Style Of Writer Research Articles

Locating the Intersection of Generative Artificial Intelligence and Human English Writing Skills: A Comparative Study

This paper offers a multi-dimensional comparative analysis of the linguistic characteristics found in the introduction sections of dissertations produced by ChatGPT and those written by Saudi authors. This research paper aims to analyze the linguistic variation in the introduction part of the dissertations written by Saudi writers compared with the introduction produced by ChatGPT. An extensive analysis of more than 150 linguistic features, including lexico-grammatical structures and semantic nuances, is performed using Multidimensional Analysis Tagger (MAT) tagger. A corpus of dissertation introductions written by Saudi students is compiled and analyzed. Furthermore, a corpus is created that comprises introductions produced by ChatGPT. The study investigates the relationship between language produced by AI and human-written content, revealing unique linguistic preferences. The results indicate ChatGPT is more informational, explicit and less non-narrative and non-argumentative than human-written introductions. There is a significant difference in discourse production on dimension five, as human-written introductions produce abstract and ChatGPT produces non-abstract discourse. The study is significant as it highlights the linguistic differences between the writing styles of ChatGPT and Saudi writers, indicating potential areas of improvement for AI-generated texts.

Research on Handwriting Text Generation Algorithm Based on Generative Adversarial Network

The main task of this paper is to study the handwriting text generation method based on deep learning. Through understanding the development status of the research, It can be found that the current research on the generation of different handwriting styles still has some obvious defects, such as the need for manual intervention in character segmentation, failure to capture the global handwriting style, style collapse, failure to generate arbitrary length characters, and text. Finally, this paper proposes a handwritten text generation algorithm combining advantages of convolutional network and Transformer. Specifically, this paper first constructs a lightweight backbone network and uses lightweight MobileNetv3 network as the backbone network to realize feature extraction of input images. The Efficient Channel Attention module is introduced to replace the SE attention module of MobileNetv3, which makes the network pay more attention to the global and local style features of handwritten images. In the feature extraction part, the network reduces the number of parameters, calculation amount and video memory occupation. It can also extract rich feature information. The FID and KID indexes of this algorithm obtained 20.28 and 9.07×10-3 respectively, and the generation effect of handwritten pictures was excellent, which could effectively imitate the writing style of writers.

Features of Oxymorons in the Art World of Ashim Dzhakypbekov

An article analyzes the actual problems of language profiling, which is currently one of the most important studies of both the Kyrgyz language and Kyrgyz literature. The role of language, which is the main medium of communication, reviving artistic work, creating imagery, beauty, and expressiveness of speech, has been determined. It has been noted that it is poets and writers who use language in different ways to create a stylistic effect, and the main task of linguistics is to learn the language and style of writers. The most important object of research in linguistics is oxymoron. The article conducts a scientific and theoretical analysis of oxymoron. Oxymoron is regarded as a syntactic technique, formed based on an unusual combination of opposing concepts, as a peculiar figure of speech, created by a combination of words with opposite meanings. It is noted that now the oxymoron is used as a language norm in colloquial speech, journalism, in artistic works, that a person’s worldview, his ability to think, and imagination are expressed through speech activity with the help of language. As the examples show, on the one hand, if the oxymoron as the object of study is not subjected to extensive research, it is impossible to determine the nature and detail of speech. On the other hand, the author’s personal style, originality, and writing character are fully disclosed only when a high level of stylistic analysis of the work is carried out. In the example of the works of Ashim Dzhakypbekov, linguistic data on the internal structure of texts and themes of oxymorons are given. The oxymorons in the artistic world of the greatest master of the word, creatively using the wealth of the Kyrgyz language, have been deeply analyzed. The specificity of oxymorons in the work of Ashim Dzhakypbekov is considered together with the plot of the works. Text materials have been analyzed to determine the vocabulary richness of the Kyrgyz language, the importance and possibilities of linguistic means of expressiveness, the comprehensiveness of perception of reality with the help of expressions consisting of two contradictory words or phrases, and their impact on perception.

