Love Story Research Articles

Madrasa, 2023

ABSTRACT This repertory-dramatic study examines the portrayal of Arab characters in Hebrew drama on both stage and TV. It delves into the exploration of ‘mixed’ love stories, initially within the realm of theatre and later extending into Israeli television drama since the 1990s. The scope of this study encompasses a range of plays, theatrical performances, and television dramas spanning the years 1912–2023. It places particular emphasis on ‘key’ dramas that have played a pivotal role in shaping the content and dramatic representations of conflicts, often sparking public debates, such as Allah Karim (1912), Na’im (1978), Two Minutes from Fureidis (2002), and Madrasa (2023). Madrasa appears to be potentially groundbreaking comedy series that addresses important social and cultural issues in an engaging and entertaining manner.

Community engagement to develop a dialogue-drama on adolescent pregnancy in a marginalised migrant population on the Thailand-Myanmar border: an ethnographic approach to participatory action research

ABSTRACT Background Communities in which adolescent pregnancy and safe abortion care are taboo may benefit from culturally appropriate information, education, and communication. Objective This ethnographic and participatory action research (PAR) elicited community members’ perceptions to adolescent pregnancy: which then informed dialogue-drama development in Burmese and Karen language for undocumented migrants on the Thailand-Myanmar border. Methods PAR was conducted in Karen and Burmese language. Interviews and discussions elicited perceptions of community members about adolescent pregnancy. These were analysed for themes and using the fishbone technique, to determine the objectives for the drama. After developing the structure and content of the drama it was piloted, revised, and performed in communities. Responses and impact of the drama were recorded. The team reflected on the drama as a method for health messaging. Results In 2022, themes of responsibility, communication, and experiences of adolescent pregnancy emerged from 10 interviews and 6 discussions with community members. The fishbone technique established three dramatic objectives, woven into a teenage love story with an unplanned pregnancy, to raise community awareness of i) adolescent pregnancy, ii) contraception, and iii) choice in unexpected pregnancy. Post-drama feedback from 11 migrant communities (1,238 participants) was positive although some community members voiced concerns. Given the logistical challenges of conducting the drama in person, a film will be created for wider dissemination. Conclusions Participatory action research resulted in a culturally-nuanced performance, with communities requesting further performances and awareness on adolescent pregnancy and safe abortion care. Video is likely to be a more sustainable option.

The Impact of One Thousand And One Nights on Western Romance Stories. The Story of Tristan and Isolt Is an Example

Objectives: This research is concerned with demonstrating the impact of the ancient Arabic narrative structure on Western love stories. To demonstrate the areas of convergence and divergence in the fundamental and eternal idea of love, as writers expressed it in their arts in varying ways, and they met in expressing it in some axes, which leads to exploring Western civilization’s dialogue with the stories of One Thousand and One Nights in Western love stories. Methods: The research considered that the optimal threshold for comparison is to determine the impact of Arabic literature on Western literature, and to explain the term “romance.” Then, taking the stories of One Thousand and One Nights as a reference text, we show, through comparison between it and one of the love stories known to Westerners - which is the story of Tristan and Aizult - the points of similarity and difference between them, adopting the approach of intertextuality to clarify the features of the cultural impact of the stories of One Thousand and One Nights. In Western stories. Results: The West’s contact with the East had an impact on the new concept of love in European literature. The book One Thousand and One Nights is considered one of the most influential books in Western romances, including the story of Tristan and Iseult. The research showed the possible Arabic origins of this story through textual comparison, as well as between the most prominent features. The cultural impact of One Thousand and One Nights. Conclusion: The book One Thousand and One Nights had an impact on changing some Western literary concepts, including the concept of romance, and this influence was clear in Western romances. Recommendations: The research recommends paying attention to comparative studies and rooting literary concepts and their roots to demonstrate the points of convergence between cultures and the role of Arabs in civilizational interaction.

Linguistic realization of implicit meanings in “A Story of Love” by R. Bradbury (based on the English language)

Linguistic realization of implicit meanings in “A Story of Love” by R. Bradbury (based on the English language)

The Language Art and Tragic Beauty of Shen Congwen’s Border Town

As Shen Congwen’s representative work, Border Town was published in the 1930s. This work has a beautiful writing style, showcases unique local customs and ideal human beauty, and occupies a unique position in the history of Chinese literature. After nearly a century, it still receives high attention from the academic community and support from readers. Its literary value can withstand the test of time. The work Border Town has rich exploratory value. This article mainly analyzes the literary value of Border Town from two aspects. On the one hand, the language art of Border Town, which is the concentrated embodiment of the author Shen Congwen’s talent and the key to touching people’s hearts in this work. This article will deeply analyze how the work constructs poetic words that touch people’s hearts from the shaping of the environment and the psychological details of the characters. On the other hand, the tragic beauty of Border Town is reflected in the tragic love story between Cuicui and Nuosong, the tragic life story of her grandfather, and the tragedy of the author’s creation not being accepted by the times. This article will explore how the work creates a lingering and tragic atmosphere from these perspectives. The research ultimately proves that Border Town is a work that transcends the times and has research and aesthetic value, worthy of repeated reading and exploration.

