Cultural Sustainable Development Research Articles

An Analysis of the Impact of Digital Media on the Sustainable Development of Traditional Culture Conducted

Due to the rapid pace of contemporary societal development, there is a diminishing inclination among individuals to invest extensive time in preserving traditional culture. Consequently, the transmission of many traditional cultural aspects faces impediments. However, with the technological strides in digital media, numerous cultures find expression on the internet, reaching a global audience. This not only widens the scope of the audience but also contributes to the sustainable development of cultures, rendering them more accessible. This paper delves into the impact of digital media on traditional culture, critically analyzing its merits and drawbacks through literature review. This paper also anticipates the future trajectory of cultural development within the realm of digital media. Ultimately, this paper concludes that digital media can help to globalize traditional culture and maintain cultural memory through electronic technology, but at the same time, it can lead to a crisis of cultural entertainment and user data leakage.

Cultural sustainability and Estonian community houses

This article explores the role of Estonian community houses in supporting sustainable cultural development and the vitality of communities in a turbulent era of global change. It poses the following questions: (1) How do the representatives of community houses perceive their roles and challenges? (2) How does organizational agency and cultural policy (at national and sub-national level) contribute to cultural sustainability in the context of such disruptions? To answer the first question, in 2022 an online questionnaire survey targeting representatives of Estonian community houses was conducted. The article is based on quantitative and qualitative analysis of 126 responses. The second question provides historical, political, and cultural context to address the first. Estonian community houses, numbering 376 in operation today, are a unique network to study. In the nineteenth century, these cultural hubs became the basis for the system of non-formal life-long education, arts and culture, and later regulated and developed within the subnational politics of culture and education in the Estonian nation-state (1918–40), in the Soviet Union (1940–91), and in today's Estonia (1991–2023) as part of the European Union. The COVID-19 pandemic added a new set of disruptions. In this light, the continuity of the functioning of community houses, alongside their ability to adapt, becomes particularly important for both local communities and sustainable cultural development.

Study on Countermeasures for Protection of Dietary Intangible Cultural Heritage in Henan Province in the Context of Rural Revitalization

Abstract Under the rural revitalization strategy, protecting dietary intangible cultural heritage in Henan Province is particularly important. This study explores the protection countermeasures of intangible cultural heritage of cuisine (shorted as ICH)in Henan Province to promote the sustainable development of culture and tourism. The research methods include DEA model, TOPSIS method, exploratory spatial data analysis and coupling degree analysis. The results show that between 2016 and 2023, the coupling degree of ICH and rural tourism in Henan Province increased from 0.4241 to 0.6917.Especially in Nanyang City, the development of ICH cultural and tourism projects significantly promoted rural tourism, and its level of rural tourism development increased from 0.51 to 0.98.In addition, the grey correlation analysis reveals that the market demand, technological innovation, business interests and policy support are the main influencing factors. The coupling and coordination degree of NGT and rural tourism shows an upward trend. The conclusion points out that the protection of dietary intangible cultural heritage in Henan Province needs to pay attention to market demand, technological innovation and policy support to achieve the dual goals of rural revitalization and cultural protection.

Media Memory Construction and Cultural Sustainability

The sustainable development of culture is often regarded as the core of cultural security and uniqueness. The homogenization of culture brought about by globalization poses a threat to cultural diversity and sustainability as well as to the uniqueness of national cultures to varying degrees. In this context, pan-Asian countries have taken various measures to protect their cultural identity and avoid the breaking in cultural intergenerational inheritance. Since the establishment of diplomatic relations between China and South Korea in 1992 and the establishment of South Korea’s “Building up the Nation with Culture” strategy in 1998, Korean culture has developed Hallyu, or the “Korean wave”, in China and other countries via K-dramas, K-pop, and K-movies, establishing a significant recognition of K-culture worldwide. Although memory can be both personal and social, shared cultural memory is a core element for integrating individuals. Compared with individual memory, media memory has more advantages in continuity and stability, and is almost naturally endowed with social and cultural significance. Therefore, constructing media memory to achieve sustainable cultural development is a feasible and reasonable method. This paper reviews the influence and evolution of K-culture in China, and takes K-content media and its acceptance in China as an example to explore the logic and significance of media memory construction of culture and enhancement of cultural influence, especially on foreign audiences. In addition, from the perspective of media memory construction, the paper examines the reasons for the gradual decline of K-culture’s influence in China, and argues that media memory construction is a practical way to sustain cultural influence, so as to form common experiences that relevant parties can learn from.

