Click to increase image sizeClick to decrease image size Notes 1 Hito Steyerl, ‘Politics of Art: Contemporary Art and the Transition to Post-Democracy’, e-flux Journal, 21 (2010) < http://www.e-flux.com/journal/politics-of-art-contemporary-art-and-the-transition-to post-democracy/> [01/06/2011]. 2 See for example the Occupy Wall St Arts and Labour group in New York or the Arts Against Cuts group in London. 3 Gary Genosko, Félix Guattari: An Aberrant Introduction (London: Continuum, 2004), p.47. 4 Gilles Deleuze, Foucault (London: Athlone Press, 1999), p.70. 5 Gerald Raunig, ‘Transversal Multitudes’, Transversal, (2002) < http://eipcp.net/transversal/0303/raunig/en> [01/10/2002]. 6 See the practices of groups such as UltraRed, Platforma 9.81, Park Fiction, Platform London, and events such as the Fadiat Borderline Academy in Tarifa, 2004. 7 Four ‘Long’ or ‘Direct’ Weekends took place at the Slade College of Art, Goldsmiths Students Union, Camberwell College of Art and the University of London Union in 2010 and 2011. For further details, see Precarious Workers Brigade, ‘Fragments Toward an Understanding of a Week that Changed Everything…’, e-flux Journal, 24 (2011) < http://www.e-flux.com/journal/fragments-toward-an-understanding-of-a-week-that-changed-everything%E2%80%A6/> 8 See Arts Against Cuts flyers at: < http://artsagainstcuts.wordpress.com/2011/03/22/march-26-posters-print-post-hand-out/>; < http://artsagainstcuts.wordpress.com/2010/12/02/arts-against-cuts-the-long-weekend/>; < http://artsagainstcuts.wordpress.com/2010/12/03/arts-against-cuts-the-long-weekend-flyers/> 9 See Arts Against Cuts flyer where Marina Abramovic and Ai Weiwei are listed alongside others who were actually going to be there: < http://sladeoccupation.wordpress.com/2010/12/04/long-weekend-at-goldsmiths-underway/> 10 ‘Another World: Michelle Kuo Talks with David Graeber’, Artforum International, Summer 2012, p.270. 11 Deleuze and Guattari's concept of an assemblage of enunciation insists that language and the moment of enunciation cannot be separated from the collective formation that utters it. See Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, p.79. 12 Suely Rolnik, ‘The Geopolitics of Pimping’, trans. Brian Holmes, Transversal (2006) < http://eipcp.net/transversal/1106/rolnik/en>[18/01/2007]. 13 Roland Barthes, ‘Death of the Author’, Image, Music, Text, trans. Stephen Heath (London: Fontana, 1977), pp.142–148. 14 Nicolas Bourriaud, Relational Aesthetics, trans. Simon Pleasance and Fronza Woods (Paris: Les Presse du Réel, 1998). 15 Suely Rolnik, ‘The Geopolitics of Pimping’ 16 Suely Rolnik, ‘The Geopolitics of Pimping’ 17 Suely Rolnik, ‘The Geopolitics of Pimping’ 18 Suely Rolnik, ‘The Body's Contagious Memory: Lygia Clark's Return to the Museum’, trans. Rodrigo Nunes, Transversal (2007) < http://www.eipcp.net/transversal/ 0507/rolnik/en> [29/05/2008]. 19 Franco Berardi, The Soul At Work: From Alienation to Autonomy, trans. Francesca Cadel and Guiseppina Mecchia (Los Angeles: Semiotext(e) 2009), p.32. 20 Maurizio Lazzarato ‘Immaterial Labour’, trans. Paul Colilli and Ed Emory, in Paolo Virno and Michael Hardt, eds., Radical Thought in Italy: A Potential Politics (Minneapolis: University of Minnesota Press, 2006), pp.132–146. 21 For further discussion of the overlaps between notions of cultural labour and immaterial labour see Stefano Harney, ‘Programming Immaterial Labour’ < http://www.generation-online.org/c/fc_immateriallabour6.htm> [01/092012]. 22 Kate Oakley, Brooke Sperry and Andy Pratt, The Art of Innovation: How Fine Arts Graduates Contribute to Innovation, ed. Hasan Bakhshi (NESTA, 2008). 