Ecocriticism theory has been applied to analyze the artistic features of Nature Writing, an Anglophone genre recently fi rmly established in German-language literature. The study is based on theoretical and fi ctional texts of writers Ulrike Draesner and Marion Poschmann, recognized with the German Award in Nature Writing. The issue of translating the notion of “Nature Writing” and the use of adequate names for this type of literature (“nature writing”, “green literature”, and “language landscapes”) has been considered. Poetical properties of the genre have been identifi ed, and national diff erences between the writings in Anglophone countries and Germany have been highlighted in view of said properties. With reference to literary traditions of writing about nature, the conventions of German Nature Writing have been established, and its correspondence with the well-established Anglophone theory has been determined. The German writer Ulrike Draesner has been introduced as an author and thinker, actively participating in the theoretical discourse on ecology. Her work is a creative manifestation of the “writing according to nature” programme justifi ed in her poetological lectures. It implies “reading from the book of nature”, which is not open but actively constituting itself to promote the reading of the non-linguistic, alive element, skilfully expressed by the author on the level of language. Marion Poschmann, a poet, novelist, and essay writer, understands writing as “poetry of nature” and aims to achieve such a level of impact on the reader that they change their attitude towards the environment and rethink their role in it. According to the artist, specifi c for “nature writing” is the requirement of a high artistic level as we aim to combine observation and concentration in artistic expression. A study of German-language Nature Writing highlights the immediate relevance of a number of environmental issues that this literary genre addresses. Key words: Nature Writing, writing according to nature, poetry of nature, ecocriticism, linguistic experiments, Ulrike Draesner, Marion Poschmann.
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