There is much support nationwide for reforming the middle school curriculum by making it more thematic, integrated, and relevant to real life needs. The assembly of discrete, sequential content offerings has given way to an emphasis on demonstrating how knowledge from different fields is related and how this knowledge can be translated to the world outside the classroom (Curriculum Task Force, 1993). At last, the notion of bringing learning to life is an accepted and a preferred mode of instructional design. As a result, this column will show how curricular integra tion, with its focus on lifelong learning, can be accom plished through the use of poetry. To paraphrase Ellenwood and McLaren (1994), good [poetry] litera ture, like life is not only complex, it is thoroughly inter disciplinary (p. 46). In the integrated curriculum, poetry can be used to introduce themes, bring attention to critical issues relat ed to the theme or the novel used, or to offer alternative perspectives. Students can also be encouraged to write poetry in response to novels, themes, and issues within an integrated unit. poetry becomes a natural part of the integrated unit, students will be more apt to understand poetry as a natural part of their lives. The significance of an integrated curriculum is that it allows teachers to organize curriculum around themes, problems, or essential questions that students find more engaging than traditional, discipline bound instruction. Critical to an integrated curriculum is finding ways to make learning relevant to students' lives. As human beings, we do not live or experience life according to fragmented subject areas. Life itself is integrated. Brain research supports this notion of integration in revealing that one key function of the brain is to search for com mon patterns and relationships (Caine & Caine, 1994). the curriculum is divided artificially into disci plines, making those connections that lead to meaning ful learning is more difficult. New information becomes meaningful when it is packaged in relevant, complex, and highly social interactive experiences (p. 43). Emotion is also an essential in learning. Concepts and memories are tied to emotion, giving a sense of real ity to what we do and think (Caine & Caine, 1994). Connections can be made when the subject is personal ly meaningful. When we ignore the emotional compo nents of any subject we teach, we actually deprive stu dents of meaningfulness (p. 58). Often, examples of integrated units include, or are based on, novels. Using literature as a vehicle of integra tion is supported by research. Studies have revealed that students who read more become better readers and that teachers need to place a high value on reading by pro viding opportunities for students to engage in reading for information and pleasure (Templeton, 1991). Thus, the result of using literature as a starting point to cut across curricular lines is a natural one. Using poetiy to introduce and support exploration in integrated units provides a connecting thread from issues, information, and emotions to the lives of our students.