Research on Rural Tourism Design in Zhejiang under Sustainable Cultural Development

Background and Aim: Zhejiang Province of China is located in China's East China Sea, is China's ports in the province, the province's famous fishing villages are known to fish a lot of unique marine location advantages formed distinctive fishermen's living customs, but also gradually formed a rich and colorful fishing culture in Zhejiang. Therefore, the sustainable tourism development of Zhejiang fishing villages is closely related to the overall economic level of Zhejiang Province. By searching for the characteristics of fishing villages in Zhejiang Province, we create a suitable image design and model and develop and promote it, to promote the development of sustainable cultural tourism in beautiful villages. Materials and Methods: Based on the perspective of sustainable development, this paper analyses and integrates the characteristics of the "Chinese Fishing Village" in Zhejiang Province from three aspects through literature research, field survey, and questionnaire survey, applying the concept of sustainable development and the strategy of CI to design an image design and model of sustainable development that meets the requirements of the Chinese fishing village, and promote it to the life of the fishing village. The image design and model of sustainable development of the "Chinese fishing village" are designed and promoted to the life of the fishing village, and the visual image of the sustainable development concept is set up, which helps to disseminate the core concept and spirit of the concept, to enhance the influence of the fishing village and to design and promote the common sustainable cultural development of the fishing village. Results: The study found that the characteristics of the "Chinese fishing village" in Xiangshan County, Zhejiang Province, China, combined the resource base of fishing culture and art in the fishing village with the brand communication, and designed a sustainable development model to take fishing culture as the core of the development, develop fishing culture resources, do a good job of promoting the fishing culture and increase the development of cultural and creative products, to promote the sustainable cultural tourism development of the village. sustainable cultural tourism development. Conclusion: Based on the results of the study, this paper derives image designs and models that contribute to the development of sustainable cultural tourism in villages.

Design Ritual into Modern Product: A Case Study of Chinese Bronze Ware

Bronze wares make up some of the most important bronze artifacts in ancient China’s Xia, Shang and Western Zhou dynasties. They carry rich historical, cultural and artistic information. In order to enable modern people to reflect on the ancient through products, an important research topic that must be considered is how to carry out innovative designs with bronze ware and how to add value to the development of cultural creative industries so as to promote sustainable cultural development. This study puts forward a research framework for the innovative design of bronze ware. Based on analysis of relevant cases, such as a purple copper antique wine vessel, the “Qing Niao” (“Blue Bird”) asking love wine cup and the HIBIKI ware wine glass, the study summarizes the innovative design strategy of modern transformation design of bronze ware. From the perspectives of functional attributes, cultural symbols, cultural identity and emotional resonance, the study finally proposes three design ideas: antiqued design, simplified design and reconstructed design. The study presents a research model which still needs to be verified in future studies. We hope that the model can integrate the principles of sustainability into the modern transformation design of cultural relics.

Sustainable Community Development as a Main Motive of Good Governance System and Ethical Presentation in a Developing Nation

Sustainable development has been given special attention worldwide regarding the environment and preservation of natural resources. However, sustainable community development remains a little-explored area, specifically concerning power-dominant economies and as an ethical representation of managing a country's law and order situations. Therefore, the current study aims to determine the influence of power disruptions, that is, human and governance factors, on sustainable community development directly and indirectly via an underlying mechanism of public sector performance. To achieve the study objectives, the study adopted a quantitative research methodology with a random sampling technique by surveying 720 citizens of Indonesia. A statistical data analysis using structural equation modeling in SmartPLS showed that power disruptions negatively impacted public sector performance, leading to underdeveloped communities. The results also showed that high levels of social connections between public sector employees and citizens mitigated the negative influence of power disruptions on public sector performance leading to the sustainable development of culture and community. The current study adds value to the government science literature by combining the critical issue of power disruptions and sustainable community development in a single consolidated framework that considers the ethics of governing a nation. The results will also help policymakers and project-executing agencies discourage power disruptions and find solutions to damages caused at the planning stages.