Portrait of a Lady on Fire: Deconstruction of Female Identity

Abstract: Portrait of a Lady on Fire is a drama film directed by Cline Sciamma and starring Adle Haenel and Nomie Merlant. The film centers on the passionate love story between Heloise, a bride on the brink of marriage, and Marianne, the painter commissioned to create her portrait. This paper analyses the construction and deconstruction of female identity in Portrait of a Lady on Fire through the lenses of gaze theory and feminist identity theory. It begins by exploring Heloise's resistance to the objectifying male gaze, illustrated through her defiance against the passive model identity and her challenge to the myth of Orpheus, which traditionally casts women in powerlessness and rescue role. The paper then delves into the film's critique of the roles of wife and mother within the patriarchal, heteronormative family structure, drawing on Simone de Beauvoir's ideas in The Second Sex to further contextualize the film's feminist discourse. Through these analyses, the paper reveals how the film reimagines and challenges traditional female identities, offering a detailed and subtle portrayal of women's autonomy and identity.

An Overview of Non-fictional Literature in English About Partition of Indian Subcontinent

It is said that literature is the mirror of the society. The reflection of the partition of India can be seen in the partition literature. Partition literature has mainly been divided into two types. First is fictional partition literature and second is non-fictional partition literature. Fictional partition literature sheds light on the partition of India through a fictionalised manner and is seen more as an art. Non-fictional partition literature talks about real life events and happenings that took place during the partition. They are presented by real life people such as eye-witnesses, survivors and their descendants and are penned and documented by writers from both India and Pakistan based on true events, stories that have been passed down from generations to generations. Fictional partition literature revolves around the partition with an essence of love stories and artistic expressions where as non-fictional partition literature is made of the actual experiences and does not contain artistic expressions.

Adrift in a love story without a psychoanalytic rudder: A response to “Permeable boundaries”

ABSTRACT This is a discussion of “Permeable boundaries: Therapeutic benefits,” by Geist and Nocek. In my opinion, the core of their paper is the mutuality of their love and trust for each other, and they use the term “permeable boundaries” as a metaphor for these feelings, rather than it being the kind of singular, relational state they are proposing. As a positive contribution, the experience-near description of their mutual love for each other expands the degree of intimacy in psychoanalytic writing about analytic love. However, there is a lack of sufficient information to understand their paper as a psychoanalytic treatise, and I have a number of disagreements with their conceptualization of “permeable boundaries,” as well as concerns about the quality of their mutual love which they portray as idyllic but which, in my opinion, lacks certain key elements of analytic love.

The illusion of home and belongingness: a representation and (dis)location of home in Tabish Khair’s novels

ABSTRACT This paper foregrounds Khair’s two novels, The Bus Stopped and Filming: A Love Story, examining the concepts of home, representation, (dis)locations and its non-belongingness, focusing on the discourses of Indian nationalism and national identity. There is a massive gap between the living styles of rural and urban people in India. How people live in a country is vital to a modern nation and its nationalism. Khair says, ‘houses do not make homes’ because the concept of home varies according to the socio-economic conditions. Many poor people in India do not have a permanent home and constantly migrate from one place to another. They mostly make a temporary one-night stand for home, but unfortunately, their journey becomes a permanent home. That makes their existence neither inside nor outside society, creating a different kind of third space, but far more precarious than Bhabha’s notion of a third space. In Khair’s novels, the concept of third space is far less empowering than Bhabha’s notion of third space in postcolonial studies. Khair also shows that home is an illusion, not a permanent place that constantly changes like a dream and never gets concretised.

