Use Of Song Types Research Articles

Seasonal and diel plasticity of song type use in individual ovenbirds (Seiurus aurocapilla)

AbstractAnimal communication is an important aspect of ecology across taxa, and there is a growing area of research that examines how animals plastically adjust their signals to account for both abiotic and biotic factors. Song type use and the temporal plasticity of song have been described in many bird species, but as of yet, few studies have examined how song type use may change across both seasonal and diel timeframes, and no studies have considered individual‐level variation in plasticity. Using a hierarchical framework, we examined temporal patterns of primary and flight song use in ovenbirds (Seiurus aurocapilla; N = 21 individuals). We recorded ovenbird songs (N = 99,259) with autonomous recorders over 24‐hr periods once per week across a breeding season near Sault Ste. Marie, Canada. As predicted, the occurrence and frequency of both song types significantly decreased over the season and showed temporal separation over diel periods. Primary songs peaked at dawn and declined throughout the day, while flight songs peaked at dusk and night. Our results support that primary songs have multiple functions as they remained more frequent during dawn and morning across the breeding season, while flight songs likely serve an intersexual function as they decreased similarly for all diel periods as mating opportunities decreased. Individuals were consistent in how frequently they sang their primary songs, but not their flight songs, suggesting that flight songs are more plastically expressed. We highlight the importance of examining plasticity in animal communication at the individual level as we show that males significantly differed in both their song behaviours (random intercepts) and the seasonal plasticity (random slopes) in these behaviours. Integrating themes such as song type use, temporal plasticity, and individual variation will be important for examining the evolutionary mechanisms that shape animal communication systems.

Rock wrens preferentially use song types that improve long distance signal transmission during natural singing bouts

When animals are capable of producing variable signals they may preferentially use some signal types over others. Among songbirds, individuals are known to alter song type form and usage patterns in contest and mating situations, but studies have not examined how song choice improves signal efficacy during broadcast song. For this study we investigated rock wren Salpinctes obsoletus song type use rates during natural singing bouts. We tested three hypotheses for adaptive song use during broadcast song: 1) birds improve signal content by increasing the use of high quality songs, 2) birds optimize for signal propagation by preferentially using songs that transmit well, and 3) birds maintain energy by reducing the use of costly songs. The study included 19 058 songs sung by 12 individuals, each of which had a measured song repertoire of between 52 and 117 song types which were produced at highly variable rates. Results indicated that rock wrens did not preferentially sing song types with shorter durations or fewer frequency switches, as would be expected if they selected song types to minimize delivery costs. They also did not favor songs with more rapid trills or more frequency switches, as would be expected if they adjusted song use primarily to indicate quality. Focal birds did preferentially sing significantly longer songs with lower bandwidths, lower frequencies, and slower trill rates. Results suggest that natural broadcast singing patterns are shaped more by the benefits of long distance transmission than by the benefits of advertising performance ability or the costs of song production.

Learn it now, sing it later? Field and laboratory studies on song repertoire acquisition and song use in nightingales.

In many bird species, song changes with age. The mechanisms that account for such changes are only partially understood. Common nightingales Luscinia megarhynchos change the size and composition of their repertoire between their first and second breeding season. To inquire into mechanisms involved in such changes, we compared the singing of 1-year-old and older free-living nightingales. Older males have more song types in common than have 1-year olds. Certain song types frequently sung by older birds did not (or only rarely) occur in the repertoire of yearlings ('mature' song types). We conducted learning experiments with hand-reared nightingales to address reasons for the lack of mature song types. The acquisition success of mature songs was as good as that of control songs (commonly sung by both age groups). However, the analysis of song type use revealed that all yearlings sang common song types more often than mature types. This indicates that the absence of certain song types in the repertoires of free-living yearlings cannot be accounted for by learning and/or motor constraints during song learning. Moreover, our results suggest that in communication networks, animals may restrict the actual use of their signal repertoire to a certain subset depending on the context.

Individual Distinctiveness in the Fine Structural Features and Repertoire Characteristics of the Songs of White‐eared Ground‐sparrows

AbstractCommunication between social animals is often more effective when signals facilitate individual recognition. Two critical requirements for individual recognition are the occurrence of characteristics that are unique to each individual, and the consistency of these characteristics through time. In some animals, characteristics of acoustic signals are known to vary over time due to changes in a variety of factors, including physiological and environmental features. Such temporal variation requires careful evaluation when exploring the individual distinctiveness of animal signals. In this study, we evaluate individual distinctiveness in the songs of male white‐eared ground‐sparrows Melozone leucotis and the persistence of distinctive characteristics over time. We collected focal recordings from populations of banded ground‐sparrows during two consecutive breeding seasons, including multiple recording sessions within each breeding season. We evaluated individual distinctiveness in fine structural acoustic features of songs. We also extended our analysis to repertoire characteristics, focusing on whether the relative frequency of song type use may provide cues to individual identity. We found that each male white‐eared ground‐sparrow sang individually distinctive songs, although their fine structural features varied between recording sessions. We found the frequency with which males sang different song types was also individually distinctive, and this feature varied little between recording sessions. Receivers may be able to use these distinctive characteristics to differentiate individuals over extended time periods; this may be especially important for species that engage in long‐term social interactions, such as tropical birds that defend territories against rival conspecific animals throughout the year.