Creative Economy and Sustainable Development: Shaping Flexible Cultural Governance Model for Creativity

With the development of cultural democratization, countries have attached increasing importance to the protection of cultural rights and the promotion of sustainable cultural development. The establishment of a flexible cultural governance model may release the transformative force of culture and creativity, gradually spread cultural values and ideas into governance, and shift activities to more sustainable behavior. This research was divided into two stages. In the first stage, CiteSpace was used to conduct a co-citation analysis of documents published between 2013 and 2022 in the Web of Science database. The results were combined with existing cultural development and value indicators from many countries to design cultural impact indicators suitable for evaluating the sustainable development of creative industries. In the second stage, a questionnaire survey was conducted on the cultural industry, the creative economy, and cultural consumption. Through statistical analysis, six dimensions were obtained, and 20 indicators were cultural sustainability, cultural democracy, cultural innovation, cultural industrialization, cultural vitality, and cultural policy systematization. The cultural governance framework of the creative economy and sustainable development was established through AMOS software. This study found that the humanistic rationality of cultural governance has a significant improvement and stable role in promoting the governance of cultural policies. Adjustable cultural impact indicators are effective cultural practices for shaping and framing creative industries, which should be invented, stabilized and improved.

Achieving cultural sustainability through the preservation of video art: open distribution platforms

Video art has earned its spot within cultural heritage since the beginning of the 1970s, especially as a medium for activist practices, and it is now one of the most collected and exhibited artistic typologies in museums. The use of video art as a means of social protest and reflection continues to produce relevant artworks in the present day that constitute a part of our collective memory and that need to be safeguarded for the future, since they act as a valuable means of expression for marginal collectives and alternative ways of living. In this regard, the preservation of cultural heritage is a part of what has been called cultural sustainability: an essential part of sustainable development, which refers to the necessity of ensuring the access of future generations to past and current artistic practices. The following research reflects on what cultural sustainability means for cultural institutions and museums, and how availability is fundamental to the preservation of video artworks, endangered by technological obsolescence. Specifically, single-channel video is examined from a conservator’s perspective and some ethical considerations are examined regarding its obsolescence and reproducibility. Subsequently, with the idea that proliferation equals conservation, some institutional initiatives are presented that use the Internet as an environment for video art distribution across the world; the issue of copyright is also examined, under the belief of open distribution and fair use. What does the future of video art hold? How can we ensure sustainable cultural development? And is it possible for museums to balance private and public interests? This article reflects on these questions and tries to provide some answers based on the idea of preservation through open access. Keywords: video art, activism, preservation, cultural sustainability, access

Gamification of Culture: A Strategy for Cultural Preservation and Local Sustainable Development

In the dual context of the cultural economy and the creative economy, culture is considered a unique source of competitiveness, making culture preservation a vital issue for peripheral areas. In this paper, it is argued that gamification is a valuable strategy for developing cross-cultural designs. The unique advantages of games in cultural preservation and promotion for peripheral areas with limited institutional resources are further articulated. To illustrate this, a set of design principles was proposed and the distinctive boat-based (Tanka) culture in southern China was taken as an example. A case study was conducted based on document analysis of the history of the Tanka culture and field research on the Tanka settlements in the Humen New Bay area, showing the development process and thus demonstrating the possibility of promoting the preservation and sustainable development of culture in peripheral areas through gamification. After testing the proposed game, some adjustments were suggested. However, participants generally agreed that they learned some Tanka customs through the gameplay, indicating the effectiveness of the game in Tanka culture preservation. This research thus contributes to both theory and practice by providing theoretical background and early practice.

Integrated Sustainable Development of Culture into Tourist Map Design: A Case from Foshan, China.

As the fourth pillar of sustainable development, culture is widely recognized as contributing to human wellbeing. The distinctive culture of cities is an important driving force for attracting visitors to destinations for tourism consumption. Since historical cities have important cultural and historical values, the design of their tourist maps needs not only geographic positioning and artistic aesthetics, but also a systematic design method to present the connotation of regional cultures, so as to enhance the local cultural identity of hosts and the cultural cognition of visitors, and to drive the local tourism economy, improve the regional environment, promote cultural transmission and inheritance with the help of tourist map design in terms of cultural sustainability, which ultimately achieves sustainable development of human wellbeing. Taking Foshan, a national historical city, as an example, combined with the cultural gene and the cultural hierarchy theory, this study analyzes and summarizes the regional culture of Foshan from three aspects: material cultural gene, intangible cultural gene and spiritual cultural gene. This study also comprehensively presents the geographical information and historical or humanistic characteristics of the city through direct translation, narrative translation, and metaphor translation, which provide theoretical support and practical guidance for the integration of regional cultures into tourist map design.

