Reviewed by: Ancestral Caddo Ceramic Traditions ed. by Duncan P. McKinnon, Jeffrey S. Girard and Timothy K. Perttula Harry J. Shafer Ancestral Caddo Ceramic Traditions. Edited by Duncan P. McKinnon, Jeffrey S. Girard, and Timothy K. Perttula. (Baton Rouge: Louisiana State University Press, 2021. Pp. 376. Illustrations, references, index.) The Caddo cultural area encompasses parts of Texas, Oklahoma, Arkansas, and Louisiana, within which its largest geographic area is East Texas. The ceramic tradition is one of the main material hallmarks of the Caddo. This welcome, comprehensive study of ancestral Caddo ceramics by eighteen contributors presents new perspectives and incorporates not only traditional approaches such as typology and decorative variations but also addresses such topics as technology, ceramic exchange, ideology, and world view. The book is organized into three parts. Part I covers the history of archaeological studies of Caddo ceramics, beginning in the early twentieth century with Clarence B. Moore’s and Mark R. Harrington’s descriptive studies. Woodland period ancestors, who originated Caddo ceramic traditions, began to make pottery some three thousand years ago. Part II covers a variety of topics including ceramic variation, social interactions, stylistic analysis, three-dimensional geometric analysis, and technological [End Page 196] sourcing using instrumental neutron activation analysis. Part III addresses the revival of traditional ceramics by contemporary Caddo potters. Most previous studies of Caddo ceramics in the late-middle twentieth century were typological and were either state- or site-specific. These early efforts were brought together by the original type descriptions published in the Texas Archeological Society’s Introductory Handbook of Texas Archeology (volume 25, 1954). Since that time, much work has been done in the Caddo area as referenced in part I of this book, which then goes far beyond the original typological studies and brings the study of Caddo pottery into contemporary archaeological and anthropological perspectives. Rather than viewing the Caddo area as a whole, the geographic focus now is along specific river systems where ancient tribal units and stylistic variations were concentrated: the Red (chapters 2 and 3), the Ouachita (chapter 4), the Arkansas (chapter 5), and the Sulphur, Neches, and other Texas streams (chapter 6). The book includes historical backgrounds, well-dated chronological schemes for each drainage, and the ceramic typology. New approaches in the study of Caddo ceramics are presented in chapters on non-typological approaches. Chapter 7 addresses vessel function related to salt production and specialized craft production of Caddo fine wares such as Holly Fine Engraved, Spiro Engraved, Hickory Engraved, and Crockett Curvilinear. In chapter 9, we see that interregional interaction and long-distant exchange of fine wares produced by cottage-level craft specialists yielded surprising results. Ross C. Fields presents an interesting and model study of microscale variation in Titus Phase Ripley Engraved bowls in chapter 10 and explores the potential of that approach. In chapter 11, Eloise Frances Gadus considers the scroll, one of the most common design motifs, as a cosmogram “representing the multilevel world theme with the axis mundi at the center” (239). Caddo pottery was made for cooking, storage, and serving. Both utility and fine wares were produced for consumption and exchange. Robert Z. Selden Jr. takes innovative approaches to the study of network analysis of ceramic assemblages in chapter 12, and in chapter 13 examines the morphology of Caddo bottle shapes. Jeri Redcorn’s personal story of the Caddo fine-ware pottery revival and tribal history comprises chapter 14, and Caddo artist, potter, and tribal ambassador Chase Kahwinhut Earles explains in chapter 15 his approach to creating traditional Native American art, his important relationship with archaeologists, and how the art and relationships strengthened his own identity in his culture and past. The book is highly recommended for scholars and archaeologists interested in ceramic analysis in general and Caddo area specifically. While the chapters cover Caddo ceramics in all four states, eastern Texas holds the largest and most diverse regional clusters of ancient Caddo cultures. Furthermore, Caddo pottery distribution extends well into Central Texas. But more specifically, the book provides new perspectives for archaeologists [End Page 197] studying Caddo pottery by addressing the great variety in form and design from ancient to modern times. Harry J. Shafer Witte Museum, San Antonio...
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