Reviewed by: Writing/Righting History. Twenty-five Years of Recovering the US Hispanic Literary Heritage ed. by Antonia Castañeda and Clara Lomas Martín Camps Castañeda, Antonia, and Clara Lomas, editors. Writing/Righting History. Twenty-five Years of Recovering the US Hispanic Literary Heritage. Arte Público Press, 2019, pp. 523. ISBN 978-1-55885-880-0. This is the tenth volume of the Recovering the US Hispanic Heritage Literary Series, which contains documents reflections, testimonios, and essays that challenge the paradigms of American literature. This immense and commendable project has helped to define research careers of many scholars and benefited numbers of students across the United States. I myself have used one of the volumes for my own teachings of Latinx Literature as a way to present to students that Spanish was spoken in this land before Anglo settlers, and that Latinx culture is not a novelty but one with profound roots that compose the layered foundations of America. This commemorative volume, Writing/Righting History. Twenty-five Years of Recovering the US Hispanic Literary Heritage, comes at a time of revived anti-Hispanic rhetoric that makes the study of these cultural, historical and political issues an urgent matter of inquiry. The volume is a resource to addressing the challenges of shifting demographics by researching the Latino legacy, preserving it, and making it available. Indeed, as the volume mentions, the first generation of Latino academics in the 1970s was decimated because of their activism that went beyond their teaching and publishing. Senior scholars and department committees often scoffed at their Latino junior colleagues’ attempts to research a Latino legacy that for the majority simply did not or never existed. It was not until the mid 1980s that a core group of scholars interested in reconstructing this legacy finally achieved tenure and was thus free to research themes from their heritage that had previously fallen outside academic canons. (5) Once the glass ceiling “wall” was broken, the volume relates the hurdles of fundraising to maintain such a tremendous enterprise that would incorporate, as Nicolás Kanellos said: “the voices of the conqueror and the conquered, the revolutionary and the reactionary, the native and the uprooted or landless” (27). It is a pluralistic view that covers many identities and perspectives. The first six essays of this volume 10 concentrate on Coloniality. José Antonio Gurpegui writes about the long process of colonization in California when the Pacific Ocean was referred to as the “Spanish lake” and the crown was interested in establishing missions for the hard return trip or “tornaviaje.” Blanca López de Mariscal’s article researches religious texts during the Christianization process in New Spain as examples of the first studies of indigenous cultures; in the same line, Paloma Vargas Montes elaborates an ethnohistoric analysis of a manual for confession of the coahuitleca language. In José Angel Hernández’ essay, we learn the structures of colonization (not just an event) and the use of Mexicans in the US to pacify the northern frontiers. Bruno Ríos explores the concept of the intervened nation in the chronicles of Jesús Colón in Puerto Rico, and, in his essay, Juan Carlos Rozo Gálvez rescues the poetry of César G. Torres, a Puerto Rican poet absent from the literary anthologies of the polyphonic literature of the island. Part two of the book concentrates on the histories of the Californios and Neo Mexicanos. Rose Marie Beebe and Robert M. Senkewicz recover the voice (complicated/contradictory) of Mariano Guadalupe Vallejo whose “Recuerdos” provide a view to the Mexican California. Leigh Johnson studies the play “Kearny Takes Las Vegas” (1936) by Aurora Lucero-White set during the West’s invasion by the US Army to tell a romance story of Anglo soldiers with Mexican daughters to resolve border politics. A. Gabriel Meléndez unearths “Progreso literario,” a newspaper article from a Spanish-language weekly from 1896 that exhibits the desire of Mexican-American writers to produce a cultural movement and signals the talent of the era, such as Eusebio Chacón. In the following article, Francisco Lomelí exhumes Chacón’s detective fiction as an important cog (lawyer, community leader and writer...