Assessing the Translation of Direct Speech in “Wuthering Heights” into Arabic

The present study tackles the translation of direct speech forms in Bronte’s novel "Wuthering Heights" into Arabic. The significance of this study stems from the fact that English direct speech forms in literary texts might pose substantial challenges when translated into Arabic due to their semantic connotations and structural peculiarities. The study aims at assessing the translation of English direct speech forms in "Wuthering Heights" novel into Arabic. It also aims at investigating the problems that may arise during the translation of direct speech forms in this novel into Arabic. Wuthering Heights is Emily Bronte’s unique novel. It is a story of love and revenge, this exciting and vivid novel depicts a deep and devastating love between its two main characters, the stubborn, charming Catherine and the handsome, dark-skinned, impulsive Heathcliff, both of whom are as wild as the Yorkshire moors where the novel takes place The study hypothesizes that translating direct speech in literary texts poses serious difficulties for the translators. To test the validity of the hypothesis, the study includes a practical chapter which tackles the translation of (25) excerpts that have been chosen from Wuthering Heights novel along with four Arabic translation versions. The Arabic renderings are those of the Arabic Cultural Centre (2016), Rifaat Naseem (1975), Helmi Murad (2003) and Hanna Saeed (2021). The analysis is implemented according to the model proposed by Vinay and Darbelnet (1958) which tackles the different kinds of translation approaches and strategies available for the translator when handling the task of translating various kinds of texts. The study concludes that novice and unskilled translators might encounter serious difficulties and challenges in translating direct speech expressions due to the multiple meanings and connotations inherent in such expressions. It also concludes that context plays a vital role in defining the most appropriate rendering for the SL text.

장르에 따른 웹툰의 공간 표현 특성 연구 - 네이버 웹툰 장르 구분을 기준으로

Webtoon is a cartoon implemented in a digital virtual world, and its narrative structure and expression method are similar to cartoons, but unlike cartoons based on paper media, it is based on digital media, that is, mechanical operation of a monitor and mouse, and touch of tablets and smartphones. Based on screen manipulation, it provides more diverse usability and experiences, such as vertical scrolling, time concept, sound, animation effects, division of cells, use of CG, generalization of color use, and augmented reality. Here, romance, fantasy, and comic/gags were selected among the various genres of webtoons, and the backgrounds were compared and analyzed to reveal that the use of the background was different for each genre. In other words, romance mainly uses realistic backgrounds to enhance the realism and immersion of the love story, fantasy mainly uses unrealistic backgrounds to provide an experience of a world that cannot be experienced in reality, and comic/gags are based on the words of the characters and A brief and simplified background is used to draw attention to the action. This can be said to effectively provide the experience of love, the experience of this world, and the control of unexpectedness that each genre pursues. The background does not simply represent a place, but functions as a device to reinforce the purpose and atmosphere of the genre.

Masculinities in Chinese boys’ love stories: female imaginations, market forces and state influence

ABSTRACT This study investigates the imagined utopia of Chinese masculinity to uncover contemporary ideals of Chinese manhood and prototypes of gender relationships. To this end, the study involves in-depth interviews with 25 danmei creators and online questionnaires collected from danmei communities in mainland China. This study contributes to previous scholarly discussions by delineating danmei’s fandom and danmei’s literary formulae. The created masculinities in danmei reflect rising female creators’ subjectivities. Nevertheless, danmei’s political implications in China are limited and cannot be generalized as a move to overthrow the patriarchy or oversimplified as a step towards a feminist movement. Among the different archetypes of relationships, the pairing of two strong male characters enjoys the most popularity, which attests to women’s projection of independent subjectivity and rising neoliberal sensibilities in China. However, these emergent masculinities, initiated by female creators, persist in negotiations with the market and the state. The danmei industry in China, although subject to stringent surveillance, continues to flourish through underground avenues such as piracy and overseas purchasing agents.

Feature Film as a Literary Work

The relationships between feature film and literature are typically conceptualized from the perspective of film adaptations. Although numerous shared points between them are noticeable, typically feature films are not treated as literary works tout court.The paper focuses on the difference between the medium and literature, which allows us to look at any feature film as literature in the film medium. “Empirical media studies” (U. Saxer, W. Faulstich) provides the methodological foundation for the paper, and three representative examples are discussed. The first two are extremely different from each other: a feature film preceding a novel (Alien by R. Scott and Alien by A.D. Foster), and the opposite variant, i.e. a feature film based on a novel in the book medium (Barry Lyndon by S. Kubrick and The Memoirs of Barry Lyndon by W.M. Thackeray). The third example (Love Story by A. Hiller and Love Story by E. Segal) is intermediate: the feature film and the novel were released at the same time (Segal wrote the novel based on his ownscenario during the production of the film). The examples analyzed, together with theoretical considerations, show that it is not the so-called “language of film” that makes a film a work of art, but its “literary-logical continuum” (Faulstich), which supports the thesis that all literature is mediated, and that traditional considerations regarding film adaptation should include the issue of literary media to a greater extent.