Discourse of influence – participation and opinions in digital and print media

In democratic societies, exchange of written opinion is fundamental, but since the 1990s, public debate has gradually moved away from print media platforms to digital media platforms. In order to understand how a shift from print to digital media in opinion-oriented writing may have consequences for interaction and participation, it is relevant to investigate interpersonal aspects of opinion-oriented texts situated in digital and print media. The aim of the study is to explore and compare writers’ attitudes and the construction of the writer-reader-relationship in digital media (represented by Twitter) and (traditionally) print media (represented by letters to the editor, LEs). Bakhtinian dialogism and appraisal theory form the theoretical backdrop of the study. Results show that in the LEs, writers tend to take a negative general value position, but in the tweets, the writers’ attitude is more often either positive or negative, making Twitter a more diverse platform. Furthermore, attitudinal meaning is more transparent in the LEs, indicating that tweets are more often specialized, and readers who are not familiar with the context and interactional style of specific writers may be excluded from the communication. Another result is that a shift from print to digital media platforms seems to turn the focus of discussion more towards attitudes and perspectives in general, and less towards writers’ own attitudes. Therefore, digital media opinion exchange can be understood as a meta-discussion of attitudes, while print media rather transmit writers’ personal attitudes.

A Corpus-based Comparative Study on the Consistency of Writer's Style and Translator's Style

A Corpus-based Comparative Study on the Consistency of Writer's Style and Translator's Style

Stylistics Analysis of Lexical Categories in "Annabel Lee" by Edgar Allan Poe

The present study delves into the stylistic analysis of the poem, Annabel Lee" penned by Edgar Allan Poe. The study is based on the qualitative method, where the textual verses of the poem were examined to identify the peculiar qualities of the poet's style by analyzing his choice of vocabulary related to different lexical categories. The researcher used Leech and Short's (1981) model to do a stylistic analysis of the given poem at the lexical level. The lexical analysis shows the emotional narration of the tragic death of the poet's beloved. This lexical analysis further showed the choice and use of nouns, adjectives, verbs, and adverbs by the poet which supports his emotive attitude. The study provides the researchers with a new insight into analyzing the writer's style by doing a stylistic analysis of any literary work.

A Study of Rhymes in Pope’s Poems: A Historical Perspective

Rhyme is a poetic device that can be studied to know the poetic style of certain writer. The rhyme which was used in historical poetry will also provide a clue of the word pronunciation in certain era in the past. This study investigates the rhymes used by Alexander Pope in the late seventeenth century (early eighteen century), an era called Modern English which is interesting for its in-between characteristics, meaning that the language is similar to and different from current English. Accordingly, this study also aims at identifying the distinctive phonological feature in the form of vowel shift and unveiling the historical background of Pope’s rhyme choice. In order to achieve the purposes, the researcher analyzed fifteen poems written by Pope. The result shows that the rhyme scheme mostly used by Pope is the couplet aabbcc, even though the pattern varies. Some of the rhyming words give a clue on the pronunciation through the vowel shifts, by comparing them to the current English. Some of the vowels were more likely the result of the Great Vowel Shift effect in Renaissance era. Historically, the type of rhyme used by Pope shows that poems, as satirical verses, were used as an ideal vehicle to criticize the situation of English language development and the authority.

The Multifunctionality of Vestial Vocabulary in the Artistic Portrait of V.A. Gilyarovsky (based on the Autobiographical Novels "My Wanderings" and "People of the Theater")

The journalistic legacy of V.A. Gilyarovsky has been studied in sufficient detail, to a lesser extent, the attention of scientists was riveted to his autobiographical prose - the stories "My Wanderings" and "People of the Theater", the author's manner, the expression of an individual vision of the world and man. The article deals with the linguistic and stylistic features of the portrait of V.A. Gilyarovsky and reveals the originality of the vestial vocabulary, its function in describing the appearance of heroes of different social strata.The purpose of the study is to study the themes and problems of autobiographical prose, to carry out a linguistic analysis of portrait descriptions in the stories "My Wanderings" and to identify the specifics and functions of the vestial vocabulary. In the study, the emphasis was placed on understanding the features of the writer's style, the specifics of his portraits, the ethnolinguistic and etymological aspect of the clothing vocabulary.As a result of the analysis, it was revealed that in the autobiographical prose of V.A. Gilyarovsky, the main type of portrait is socio-historical, descriptive and everyday. Based on artistic tasks, the writer does not strive to comprehend the psychology of the characters or their rare individuality. There is no author's commentary in the portrait. The principles of the external image become fundamental. The "masculine" vision of the surrounding people leads to a lack of positive or negative expression, exaltation of feelings or sentimentality.Civil uniform, frock coat, tailcoat, livery in portraits have not only a descriptive function, "visualizing" the hero, but also reveal the position of the hero, determine his personal attitude to his own position in society. Uniform, overcoat, caps, boots represent uniforms, where the definitions emphasize the material, insignia, style and details of clothing; awards. This vocabulary is also of a historical and archaic nature, allowing the reader to imagine the features of the costume of the 19th century, to immerse themselves in an interesting, unknown, sometimes patriarchal world, which contributes to understanding the environment, its hierarchy and, at the same time, picturesque diversity.Female portraits with vestial vocabulary are rare; they perform a descriptive function, a function of social characterization. The legal requirement to wear official and particular dress is observed by officials who serve as heroes.The change in fashion, associated not only with the aesthetic, but also with the ideological and political views of the revolutionary youth, their desire to democratize their appearance, is shown by the portrait of the exiles, where the vocabulary of folk clothes, in particular, the appearance of urban workers, prevails. At the same time, accessories emphasize the "subculture" of nihilists.