Management Approaches in the Field of Culture

The article discusses different aspects related to the analysis of specific cases of culture and heritage management, which are used both to identify the distinctive features of management approaches and to integrate them in search of synergies and beneficial interactions based on their mutual complementarity. Changes in the external environment of culture are considered primarily in relation to the economy, society and the urban environment with its typical infrastructures in order to achieve sustainable development of culture, which ensures that there will be no loss of memory and authenticity of cultural values on account of social or economic benefits.

Peculiarities of Sustainable Cultural Development: A Case of Dark Tourism in Lithuania

The aim of this article is to reveal the connection and significance of the concepts of dark tourism and sustainable tourism for the sustainable development of tourism, especially for regional tourism growth. The article discusses the theoretical aspects of dark tourism and details the aspects of this tourism industry as part of cultural tourism. The article also analyses principles and models of sustainable tourism development, with a stronger focus on the integrated development paradigm. As a relatively significant part of the research and analysis of sustainable tourism is more focused on the challenges posed by global mass tourism, this article focuses on the issues of sustainable development of niche tourism in relation to regional tourism. The article presents the analysis of Lithuanian dark tourism resources, presents the most common dark (dissonant) heritage objects, as well as the evaluation of resources according to the spectrum of dark tourism and the comparative analysis of the country’s most popular dark tourism objects from the point of view of sustainable tourism. A qualitative study revealed that regional tourism in Lithuania (especially niche, such as dark tourism) lacks integrity among different stakeholders, especially in involving the local community in the processes of cultural heritage protection and cultural tourism development and in developing more intensive links with the private sector. On the other hand, the analysis also revealed that there is an ambiguous public opinion regarding the dark heritage, which does not contribute to the sustainable development of tourism and the actualization of such heritage. The article also discusses the models of sustainable development of dark tourism and invites to discuss how to encourage greater public involvement in the development of dark tourism as part of cultural tourism, so that the principle of sustainable tourism does not remain an empty declaration.

Interior/Exterior Form and Property Research on Wu-Style Residential Houses from the Perspective of Sustainable Development

Research on regional residential buildings is an important means of exploring the natural climatic adaptability of buildings and the sustainable development of culture. It is also an important path of sustainable social development. However, current research methods for architectural space find it difficult to clarify the internal and external relations of space, and the function of architectural space to adapt to the regional climate and cultural heritage is difficult to quantitatively analyze and measure. This study constructs a new research method of architectural interiors/exteriors, takes the traditional residential buildings in Wu-style architecture in the Jinhua area as a case study, summarizes the types and characteristics of the interiors/exteriors of Wu-style architecture, and reveals the spatial construction rules of the internal and external types realizing environmental sustainability and traditional residences. The results show that: (1) the architecture of the Wu style has five typical types of interior/exterior, and the regional representation of its interior/exterior is affected by both the human and the natural environment; (2) influenced by traditional Confucian culture, the architecture of the Wu style shows a central axial secondary buckling type and an enclosed type of interior/exterior form, which has the value of the times to coordinate the relationship between people in today’s society; (3) in terms of ventilation, daylighting, and heat dissipation, Wu-style buildings flexibly use the slender gray space form and wide cornice for the internal and external space transition, which effectively improves the ecological efficiency of the buildings’ ventilation, lighting, heat dissipation, etc., and has important reference value for the development and utilization of traditional buildings and the architectural design of new dwellings. At present, this new research method for the internal and external spaces of buildings still has considerable potential and needs to be deepened and improved through further research.

Sound Design of Guqin Culture: Interactive Art Promotes the Sustainable Development of Traditional Culture

Culture, as an intangible piece of heritage, is one of the priorities of sustainable conservation. With the rapid modernization of science and technology, traditional culture that is expressed in the form of sound is facing prominent problems related to inheritance and development. Thinking about how to integrate traditional culture into the daily life of the public is an important way of solving sustainability problems related to traditional culture. This study took Guqin culture as its research object, explored the possibility of using sound as an interactive medium, and considered how to present traditional culture to the public in public space to broaden the inheritance and development mode of Guqin culture. Therefore, this study proposes a public Sound Interaction Design Model oriented to sound and presents a public sound-interactive installation with different levels based on the model. The feasibility of the model is verified through an interactive design evaluation method, and the role of the model in sustainable cultural development is discussed.