23 For discussion of the artist as entrepreneur see: Marion von Osten, ‘Unpredictable Outcomes/ Unpredictable Outcasts: A Reflection After Some Years of Debates on Creativity and Creative Industries’, Transform, (2007) < http://eipcp.net/transversal/0207/vonosten/en> [14/3/2008] and Brian Holmes, ‘The Flexible Personality: For a New Cultural Critique’, Transversal, (2001) < http://transform.eipcp.net/transversal/1106/holmes/en>[01/12/2003]. 24 Erin Manning and Brian Massumi, ‘Grasping the Political in the Event: Interview with Maurizio Lazzarato’, Inflexions, 3 (2009) < http://www.senselab.ca/inflexions/volume_4/n3_lazzaratohtml.html> [10/03/2012]. 25 Suely Rolnik, ‘The Body's Contagious Memory'. 26 Gilles Deleuze and Felix Guattari, Anti-Oedipus, Capitalism and Schizophrenia, trans. by Robert Hurley, Mark Seem and Helen R. Lane (London: Athlone Press, 1984), p.29. 27 Suely Rolnik, ‘The Body's Contagious Memory’ 28 Suely Rolnik, ‘The Body's Contagious Memory’ 29 Take for example the ICA who curated their Season of Dissent in the midst of the explosion of student demonstration right outside it's doorstep in 2010 without reference to or solidarity with those events, or to the major turmoil of de-funding and staff cuts happening within its own four walls at the time. 30 Consider the slogan ‘Cut us, don't kill us’ used in a Mark Tichner poster commissioned by the Save the Arts campaign in 2010 < http://savethearts-uk.blogspot.co.uk/> 31 See Claire Bishop, ‘Antagonism and Relational Aesthetics’, October, 110 (2004), pp.51–79; Liam Gillick's response to Clare Bishop's ‘The Social Turn: Collaboration and Its Discontents’, Artforum, XLIV 6 (2006), pp.178–183 and Grant Kester, ‘Lessons in Futility: Francis Alys and the Legacy of May ‘68’, Third Text, 23.4 (2009), pp.407–420. 32 Bourriaud, Relational Aesthetics, p.16. 33 Bourriaud, Relational Aesthetics, p.8. 34 Bourriaud, Relational Aesthetics, pp.16–17. 35 Bourriaud, Relational Aesthetics, p.17. 36 See for example, Harold Pinter, The Birthday Party (London: Faber and Faber, 1991). 37 Paolo Virno, A Grammar of the Multitude: For an Analysis of Contemporary Forms of Life, trans. Isabella Bertoletti, James Cascaito and Andrea Casson (Los Angeles: Semiotext(e), 2004), pp.89–92. 38 Martin Heidegger, Being and Time, trans. John Macquarrie and Edward Robinson (Oxford: Blackwell, 1995), p.35. 39 Gary Genesko (ed.), The Guattari Reader (Oxford: Blackwell, 1996), p.120 (my emphasis). 40 Franco Berardi, The Soul At Work, p.108. 41 Stewart Martin, ‘Critique of Relational Aesthetics’, Third Text, 21 (2007), p.370. 42 For discussion see: Andy Pratt and Paul Jeffcut (eds.), Creativity, Innovation and the Cultural Economy, (London: Routledge, 2009). 43 Félix Guattari, Molecular Revolution: Psychiatry and Politics, trans. Rosemary Sheed (Harmondsworth and New York: Penguin Books, 1984). 44 Félix Guattari, ‘Discursive Interlude: Institutional Practice and Politics’, p.112. 45 Deleuze and Guattari, Anti-Oedipus, p.29. 46 Paul Patton, Deleuze and the Political (London: Routledge, 2000), p.71. 47 Félix Guattari, Chaosophy, Texts and Interviews 1972–1977, trans. David L. Sweet, Jarred Becker, and Taylor Adkins and ed. Sylvere Lotringer (Los Angeles: Semiotext(e), 2009), p.152. 48 Félix Guattari as quoted in Gilles Deleuze, Desert Islands and Other Texts 1953–1974, trans. Michael Taormina and ed. David Lapoujade (Los Angeles and London: Semiotext(e), 2004), p.193. 49 See Franco Berardi, The Soul At Work and Paolo Virno, The Grammar of the Multitude. 50 Guattari, Molecular Revolution, Psychiatry and Politics, pp.63–83. 51 Gary Genosko, Félix Guattari, p.124. 52 Félix Guattari, ‘Discursive Interlude: Institutional Practice and Politics’, in The Guattari Reader, ed. Gary Genesko (Oxford: Blackwell, 1996), p.11 53 Félix Guattari, Molecular Revolution: Psychiatry and Politics, p.132. 54 Erin Manning and Brian Massumi, ‘Grasping the Political in the Event: Interview with Maurizio Lazzarato’ Inflexions, 3 (2009) < http://www.senselab.ca/inflexions/>[10/03/2012]