Thematic Character Research Articles

Teacher And Student Book Analysis Integrated Thematic Character of Pancasila Student Profile in Grade I SD or MI Theme I is Myself

This study aims to determine: 1) to find out the literature review of thematic teacher books integrated character profiles of Pancasila students in grade I SD or MI Theme I Myself. 2) to find out the literature review of thematic students' books integrated with the character profile of Pancasila students in grade I SD or MI Theme I Myself. The research approach used is a qualitative library research approach or library research. The type of research used in this research is text study or textbook analysis. Analysis of textbooks in the form of integrated thematic teacher and student books for the 2013 curriculum for grade 1 SD or MI theme 1: myself. The results of the study show that: 1) In the thematic teacher's book integrated curriculum 2013 grade 1 SD or MI Theme 1: Myself, there are 14 character values. The 14 character values are discipline, friendly or communicative, religious, honest, hard work, independent, responsible, tolerance, curiosity, love to read, creative, national spirit, love for the homeland, and caring (social care). In the values of the Pancasila student profile there are all or there are 6 indicators or values of the Pancasila student profile. The 6 values of the Pancasila student profile are faith and piety to God Almighty and noble character, mutual cooperation, independence, global diversity, critical reasoning, and creativity. 2) In the thematic integrated student book 2013 curriculum grade 1 SD or MI Theme 1: Myself, there are 10 character values. The 10 character values are religious, friendly or communicative, hard work, independent, responsible, disciplined, love to read, creative, love the homeland, and tolerance. In the values of the Pancasila student profile, there are all or 6 indicators or values of the Pancasila student profile. The 6 values of the Pancasila student profile are faith and piety to God Almighty and noble character, mutual cooperation, independence, global diversity, critical reasoning, and creativity.

Neural Network: An Improved FCM for Multimodal Cultural Data Analysis

With the development of cloud computing, big data, and artificial intelligence (AI) technology, there is a growing interest in “cultural analysis.” Cultural analysis requires different types of data such as texts, pictures, and videos. The richness and differences of resources in the cultural field lead to diverse modalities of cultural data. Traditional text analysis methods can no longer meet the data analysis needs of current multimedia cultural resources. This article starts from cultural data’s feature information to solve the heterogeneity problem faced by massive multimodal cultural data analysis. It analyzes it from geography, time, art, and thematic character, classified and aggregated to form a multimodal cultural feature information matrix. The corresponding correlation measurement methods for different matrices from the above dimensions are proposed, solved in turn, and substituted into the optimized training back propagation (BP) neural network to obtain the final correlation degree. The improved fuzzy C-means (FCM) clustering algorithm is used to aggregate the high correlation cultural data based on the degree. The algorithm proposed in this study is compared with the existing algorithm. The experimental results show that the optimized BP neural network is at least 58% more accurate than the current method for calculating different matrices’ correlation degrees. In terms of accuracy, the improved fuzzy C-means algorithm effectively reduces the random interference in the selection of the initial clustering center, which is significantly higher than other clustering algorithms.

Статья по жанрам речи в журнале «Жанры речи» как … жанр речи?

The article tests the hypothesis that in the history of the speech genres theory and the journal/collection of articles “Speech Genres”, some structural – linguistic, stylistic, textual – patterns have developed in the “average” article on speech genres (namely: an article in the journal / collection of articles “Speech Genres”). The author attempts to analyze articles on speech genres published in the journal / collection of articles “Speech Genres” from a structural (oriented on the nature of a speech genre) point of view, according to computer models offered by Perm genre-stylistic school, J. Swales, Y. Mizuta, N. Collier, S. Teufel, etc. The proposed analysis is intentionally of not thematic character (not from the point of view of “what” the articles are about: what problems of the genre organization of speech or what specific genres of speech the articles are devoted to) and not scientific-heuristic (academic quality, problematicity, academic relevance of articles, their contribution to science are not evaluated). The focus is on the methods of introducing these provisions and results into science: the most regularly used techniques and structural patterns common to the articles on speech genres, for example: what units and categories of language and speech the authors operate in the analysis (from specific lexical, morphological, syntactic units to types of speech acts), on the works of which areas of linguistics (and not only) they rely as a theoretical basis (including specific schools and specific authors, as well as the frequency of references to them), how the new information is formulated – first of all, whether they are trying to “fit” it into the existing academic context, traditions (and which ones), the way they present all this (language, especially terms, including new ones, formulations of fundamental provisions and methods, headings, including the headings of individual paragraphs, style (first of all, deviations from the proper academic style), the way of narration (descriptions / reasoning), composition (segmentation of the article), special rhetorical techniques, etc.). The following points are considered in more detail: internal citation; terms and headings of articles; evaluation (evaluative characteristics of articles that are relevant in content, vertical, etc. speech genres typologies) in the journal / collection of articles “Speech Genres”.