“It changed my whole entire thinking”: Identifying narrative elements in medical affidavit writing for asylum seekers

The medical affidavit is critically significant for asylum seekers. Studies have shown that asylum seekers applying with a medical affidavit (versus without a medical affidavit) have double the success rate. There are many training resources for clinician-evaluators on the interviewing process, but little instruction exists on the affidavit writing process. Our objective was to identify the most common narrative elements in medical affidavits of successful (versus unsuccessful) asylum seekers to provide further writing guidance for clinician-evaluators. We hypothesized that these elements, when thoughtfully employed, help clinician-evaluators best represent their clients in the US immigration system. We focused on the most vulnerable applicants: those applying after the one-year deadline. Using grounded theory, we coded 23 affidavits filed after the one-year deadline for narrative elements. We identified seven narrative elements more common in medical affidavits of asylum seekers who filed after the one-year deadline and were successful: (1) Recommending specific clinical interventions; (2) Quoting elevated diction by the client; (3) Using headlines; including anecdotes that describe (4) The client forming human connections, (5) Archetypal female characters, (6) Love stories, or (7) Moments of realization.

The Story of Romantic Love and Polyamory

ABSTRACTThis article explores the relationship between romantic love and polyamory. Our central question is whether traditional norms of monogamy can be excised from romantic love so as to harmonize with polyamory's ethical dimensions (as we construe them). How one answers this question bears on another: whether ‘polyamory’ should principally be understood in terms of romantic love or instead some alternative conception(s). Our efforts to address these questions begin by briefly motivating our favored approach to romantic love, a ‘narratival’ one inspired by 1930s cultural theorist Denis de Rougemont, wherein such love is exclusive, supernatural or promising transcendence, painful, impeded, and, ultimately, fatal. We maintain that, even once exclusivity is removed as an official component, tensions with polyamory's ethical dimensions remain: romantic love's other elements rationalize acting and feeling in ways that privilege a singular beloved above others. A tempting solution is to further revise romantic love. However, we are skeptical that this leaves space for distinctively romantic love. Our tentative proposal, then, is that polyamory's ethical dimensions favor rejecting romantic love as ultimately desirable.

Twenty-Four Seconds from Now…:A LOVE Story by Jason Reynolds (review)

Twenty-Four Seconds from Now…:A LOVE Story by Jason Reynolds (review)

Big Trip 2: Three Love Stories Near the Railroad

Big Trip 2: Three Love Stories Near the Railroad

A Hermeneutic Analysis of the Love Relationship in the Movie "A Chinese Odyssey"

The movie "A Chinese Odyssey", as a surrealistic magic movie, became a cultural totem in the late nineties, and the main love story as a clue throughout the whole drama has always been enjoyed by people. Characters such as Supreme Treasure and Zixia Fairy have unique love relationships, and the movie weaves a complex web of love. In this paper, the famous psychoanalyst Lacan's philosophical theories are used to hermeneutically analyze the love relationship in the movie, so as to prove the impossible truth of love in A Chinese Odyssey.

“Friend in Need”: Cultivating homosocial communities in Love Story Magazine's fiction and editorial departments

“Friend in Need”: Cultivating homosocial communities in <i>Love Story Magazine</i>'s fiction and editorial departments

Using creative methodology to explore LGBTQ+ love and relationship experiences across the lifespan: Developing inclusive and healthy spaces through positive intergenerational exchange

IntroductionImportant lessons can be learned from the intergenerational sharing of lifetime love and relationship stories between multigenerational LGBTQ + people, to inform education, healthcare, and policy. However, such exploratory studies have been limited. The aim of this co-creation study was to explore younger and older peoples’ LGBTQ + love and relationship experiences using creative methodology. MethodsThree 2-h virtual fictional writing and storytelling workshops were conducted at the height of the COVID-19 pandemic in Edinburgh, Scotland. Participants included 2 middle-aged adults; 3 older adults aged 55+; and 5 youths who identified as either lesbian, gay, bisexual, transgender or queer. Participants’ stories were audio-recorded, transcribed and thematically-analyzed to capture understandings of intergenerational knowledge exchange and LGBTQ + love and relationships across sociocultural and environmental contexts. Diverse experiences were unpacked and shared through a self-reflexive creative writing process. FindingsParticipants identified the act of storytelling and fictional writing as particularly liberating, providing a platform for voice and reflexivity. The reflexive analysis highlighted the importance of reflexivity and the careful navigation of intersectionality and power within research contexts. Our introspective analysis resulted in valuable future directions for employing creative methodologies to further explore diverse experiences within LGBTQ + research. ConclusionsParticipants reported that being able to craft their stories was a freeing experience, enabling sense-making to occur. Using creative methodology was demonstrated as an effective way to facilitate intergenerational engagement, and bring to light the complexities of LGBTQ + love and relationships across generations in a safe environment.