The challenge of city competitive advantange-rethingking creative city networking

Competition between cities in globalization has been made through various efforts. The city must also win a competition through brands in the form of quality of life of creative cities. UNESCO also lists the need for an optimal effort to develop the community's culture and creativity to stimulate the city's regeneration into sustainability. The study aims to dissect the city of Pekalongan as a case study. The research uses qualitative methods with data collection through the Big Data harvesting process analyzed through the interpretation process. The findings are the relationship between the physical elements of city space and the strong meaning concerning the creative abilities possessed by its people, both tangible and intangible. It is this strength that underlies the distinctive and sustainable cultural development to build a city competitive advantage.

Definitions Matter: Dynamic Policy Framing of the Arts in Boston’s Sustainable Cultural Development

Cultural sustainability has become a fourth pillar in sustainable development studies. Different from the research approach to embedding culture into conventional sustainable discourse, this article argues that the sustainability and resilience issues within the arts and cultural sector should be paid more attention to. Putting the arts and cultural sector in urban settings, sustainable cultural development entails dynamic policy framing and changing policy justifications in response to an evolving socioeconomic and political environment. Taking the policy framing of the arts as an analytical lens, this paper aims to investigate this dynamic change and key driving factors through an in-depth case study of Boston’s urban cultural development. This article finds that different definitions of the arts are associated with different arts-based urban development strategies across four stages of cultural development in Boston spanning a period of over 75 years. The working definition moved from art to the arts, then to the creative arts industry, and eventually to cultural assets and creative capital. The policy framing of the arts keeps evolving and layering in pursuit of more legitimacy and resources regarding groups of stakeholders, field industry components, types of industrial structure, and multiple policy goals. This dynamic policy framing has been driven by arts advocacy groups, policy learning process, urban leadership change, and cultural institutional change, allowing Boston to draw on a growing and diversifying set of cultural resources in pursuit of sustainable cultural development.

Living Wisdom and Intangible Heritage: The Case of Hu Brush

ABSTRACT The aim of intangible heritage is to preserve diversity for the sustainable development of culture, which allows its creators and stakeholders to reflect the evolution of cultural characteristics and identity for any given communities, or group of individuals. However, the safeguarding and interpretation of intangible heritage has faced challenges in practical performance, especially when representing local voices or in achieving inclusivity in negotiations related to identification, documentation, dissemination and tourism development. This paper traces the form and symbolic framework of Hu Brush at different historical stages; discusses two cultural spaces, government-led physical space and community-led ritual space, where Hu Brush performs. We highlight how the different community-based actors understand the intangible heritage policies, and argue that living wisdom, as a theoretical framework, provides the opportunity to explore local knowledge, practice and wisdom. These factors are relevant to the production-distribution-consumption-symbolisation of Hu Brush in the contemporary socio-historical context. The paper also portrays the complexity of contesting, negotiating and appropriation in heritage space and in discourse among different actors. As an alternative approach, living wisdom in intangible heritage is helpful to reveal how multiple powers and discourses contest, negotiate, and appropriate the complicated cultural space shaped by intangible heritage.