Interpretation of the novel "Across the River and into the Trees" in terms of means of emotionality expression

The article presents an attempt to clarify the essence of the concept of emotional lexical items and reveals the features of their translation into Ukrainian. The means of emotiveness is rendered specifically in different languages, thus complicating the work of translators. It is proved that E. Hemingway’s book “Across the River and into the Trees'' is an interesting example of the style of the famous writer. Emotions are expressed there in different ways. The syntactic constructions used in the text are a combination of descriptions of events or thinkings of the main characters, where simple, complex and compound sentences or their combinations are used, and dialogues characterized by the use of simple sentences, sometimes imperative ones. Descriptions are characterized by the use of completely neutral vocabulary, which, however, has a significant connotation. The translation of the book, performed by K. Sukhenko and N. Tarasenko is considered to be quite successful. The translators managed to preserve the style of the writer. Moreover, they preserved and rendered the emotionality of the work, using appropriate translation techniques, which was not easy given the significant differences in the means of expressing emotiveness.

Improving OCR Accuracy for Kazakh Handwriting Recognition Using GAN Models

This paper aims to increase the accuracy of Kazakh handwriting text recognition (KHTR) using the generative adversarial network (GAN), where a handwriting word image generator and an image quality discriminator are constructed. In order to obtain a high-quality image of handwritten text, the multiple losses are intended to encourage the generator to learn the structural properties of the texts. In this case, the quality discriminator is trained on the basis of the relativistic loss function. Based on the proposed structure, the resulting document images not only preserve texture details but also generate different writer styles, which provides better OCR performance in public databases. With a self-created dataset, images of different types of handwriting styles were obtained, which will be used when training the network. The proposed approach allows for a character error rate (CER) of 11.15% and a word error rate (WER) of 25.65%.

Peculiarities of One Narrative− on Holocaust, without Metaphors (based on The Boy in the Striped Pyjamas by John Boyne)

The purpose of our article is to show through John Boyne's well-known novel The Boy in the Striped Pajamas,2006, the lexical-semantic and also the stylistic devices chosen by the writer when he tells us about one of the greatest catastrophes of mankind - the Holocaust. We tried to highlight the writer's style: his choice gives the impression that this horrible event is beyond being described by metaphors. The narrative is straightforward, concise, and mostly devoid of direct emotional charge since the Holocaust itself has become a powerful metaphor for this dreadful humanitarian catastrophe. The story told by the writer is a story experienced through the eyes and mind of a nine-year-old boy, Bruno. Our research aims at revealing those linguistic units − "signifiers", with their specific syntactic, phonetic, lexical-semantic and also stylistic characteristics, which the writer uses for narration. Their functional load is diverse: sometimes, with this or that wisely chosen signifier, the writer shows the possibilities of phonetically different "reading" of this or that word. e.g. "Fury" instead of "Führer"; Sometimes with childish naivety and misunderstanding of the wrongly perceived name: "Out-with" instead of "Auschwitz". We also had a very interesting case when the writer sometimes uses euphemistic expressions to cover what he did not mean to say directly. Similar linguistic units abound throughout the novel, turning the entire text into a homogeneous linguistic fabric. It is also interesting to note the fact that each chapter is titled in a way that suits the nature of the narrative: they also suggest childish logic and thinking. By taking into consideration these lingusitic qualities of the novel, we presume that the article will be interesting for readers interested in psycho-linguistics as well.

ON WRITERS` INDIVIDUAL STYLES IN THE USE OF PUNCTUATION IN LITERATURE

This article explores the topic of writers' individual styles in the use of punctuation in English and Uzbek literature; first provides an overview of the role of punctuation in literature and how it can shape the meaning and style of a text. It then examines the unique punctuation styles of prominent English and Uzbek writers, including Virginia Woolf, William Faulkner, Abdullah Qodiriy, and Hamid Ismailov, Erkin Vohidov. The article also delves into how the use of punctuation in literature can be both creative and conventional. Some writers may use more unconventional punctuation to convey emotion and rhythm, while others may use more standard punctuation to convey clarity and precision. Additionally, the ways in which writers' use of punctuation can influence the reader's interpretation of a text, including tone, mood, and pacing are also investigated. Through its analysis of English and Uzbek literary works, it aims to deepen readers' understanding and appreciation of how writers' individual styles in the use of punctuation can shape the meaning and impact of a literary work. By examining the unique punctuation styles of both English and Uzbek writers, readers can gain insights into the broader cultural and linguistic contexts that shape these styles, as well as the creative and technical aspects of writing that contribute to the creation of literary masterpieces.

