonies. It serves not only as a means of socialization for the Padang Pariaman regional development program but also as a form of social entertainment. The dance's ability to engage and captivate audiences highlights its cultural relevance and importance in the region. Through this study, we gain a deeper understanding of the Indang Dance's role in the cultural landscape of Padang Pariaman. The findings underscore the need for further research to explore the nuances of this traditional art form and its impact on the community. By documenting and analyzing the form and reception of Indang Dance, this article contributes to the broader discourse on Minangkabau performing arts and their significance in contemporary cultural practices.

Brief Analysis of the Cutting Characteristics of Paper Cutting

As a traditional folk art form, paper cutting utilizes scissors and carving knives, employing techniques such as cutting, carving, and tearing on materials like paper to create hollowed-out and interconnected artistic effects. This article analyzes the characteristics and effects generated by cutting and carving in paper cutting. Additionally, it explores the differences between scissors and carving knives in terms of tools and techniques, expressive effects, and regional variations. Furthermore, the emotional expressions of different paper cutting artists endow their works with unique artistic charm. By studying the techniques of scissors and carving knives, we gain a better understanding of the diversity and richness of paper cutting art. Its overall simplicity, brightness, rustic elegance, and strong contrasts endow it with high artistic value.