The synthesis of tradition and avant-garde techniques in selected polish violin sonatas from the second half of the 20th century

The article presents four chamber violin sonatas for an instrument duo written in the 1970s and 1980s, which in their concept of form and shape combine the elements of the widely understood tradition with innovative means of composition technique. The subject for a closer analysis are the following works: • Witold Rudziński, Sonata pastorale per violino e piano forte, 1978 (PWM, Cracow 1983) • Sławomir Czarnecki, Sonate tragique für Violine und Klavier, 1982 (Tonos, Darmstadt 1988) • Jan Krenz, Sonatina for two violins, 1986 (Brevis, Poznań 1994) • Zbigniew Bargielski, Sonate für Violine und Klavier „The sonata of oblivion”,1987, autograph. Each sonata listed above renders an individual concept for combining paradigms adopted from the tradition (e.g. forms, use of quotation, expression idiom) with selected avant-garde means in sound technique, which mainly derives from the sonoristic trend. What Witold Rudziński’s Sonata pastorale per violino e piano forte draws from music tradition is the thematic character of musical thoughts, and in its sound sphere it introduces the means of mild sonoristic, maintaining a balance between them. Sławomir Czarnecki’s Sonate tragique für Violine und Klavier using the quotation from the sequence of Dies irae refers to the Late-Romantic expression to which it adds unusual methods of sound production and sonoristic middle episode. The function of these innovative means is to contrast it against dramatic expression of the piece’s outermost elements. The third discussed work, Sonatina for two violins by Jan Krenz corresponds with the neoclassical trend from the 20th century and brings out diverse elements of violin technique. It refers to the B-A-C-H sound symbol known from the past and to the variation form and combines them with more recent sound structures. The fourth composition, Sonate für Violine und Klavier by Zbigniew Bargielski, is the most innovative one in terms of its sound layer and formal concept. Its connection to the past is maintained thanks to a quotation from Chopin’s music transformed in an interesting way. The analysis of the sonatas leads to the following final conclusion: the tradition and the avant-garde in the discussed works from the postmodern period are not in opposition one against another in terms of style and aesthetics but they create complementary phenomena, in which the message drawn from tradition is given a new face.

New achievements in academic performance. (On the 80-th anniversary of Yury Stolyarov)

Based on bibliometric analysis, the flow of publications by Yury Stolyarov in 2013-2018 is examined. The flow volume is determined with standard criteria; its typical, genre, semantic, geographical organization and corporation structure, Hirsch index citation rate are given. Review authorship for Stolyarov’s works is characterized: his contribution into the development of theory and methodology of general and special library studies (mainly library collection studies, documentology, book studies), gain of knowledge in these disciplines is evaluated. Thematic character of his personalia papers dedicated to over 20 figures of book industries and library science is discussed. Rubakiniana dedicated to the 155-th anniversary of the encyclopedist, educator and father of bibliopsychology hold a special place in Y. Stolyarov’s work.The authors argue that high rates and reviews of Stolyarov’s works, geographic scope of publications (by journals, digests, and the publishers’ in Russian regions and worldwide), as well as the increasing number of doctoral dissertations passed under his scientific supervision prove Stolyarov’s authority and the demand for his ideas.

The relationship between (in)alienable possession and the (three potential) forms of possessed nouns in Hungarian

The paper gives a thorough insight into the system of possible forms of (in)alienably possessed nouns in Hungarian. Its point of departure is the group of [Nominative + -j- +A] possessive forms the stem of which has an alternative (morphologically “shorter”) possessive form; such longer possessive forms are claimed to express alienable possession (see den Dikken 2015). We point out that Hungarian deverbal nominals― and especially the groups of T-nouns―play an interesting role in this system via the thematic character of their possessors (given the obvious connection between alienable possession and external argumenthood, on the one hand, and inalienable possession and internal argumenthood, on the other).

Content analysis of documents using neural networks: A study of Antarctic science research articles published in international journals

Content analysis of scientific papers emanating from Antarctic science research during the 25 years period (1980—2004) has been carried out using neural network based algorithm–CATPAC. A total of 10 942 research articles published in ScienceCitation Indexed (SCI) journals were used for the study. Normalized co-word matrix from 35 most-used significant words was usedto study the semantic association between the words. Structural Equivalence blocks were constructed from these 35 most-usedwords. Four-block model solution was found to be optimum. The density table was dichotomized using the mean density of thetable to derive the binary matrix, which was used to construct the network map. Network maps represent the thematic character ofthe blocks. The blocks showed preferred connection in establishing semantic relationship with the blocks, characterizing thematiccomposition of Antarctic science research. The analysis has provided an analytical framework for carrying out studies on the contentof scientific articles. The paper has shown the utility of co-word analysis in highlighting the important areas of research inAntarctic science.

