Reviewed by: John Donne and Early Modern Legal Culture: The End of Equity in the Satyres by Gregory Kneidel Anne James (bio) Gregory Kneidel. John Donne and Early Modern Legal Culture: The End of Equity in the Satyres. Duquesne UP, 2015, $59, cloth. In John Donne and Early Modern Legal Culture: The End of Equity in the Satyres, Gregory Kneidel provides a fresh perspective on Donne’s five-numbered satyres, which have been the subject of only one previous book-length study (M. Thomas Hester, Kind Pitty and Brave Scorn: John Donne’s Satyres, Duke UP, 1982). In contrast to previous scholars, who have generally paid [End Page 512] scant attention to Donne’s legal training, Kneidel argues in his introduction that Donne was vitally engaged “in the legal controversies that pitted an emergent Anglo-American common-law tradition against rival jurisdictions, most importantly equity, but also Roman civil and canon law (the ius commune), parliamentary legislation, and royal prerogative” (3). Dating the poems to the period of Donne’s employment with Lord Keeper Thomas Egerton (1598–1602), Kneidel asserts that Donne “consistently criticizes the rationalization, centralization, formalization, and secularization of the law” (19), in which the drafting of laws becomes increasingly divorced from their enforcement. Each subsequent chapter focuses on one poem, examining its critique of a particular aspect of this process. Chapter 1 contextualizes Satyre 1 within the culture of the Inns of Court, reading it as a foundation for the later poems’ critique of the secularization of the law, already beginning in the 1590s although not completed for another century. The poem’s opening establishes a “pre-secular conception of law according to which the very function of law is to bind together the spiritual and the physical, to conjoin the truths of theology and philosophy with the particulars of history and poetry, and ultimately to ‘knytt’ and preserve ‘together’ the corpus civilis mysticum” (26). However, Donne’s unsuccessful attempts to control his unruly acquaintance by demanding promises his companion cannot keep, like the Inns’ efforts to regulate student behaviour, expose the growing tensions between this ideal and a system that increasingly wants “to present itself as impartial, impersonal, and rational” by “closing itself off from sexual desire, humanist ethics, and the literary imagination” (33). In Satyre 2, which Kneidel argues stages the debate between law and equity in both content and structure, Donne focuses on estate law. Making a strong case for identifying Edward Coke and the queen as “analogs” (80) for Donne’s portraits of Coscus and his “Lady,” Kneidel proposes that the poem targets “the calculated alignment of Coke’s antiquarian legal ideology and Elizabeth’s parsimonious fiscal feudalism” (55). Successful lawyers like Coke and Coscus thwarted the intent of the 1536 Statute of Uses (27 Hen 8 c 10), which was to benefit the crown, using it instead to acquire lands and secure permanent ownership within their own families. Although such unethical practices disadvantaged all hereditary landowners, their impact upon Catholic families like Donne’s was particularly severe. Donne’s primary concern, however, was to demonstrate the dangers being posed by a [End Page 513] legal system in which “the men who profited most from the system also built and regulated it” (67). In his reading of Satyre 3, Kneidel turns to “the legal role of paternal and state authority in enforcing marriage contracts and, by analogy, in assuring religious conformity” (86). English marriage law attempted to balance Roman law, which granted parents’ absolute authority over their children, with medieval canon law, which protected children from coercion in marriage negotiations, fearing that unqualified support for liberty of conscience could also justify political rebellion. Similarly, Elizabeth’s government enforces membership in the English church, despite recognizing the sacred and ultimately unknowable relationship between the individual and God, a dilemma Donne enacts by charging his reader both to “Seeke true religion” (l. 44) and to ask advice from a father. This discussion contributes to Kneidel’s theme that Donne recognizes the problems of a system in transition: should contracting a marriage or choosing a religion require a judicious application of the principle of equity or should officials apply inflexible laws? Although critics have generally assumed...
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