Suburban Age Research Articles

Scoring the Hollywood Actor in the 1950s Gregory Camp

The 1950s were a pivotal decade in the history of Hollywood music. The great movie studios had dominated the early days of sound film production and distribution but were battered in 1948 by the Supreme Court’s antitrust Paramount Case, which forced them to divest from the theatres they had previously controlled and through which they had exerted an effective monopoly on the distribution of their product. As a result of the ruling, studio profits cratered over the next decade, leading to a crisis within the film industry. This crisis was compounded by the traumatic experience of the House Un-American Activities Committee hearings, which devastated Hollywood in the late 1940s and early 1950s as writers, directors, actors, and composers were forced to testify and inform on one another regarding any political activity deemed to be subversive. But the worst shock to Hollywood’s old order came from the advent of television. As the baby boom generation emerged in the wake of Second World War, TV presented a stay-at-home alternative that caused attendance at cinemas to drop precipitously. To lure viewers back to the cinema, Hollywood rolled out a succession of enticing attractions in the 1950s: spectacular new Widescreen formats such as Cinemascope or Cinerama that provided opportunities for sweeping vistas in historical epics like Ben Hur and thrilling genres such as science fiction and horror, which presented astonishing monsters and flying saucers. At the same time, a relaxing of the strict censorship code that Hollywood, fearing boycotts from the religious right, had imposed on itself since the early 1930s, led to increasingly frank depictions of sex and violence on the screen that reached a culmination with Hitchcock’s boundary-pushing Psycho in 1960. All of this provided new opportunities for musical expression: science fiction and horror films, with their emphasis on the strange and unfamiliar, inspired composers to experiment with modernist techniques such as atonality and electronic music, while movies dealing with contemporary topics such as addiction and teenage crime invited the dangerous and thrilling sounds of jazz and rock’n’roll into the heretofore rather sheltered late-Romantic musical universe of Hollywood film. A new generation of American composers, including Alex North, Leonard Rosenman, Elmer Bernstein, and Henry Mancini, entered the film-scoring scene during this period and proceeded to expand the stylistic palette available to film composers with elements of jazz and modernism. It is not surprising, then, that the 1950s has provided a particularly rich terrain for film-music scholars. An important early contribution to the analysis of pivotal scores by North and Rosenman, among others, was George Burt’s monograph The Art of Film Music (Boston, 1994). In recent years, a number of books, chapters, and articles have explored this turbulent and fascinating decade, including ‘Scoring East of Eden: The Division of the “One”: Leonard Rosenman and the Score for East of Eden’, in Graeme Harper, Ruth Doughty, and Jochen Eisentraut (eds.), Sound and Music in Film and Visual Media: An Overview (New York, 2009); Stanley C. Pelkey II and Anthony Bushard (eds.), Anxiety Muted: American Film Music in a Suburban Age (New York, 2015); and James Wierzbicki, Music in the Age of Anxiety: American Music in the Fifties (Chicago and Springfield, IL, 2016).

Lizabeth Cohen. Saving America’s Cities: Ed Logue and the Struggle to Renew Urban America in the Suburban Age.

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Saving America's Cities: Ed Logue and the Struggle to Renew Urban America in the Suburban Age. By Lizabeth Cohen

Saving America's Cities: Ed Logue and the Struggle to Renew Urban America in the Suburban Age. By Lizabeth Cohen

Book review: Saving America’s Cities: Ed Logue and the Struggle to Renew Urban America in the Suburban Age

Book review: Saving America’s Cities: Ed Logue and the Struggle to Renew Urban America in the Suburban Age

Local government advocacy in the ‘suburban age’: an institutionalist interpretation of Melbourne’s evolving sub-metropolitan regional structures

ABSTRACT The ‘suburban age’ has been conceptualised as the dominant global urban spatial reality for the 21st Century, yet the politics associated with this heightened expansiveness remain underdeveloped. Of relevance is the potential for suburban discontentment across a myriad of spaces centred upon the under provision of infrastructure and employment. With urban regions often highly fragmented by local government boundaries, bottom-up inter-local government responses assume significance, including sub-regional advocacy given enduring hierarchical government dependencies. In consideration of the evolving strength of sub-regional advocacy, three institutionalist themes are introduced: credibility, coherency and coordination. Empirical insights are presented from chief executive officer (CEO)-based interviews conducted across expansive Melbourne, Australia. In Melbourne, a ‘weak mayor/strong CEO’ local government system predominates beneath a state government with extensive metropolitan responsibilities. Melbourne’s sub-metropolitan regional structures have recently looked to strengthen their external presence through actions illustrative of the identified themes, with local government CEOs playing a key role in directing their evolving character. The global ‘suburban age’ must be associated with heightened sub-regional competition across enlarged urban regions, the management of which will present a growing spatial challenge for political leaders.