Song types and their structural features are associated with specific contexts in the banded wren

We studied the use of song types and their acoustic features in different social contexts in the banded wren (Thryothorus pleurostictus), a resident tropical songbird in which males possess about 20 distinctive song types varying in duration, bandwidth, note composition, and trill structure. We recorded six focal males intensively for four days each while we observed context information such as during versus after dawn chorus, presence of the female, counter-versus solo-singing, location at the edge versus centre of the territory, and proximity to the nest. All males used at least some song types differentially during each of these pairs of alternative contexts. Males also preferentially used the song types they shared with a given neighbour when interacting with that bird. Songs delivered during dawn chorus were significantly longer, wider in bandwidth, often compound (double songs), and more likely to contain a rattle or buzz and an up-sweeping trill, compared to songs delivered after dawn chorus. Similar features were also more commonly observed when birds were engaged in intense male-male interactions and boundary disputes after dawn chorus, especially when countersinging at the edge of the territory. The presence of the female caused the male to deliver song types with narrower whole-song and trill bandwidth and fewer rattles and buzzes, and song-type diversity and fraction of compound songs were higher when the female was present. Thus, in addition to using type matching and variations in song-type switching and diversity to signal different levels of aggressive intention, male banded wrens also select song types based on their acoustic structure in different social contexts.

Is Quantity of Song Type Use in Adult Birds Related to Singing During Development?

Songbirds with large vocal repertoires often show individually distinct profiles in the quantity of using their different song types. Factors involved in determining how often a song type is used have been identified in the social domain, e.g. the singing routines of territorial neighbours. In this study, I investigated the role of song development in the formation of individual performance profiles. I examined whether and how the amount of motor practice during vocal ontogeny would account for profiles of song type use in the adult singing. The study was carried out on hand-reared nightingales (Luscinia megarhynchos) which are particularly appropriate subjects for this kind of approach. A clear positive relationship was discovered between the ontogenetic 'age' of imitations (i.e. time of emergence) and the performance rate of these song patterns. Also time of emergence played a role in whether song patterns were discarded from the adult repertoire. I assume that vocal practice plays a role in selectively consolidating song type memories, whose respective strengths then contribute to differential performance observed in the adult birds.

Captive and free living European starlings use differently their song repertoire

Differential use of song types according to context appears to be a common feature in songbirds. However, little is known about the effect that captivity can have on repertoire use. Vocal behaviour of 4 wild and 4 captive American male starlings observed during the same period was compared. Results showed that the quality and the quantity of song produced differed between the 2 situations. It appeared clearly that social environment plays a deciding role in the use of song in starlings. These results also indicate that birds do not necessarily produce the totality of their “repertoire” in different social contexts.

Organization of Whistled Song Sequences in the European Starling

The analysis of sequences of whistles in male Starlings showed a very clear organization. The same main characteristics were found among different birds. All birds tended to repeat a given whistle type several times before switching. The intervals between successive whistles were shorter if the transition was a normally preferred one (e.g. repetition). The different birds tended to begin and end their sequences in a similar way, using preferentially the simple theme to begin their sequence after, for example, arriving at the nest. This revealed a differential use of song types. They tended to finish their sequences with individual structures, while beginning with the species-specific themes. The results on the organization of these songs is discussed in relation to inter-individual interactions and the phenomenon of song matching.

Use of song types by the Chestnut-sided Warbler: evidence for both intra- and inter-sexual functions

Males of many wood warbler (Parulinae) species use different song types in different contexts, yet the exact functions of the two main song type categories remain unclear. We studied the use of songs by both experimental (males whose mate had been removed from the territory) and control male Chestnut-sided Warblers (Dendroica pensylvanica) during the dawn hour and midmorning throughout the breeding season. Unpaired males sang more accented-ending songs and fewer unaccented-ending songs than paired males during all observation periods. Accented-ending songs appeared to be used primarily in the absence of intrasexual stimuli, and the percentage of unaccented-ending songs that was used during the nesting cycle appeared to fluctuate directly with the intensity of defense by the male of both his female and his territory. During courtship the male sang accented-ending songs on those infrequent occasions when he did sing in the immediate presence of his female, regardless of her location and the presence or absence of other males. These critical observations seem most consistent with the conclusion that the accented-ending songs are primarily intersexual. The unaccented- and accented-ending categories of song types appear to be used mainly as intra- and inter-sexual messages, respectively.

Song types in the corn buntingEmberiza calandra: Matching and discrimination

Corn Bunting populations in Central England have 2 song types, during spontaneous singing they are sung approximately equally frequently and in bouts. Playback of song does not elicit song matching. The tendency to approach the source of playback wanes with repeated presentation of song — the birds habituate. The approach response is restored by playback of the other song type (dishabituation) — evidence that Corn Buntings can discriminate between song types. The functional significance of song types and the reason for differences in song type use between British and European populations remain unclear.