Circus Industry in the Context of State Culture Policy: Culturological Analysis

The aim is to conduct the culturological analysis of circus industry in modern Ukraine in the context of the state culture policy, define and substantiate the essential contents of the state regulation of circus industry in the context and within its legislative and normative­legal field.
 The relevance of the main provisions of this study in the formation of the latest scientific discourse in the field of circus art is substantiated. The basic concept of circus industry was updated, which lies in formation of a legislative and regulatory framework for the development of national circus art. The culturological analysis of the circus development program is carried out. It is emphasized that the legislative and regulatory framework of the sphere of culture has universal, on the one hand and on the other hand specific provisions, inherent only in a particular art form. Emphasis is made on the need to introduce a modern, civilized paternalistic state policy for the development of circus art, in particular. It is emphasized that modern civilized paternalism will allow to maintain a stable presence of the national circus product at the national and world market of cultural and artistic services, and through this — to provide the stable development of domestic circus industry. It is updated that thanks to modern paternalism and enhanced budget support for all components of the circus industry, such as: training systems for creative and managerial staff, amateur circus art system, stationary circuses system, will ensure sustainable development of the national circus industry in its entirety.
 Therefore, the purpose of the article is to carry out a culturological analysis of circus in modern Ukraine in the context of state culture policy, to determine and justify the essence of state regulation of circus, in the context and within its legislative and regulatory framework.
 As the most scientific ones for the study of circus industry in the context of state culture policy can be considered the following methodological approaches: culturological analysis of the legislative and regulatory field of culture; convergent­divergent approach, which considers the legislative and regulatory framework in a dynamic aspect as an integral system that normalizes the relations between the state and the sphere of culture and creates conditions for the development of arts; the principle of comparative analysis, aimed at identifying specific components and finding universal, peculiar to the entire artistic sphere legislative and regulatory documents.
 Thus, the scientific novelty of the represented work is that the state culture policy in the field of circus industry is considered as an integral, systemic phenomenon, the basic component of which is the legislative and regulatory field.
 Conclusions. Since Ukraine’s independence, the state has formed and pursued a culture policy that regulates the relationship between the cultural and artistic spheres and the state. After all, the state provides the development of culture and art, free access to cultural heritage, provides comprehensive artistic and aesthetic education of the population, supports the activities of cultural industries. The basic component of the state culture policy is the legislative and regulatory field.
 Ukraine has formed a meaningful and extensive legal framework for all types of art that are developing in our country. The legislative base of the culture sphere ensures the sustainable development of culture and art, the formation of an integral system of institutions and institutions that produce cultural and artistic products, train artistic personnel for the field of culture and art.
 It can be stated that the circus industry in Ukraine, unfortunately, was left out of the attention of culture sphere politicians and statesmen, because currently not developed and adopted the Law of Ukraine “On Circus Industry and Circus Art”, which would ensure further development of circus and circus art. The adoption of this law is timely and extremely relevant in the current socio­cultural realities.
 Prospects for further research. Cultural theorizing of circus, in particular in the context of state culture policy, creates the preconditions for the emergence of the latest humanities — circology, a science that will carry out an integral analysis of circus. A new scientific discipline — circology, will provide a harmonious combination of theory and practice of circus, both within the national boundaries of scientific discourse and in the field of international scientific theorizing of art in general.

서비스 디자인 사고를 융합한 중국 지역 음식문화의 지속가능한 발전에 관한 연구

This study begins with the phenomenon that cultural conflict may occur between people with different social backgrounds, lifestyles and values in the context of social and economic globalization. Cultural conflict is one of the preconditions to promote cultural identity, and cultural identity is also the basis for the sustainable development of regional culture. With the rapid development of society and the substantial improvement of material conditions, food and clothing is no longer a social problem in China. People begin to pay attention to their own internal needs and have more diversified demands on the connotative value and presentation of food. As a symbol of regional culture, food can reflect the internal culture of the region and the social and cultural relationship between the region and other regions. It is an important carrier of the sustainable development of regional culture. In the face of the increasing demand at all levels, tangible single products can no longer meet the needs of users, thus promoting the market economy from product oriented to service-oriented competition.<BR> The purpose of this study is to deconstruct and reconstruct a variety of possibilities between regional food, regional culture and people, give play to the role of service design thinking in this process, and explore the value and significance of service design thinking in the process of sustainable development of regional food culture.<BR>Therefore, this paper attempts to use service design thinking to participate in the research process of the sustainable development of Chinese regional culture, and its methods and tools to participate in the process of regional culture characteristic food is not only the food remanufacturing and so on. The key is to study and analyze the relationship between the cultural attributes and lifestyle of regional food, create design value by means of symbols, vision, products, space and service process, and enhance the cultural significance and commercial attributes of food with the intervention of multi stakeholders.<BR> The research results and contents are as follows: firstly, as the determination and expression of regional food cultural connotation information, service design is not only the presentation of food material attribute information, but also the fundamental driving force to promote the development of intangible values (information, memory, interaction, etc.) such as its cultural attribute.<BR> Secondly, the food system involved in service design pays attention to the experience perception of users, promotes collaborative innovation activities of regional food stakeholders, maximizes the value of regional cultural information obtained by stakeholders in the service system, cooperatively creates possible solutions and improves the service quality of the food system.<BR> Thirdly, service design improves the user experience of regional food culture, explores the interactive relationship between people and time, region, culture, food and other contacts, and uses symbols and other means of information expression to play the role of people in promoting and inheriting the sustainable development of culture in the regional food system.<BR> Based on the research results, this paper looks forward to the ability and creativity of service design to solve the problem of sustainable development of food culture with regional characteristics, promote the advanced innovation of food culture with regional characteristics, and transmit and develop more diversified cultural values.