The venerable College of Physicians of Philadelphia is the oldest extant medical organization in the United States. It is now a cultural organization for “upholding the ideals and heritage of medicine,” but it once provided formalized medical training. A major part of the College is the Mutter Museum, a large collection of medical ‘oddities,’ preserved specimens, plaster and wax casts, and illustrations. Originally conceived as a service to the medical profession, the museum has since become a draw for lay visitors. In addition to artifacts that illustrate the material history of medicine (such as surgical blades, stethoscopes, etc.) and a large number of pathological anatomical specimens, the collection includes a great deal of strange material, such as a tumor removed from Grover Cleveland, and the preserved body of a woman who underwent natural mummification.This paper examines the objects assembled under the auspices of the Mutter Museum. I am interested in the collection as an archive, as a pedagogical tool, and as an historical record. Rather than working from a more conventional museology approach, I propose an experiential and functional analysis, focusing on the how the museum is experienced by visitors, and how it performs cultural functions. I view the collection as an active and actively constituted entity, an archive which executes tasks, forms relationships, and works to maintain and transform itself and its purposes. The life-stages of this museum provide an exemplary glimpse at the processes and procedures by which meaning is transformed as a collection evolves.
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