Anxiety Muted: American Film Music in a Suburban Age. Edited by Stanley C. Pelkey II and Anthony Bushard. Oxford: Oxford University Press, 2015.

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Urban Renewal by the Sea: Reinventing the Beach for the Suburban Age in Postwar Los Angeles

Urban renewal was not just a city phenomenon: it also unfolded on the beaches of coastal metropolises, most spectacularly in Los Angeles where a “beach lobby” made up of public officials, businessmen, and engineers coalesced in the 1930s. In the postwar, they implemented their vision by buying beaches for the public and turning the polluted and eroded strands of the early-twentieth century into modern playgrounds. While they effectively prevented a “white flight” from the beach and successfully reshaped the coastal environment, their efforts also resulted in the erasure of alternative beach communities. By the 1960s, the lobby could rejoice in the enduring popularity of the city’s beaches. Yet new beach advocates used the California public beach tradition as a rallying cry to stop further development. “Beach renewal” in Los Angeles thus challenges both narratives of postwar urban decline and the binary opposition between 1930s conservationists and 1960s environmental activists.

Anxiety muted: American film music in a suburban age

Anxiety muted: American film music in a suburban age

THE CHANGING MORPHOLOGY OF SUBURBAN CRIME

This paper examines the spatial dynamics of suburban crime. Four hypotheses are developed postulating a decreasing central city-suburb disparity in crime rates, persistence in the relative crime rates of individual suburbs, a growing heterogeneity in the levels of crime faced by individual suburbs, and an increasing regionalization of suburban crime. The hypotheses are tested through a case study of the Chicago metropolitan area. Property and violent crime rates are studied separately, and the time frame is 1972 to 1981. Central city and suburban crime rates are found to be converging in Chicago and the United States as a whole. Persistence in the relative crime rates of individual Chicago suburbs is significant but weak. Socioeconomic status dominates the process of change in the relative safety of suburbs-not suburban age, as anticipated. Low status suburbs tend to have high-crime rates, and their relative security is worsening over time; the opposite is true of high-status jurisdictions. This process o...

Status Transition of Blacks and Whites in American Suburbs

Ecological models of black and white suburban socioeconomic status persistence/change are explicated and evaluated utilizing data for 505 American suburbs for which status data were available. It was found that black and white status characteristics persist but the determinants of status change differed somewhat for each group. White status change was related to suburban age and region, while black status change was related to suburban percent black and age.

Persistence of Suburban Violent Crime Rates: An Ecological Analysis

Abstract A lagged endogenous variable structural model of 1970 suburban violent crime rates is constructed and evaluated using a sample of 252 large suburbs for which 1960 and 1970 official crime data were available. It was found that suburban crime rates are persistent, that employment specialization and percent low income affect change in violent crime rates, and that suburban age, density, employment specialization, percent low income, percent Black, and region have substantial indirect effects on 1970 crime rates through earlier areal crime rates. Despite theoretical expectations, population growth and age composition exerted no significant direct or indirect effects on violent crime or changes in violent crime rates.

The Impact of Racial Composition and Racial Transition on the Status of American Suburbs*

This study explores the potential impact of racial composition and racial change on the socioeconomic status of American suburbs. The sample includes 697 suburbs for which data were available for the study variables, which are percent black, change in percent black, suburban age, employment/residence ratio, population growth and size, distance from the central city, and several socioeconomic status measures. It was found that the impact of racial composition and change on suburban status was either non‐existant or spurious.

Semi-Detached London. Suburban Development, Life and Transport, 1900-1939.

Originally published in 1973, Semi-Detached London looks at the great suburban expansion of London between the two world wars. The book covers all aspects of urban history, presenting an authoritative and balanced account of the Great Suburban Age, and the final uninhibited forty years before the Green Belt and Development Plan. The roles of the speculative builder, the estate developer and the local authorities receive careful attention and the author’s special knowledge of London’s transport systems ensures that the leading part they played is fully developed. Students of social, urban and transport history will find this book a valuable source of reference.