ON WRITERS` INDIVIDUAL STYLES IN THE USE OF PUNCTUATION IN LITERATURE

This article explores the topic of writers' individual styles in the use of punctuation in English and Uzbek literature; first provides an overview of the role of punctuation in literature and how it can shape the meaning and style of a text. It then examines the unique punctuation styles of prominent English and Uzbek writers, including Virginia Woolf, William Faulkner, Abdullah Qodiriy, and Hamid Ismailov, Erkin Vohidov. The article also delves into how the use of punctuation in literature can be both creative and conventional. Some writers may use more unconventional punctuation to convey emotion and rhythm, while others may use more standard punctuation to convey clarity and precision. Additionally, the ways in which writers' use of punctuation can influence the reader's interpretation of a text, including tone, mood, and pacing are also investigated. Through its analysis of English and Uzbek literary works, it aims to deepen readers' understanding and appreciation of how writers' individual styles in the use of punctuation can shape the meaning and impact of a literary work. By examining the unique punctuation styles of both English and Uzbek writers, readers can gain insights into the broader cultural and linguistic contexts that shape these styles, as well as the creative and technical aspects of writing that contribute to the creation of literary masterpieces.

INDIVIDUAL STYLE IN TRANSLATION (BASED ON T. CHIANG’S SHORT NOVEL STORY OF YOUR LIFE)

The article examines the main features of the individual style of the American science fiction writer Ted Chiang and the peculiarities of their translation into Russian language.
 The relevance is related to the fact that the individual style of the writer has not yet become a subject of study, despite popularity of his works. The problem of author’s style in translation is critical as there is no unanimity on criteria to define style-forming elements of author’s style.
 The purpose of the study is to identify the main features of the author’s individual style and their forming factors, as well as the ways to translate them into Russian. For this we analyze the genre affiliation of the work, writer’s sphere of interest, ideological and thematic components, characters’ images and stylistic means, the type of narration, as well as the translation in terms of preserving or transforming these features.
 The material: T. Chiang’s sort novel Story of Your Life (2002).
 Results of the study: by textual comparison we define T. Chiang’s style elements and show that some of them are extralinguistic, also we describe their translation strategies.

TRADITIONAL ORAL LANGUAGE IN THE STORIES OF KAZAKH WRITERS

The article is written in order to find the necessary approaches to the development and improvement of the speech of modern Kazakh youth. Everyone knows that the quality and level of oral, public speech of modern Kazakh youth is falling day by day. Modern youth speech consists mainly of barbarisms and elements of primitive colloquial speech, the speech of Kazakh youth is becoming increasingly incomprehensible, verbose, empty-mouthed. In this regard, the article emphasizes the need to study, analyze, and practice the works of Kazakh writers written in the traditional language. Since the normalization of the norms of the national literary language through works of art began with the works of Kazakh classical writers of the early 20th century, the main purpose of the article is to take as an example the National features of the language and style of Kazakh writers, elements of traditional word processing for today's Kazakh language, especially youth oral speech. Analyzing the types of sentences in the stories of Beimbet Mailin, Zhusupbek Aimauytov, Mukhtar Auezov, Berdibek Sokpakbayev, the styles of writing and speech are demonstrated, which are examples of ruble speech. At the end, the characteristic features of the national speech of the Kazakh language are given

