New findings indicated that the Andean panel in the Inca Sun Temple was a relic of an ancient drawing now dated 13,000–15,000 years old. The drawing was an Atlas of Heaven and Earth that contained astronomy, geography, weathering, calendars, and a stratified society. The atlas was seamlessly integrated with dualistic cosmology, religion, ideology, and philosophy. The atlas contained the “Five Divine Stars” of the Sun, the Moon, Rising Venus, Setting Venus, and Polar Star Vega in 12,000 BC. Its “Four Sacred Asterisms” on the ecliptic were the southern Bird, the northern Snake/Turtle, the western Big Cat, and the eastern Dragon. Since the atlas was created, the North Pole has turned 180 degrees on the circle of precession. In the east, there were mountains, monsoon, and thunder. In the west, an easterly running river drained a lake or lagoon into the sea. The atlas had several metaphors. Examples were Genesis of Seven Days Creation, Life Cycles, Andean Cross, later Mayan Eight-Sided Cross, and Chinese Yin Yang Eight Gua. Heaven was round, Earth was square, and the stratification of mankind was a mandate of the Creator. The two calendars had 13 months and four seasons. One of them was a Sidereal calendar with 365 days a year and used Antares for the start of a year and conjunctions with the moon. The other Solar Lunar Calendar had three Leap “Back” Months for alignment with the solar circle. Fu Xi (ca 5,324 BC) composed Chinese dualistic religion presumably based on its drawing. Its contents were also found in China, Japan, Korea, Incans, Mayans, etc., and to some degree in Bronze Age Mesopotamia, India, and Egypt. Its birthplace was assumed to be Paleolithic East Asia, but its exact location was unknown.