Space-time, Event and Expression in Early Tamil Texts

Much attention has been paid to the compositions of early Tamil bards that have been compiled and reproduced as Akam and Puram texts. Several studies on the early Tamil texts have appeared from linguistic, cultural and historical perspectives, which have helped to provide valuable insights into structural and processual aspects of early Tamil society. Studies of Tinai and Turai have been central to such efforts. Arguments regarding Tinai as representative of social evolution have given way to efforts at understanding Tinai in terms of material culture and forms of ecological adaptation. The thematic character of turai has provided valuable insights into the processes at work within the social formations of early Tamilakam. The present article attempts to analyse one text of crucial importance to the discussion. Tolkappiyam is primarily a text on Tamil language and grammar, but its significance in understanding the society of early Tamils has long been recognised. It is also known that Porulatikaram in Tolkappiyam goes far beyond the conventional linguistic treatises in dealing with social processes. However, the text is not merely an exercise in social linguistics, but provides a comprehensive methodology in understanding early Tamil texts. The article argues that the methodology involves historical categories of space and time and formation of events that constitute the basis of literary expressions. It is argued that the context of introduction of these categories signifies major transformation in early Tamil society, which makes the composition of Tolkappiyam representative of changing social order.

New elements of the painted program in the narthex at Nerezi

The fresco paintings in the narthex of the St. Panteleimon church in Nerezi are only partly preserved, and by their thematic character, they can be divided into 3 groups: the first group consists of fragments of the Life cycle of St. Panteleimon, the second group consists of remnants of the Deesis composition painted over the entrance to the naos. The third group consists of fragments of the scenes in the first zone on the north end of the east wall, as well as the fragment of the imperial scene, which can be linked with the donor composition which was painted in the second zone on the north end of the east wall.

Enantioseparation of chiral drugs and current status of electromigration techniques in this field

In keeping with the expanded scope of the Journal of Separation Science, this short review summarizes current trends in the development and use of chiral drugs and reports the author's insight into the role of separation science in this field. In keeping with the thematic character of this special issue, electromigration techniques such as capillary electrophoresis and capillary electrochromatography are stressed. The most recent developments in the field of micropreparative enantioseparations based on various electromigration techniques are also summarized.

The type A behaviour pattern as a precursor to stressful life-events: a confluence of coronary risks.

Both the Type A Behaviour Pattern (TABP) and the presence of stressful life-events have been independently established as precursors to the onset of coronary heart disease (CHD). The thematic character of the TABP suggests, however, that the two phenomena might be linked, to the extent that features of the TABP may place an individual in social, occupational and personal circumstances which enhance the probability of encountering stressful life-events. Evidence from survivors of clinical CHD gives some support to this idea. The present study extends the hypothesis to a large sample of healthy males, screened for CHD risk factors. These results, too, support the idea that the TABP and encounters with stressful life-events are not entirely independent phenomena. Associations between the TABP and a range of measures of life-events were most evident in the occupational aspects of the latter, though not exclusively so. The data do point to the need, in future epidemiological studies of CHD risk, to treat the TABP and stressful life-events as related measures of CHD risk.

Experience to Expresion Thematic Character Contracts in Tristram Shandy

Experience to Expresion Thematic Character Contracts in <i>Tristram Shandy</i>

The Refrain in Poe's Poetry

DGAR ALLAN POE'S use of the refrain constitutes a valuable index to his literary practice and to the relation between his practice and theory. An examination of the refrain in his poetry can be helpful in clarifying the disparity between his merits and the frequent puerility of even his best poems. Before turning to his work, however, it is perhaps necessary to distinguish the refrain as a literary device from such related devices as simple repetition, incremental repetition, and parallel structure by limiting it to thematic, patterned repetition.1 Poe's poetry abounds in all these devices, and sometimes they seem to blur into one another. But refrain can usually be isolated on the basis of its thematic character, whether it consists of the repetition of a single word or of a unit as large as a stanza. Poe's most complete discussion of the refrain occurs, unfortunately, in a work which critics have viewed with great suspicion. But whatever The Philosophy of Composition (I846) may or may not reveal about the composition of The Raven, it probably sets forth accurately some of Poe's opinions on aesthetic and technical matters. Certainly there is no reason to question his remarks on the general nature of the refrain, since they clearly describe the theory of the refrain which he practiced in his later poems. To facilitate the examination of this theory, the crucial passage is quoted in full.