PECULIARITIES OF TRANSLATION OF EXOTICISMS OF THE NOVEL THE PROSPECTOR BY JEAN-MARIE GUSTAVE LE CLÉZIO INTO UKRAINIAN

The article is devoted to the analysis of the peculiarities of translation of exoticisms as a characteristic feature of the French writer Jean-Marie Gustave Le Clézio into Ukrainian. The features of the writer's style, the problem of translation of his novels are outlined. The historical context of the novel is considered as a basis for high-quality translation. The basis for the analysis is the translation of one of Le Clézio's novels "The Prospector" by Halyna Chernienko. The two major translation strategies, domestication and foreignization, are also considered in the article. The expediency of the strategy chosen by the translator is substantiated. The article offers an analysis of translation challenges faced by the translator. These ones are divided into four groups: phonetic, lexical, grammatical and stylistic challenges. In particular, it concerns proper names, lexical and grammatical features of the French language, word play and foreign inclusions (English, Creole, Latin ones). The choice of technique or method of translation is explained and analyzed on separate examples. For an in depth analysis of translation of exoticisms in the novel, the method of continuous sampling is applied. In particular, eighty units are extracted, which are divided into the following groups: geographical exoticisms (geographical objects and endemics) and ethnographic exoticisms (household and labor objects, ethnic objects and people related to labour). Geographical exoticisms account for approximately 70 percent of the exoticisms. For the translation of endemics, regular and occasional equivalence, transcoding (transliteration and transcription), calque, contextual substitution, hyponymic, hyperonymic translation and reformulation are used. The author of the article offers his own translation options for some endemics. The methods of transcoding and/or calque are used to translate toponyms. Ethnographic exoticisms account for approximately 30 percent of exoticisms. They are divided into household and labor items (units translated using the methods of transcoding, calque, contextual substitution and descriptive method), ethnic objects and people related to labor (units translated using transcoding and lexical approximation method).

Introducing a New High-Resolution Handwritten Digits Data Set with Writer Characteristics.

The online version contains supplementary material available at 10.1007/s42979-022-01494-2.

Cultural features of the traditional worldview of Komi: mythopoetics in the artistic view of G. A. Yushkov and I. G. Toropov

Introduction. The article deals with the content and semantic potential of the embodiment of the theme of nature which acquires the character of a mythologeme. It is the key in the motive-plot complex of the texts by G. A. Yushkov and I. G. Toropov, the leading prose writers of Komi of the turn of the XX–XXI centuries. Materials and Methods. The material for the study was the prose by G. A. Yushkov and I. G. Toropov. The authors employ such research methods as historical and literary, comparative, typological. Results and Discussion. In the work of Komi writers there are tendencies towards mythologization, which in general was typical for developing literatures and early written languages of the 1960s–1980s. This is probably due to the desire to monumentalize the traditional worldview, to emphasize the “irregularity” of modern development, which was the characteristics of the works by Yu. Shestalov, V. Sangi, A. Kim, Ch. Aitmatov. Conclusion. The artistic prose of the second half of the XX century offers to look at the cultural features of the traditional worldview of Komi as part of the history of literature and to discover the patterns of mythological images, plots and motifs determined by the era, direction, individual style of writers. Keywords: Komi national character, worldview of the Komi ethnos, mythologization of nature, pagan epoch, traditional worldview

Conștiința etnică. Forme de manifestare identitară în opera lui Bedros Horasangian

"In our paper, we will focus on one of the less addressed aspects of literary criticism, that of the Armenian ethnic identity vein. It is our interest to identify aspects of the ethnic components and to analyze how the Armenian ethnic consciousness influences the way Bedros Horasangian writes. We will focus, in the analysis of the texts, on the identification of the marks, direct or indirect, but also on their role in the construction of the writer's style, following to highlight if ethnicity is relevant in Bedros Horasangian's literature. Moreover, we will seek to understand who the recipient of Bedros Horasangian’writings is, whether his discourse is addressable to anyone and anytime, given that the message of his texts visits the depths of human nature. "

ЕНДОФАЗНЕ МОВЛЕННЯ В ПОСТМОДЕРНОМУ ДИСКУРСІ (НА ПРИКЛАДІ ПОВІСТІ С. АНДРУХОВИЧ «ФЕЛІКС АВСТРІЯ»)

The article deals with the works, the objects of which are different forms of improper direct speech representation by the example of Ukrainian and foreign language artistic discourses. Turning to human inner world, the ambiguity of his thoughts, feelings, behavior encourages writers to choose a certain style of presentation, where endophasy, ie internal, improperly direct, forms of actors' speech played an important role. The lack of single clear structure, typology and definition of the essence of improper direct speech in scientific research is due to the constant evolution of artistic speech, individual styles of writers who, even in their own works, can change the ways of representing a foreign language. The purpose of the article is to characterize the specifics of improper direct speech construction, to find out the functions of endophasy (inner) forms which Sofia Andrukhovych used in the novel “Feliх Austria”. The analysis focuses on the syntactic (availability of specific syntactic constructions), lexical (the use of subjective-evaluative lexemes with positive and negative connotations), morphological (the use of appropriate verbal-pronominal units), structural (representation of a certain number of sentences – from syntactically unarticulated construction to a complex syntactic integer) aspects that are inherent in the design and separation of inner speech in postmodern discourse. Thus, endophasy (inner) forms of speech in the novel is aimed at understanding their “I”, knowledge of the inner world, determining their own place in society, trying to find motivation for their own actions and people around them.